Member Profiles
Ora Jones
Biography
Ora Jones was most recently seen as Rose in The Children at Steppenwolf. She also appeared in Familiar, The Roommate, and The Doppelgänger (an international farce) in the past few seasons there. Other Steppenwolf productions include The Wheel, Middletown, The Brother/Sister Plays, Three Sisters, The Unmentionables, The Violet Hour, Carter’s Way, and Morning Star. Her Broadway roles include Madame de Volanges in Les Liaisons Dangereuses at the Booth, and Mrs. Phelps in Matilda the Musical, both at the Shubert and in the first national tour. Some Chicago roles include Katherine of Aragon in Henry VIII, Queen Charlotte in The Madness of George III, Maria in Twelfth Night, Lucienne in A Flea in Her Ear, and the Nurse in Sunday in the Park with George, for Chicago Shakespeare Theater; Essie Miller in Ah, Wilderness, Mrs. Rittenhouse in Animal Crackers, Claire in Proof, Ana in Seeking the Genesis, and Elizabeth I in The Beard of Avon, for the Goodman Theatre; Jaclyn in Joel Drake Johnson’s Rasheeda Speaking for Rivendell Theatre; Rita Jeffries in My Kind of Town for Timeline Theatre; the Stage Manager in Our Town for Writers Theatre; and Gwen in Execution of Justice for About Face Theatre. Regional and other New York credits include performances at Long Wharf Theatre, Yale Repertory, Manhattan Theatre Club, Public Theatre, Milwaukee Repertory, Next Act, and a particular favorite, the role of Mrs. Muller in Doubt for The Weston Playhouse in Weston, VT, directed by Malcolm Ewen. Some film and television appearances include Consumed, Were the World Mine, Stranger than Fiction, Betrayal, and Chicago Fire. Film: Consumed, Were the World Mine, Stranger than Fiction, The Weatherman, Chicago Cab, Kubuku Rides (This is It). Television: Chicago Fire, Betrayal. Awards: Chicago Magazine 2011, Best Actress; Black Theatre Alliance Award, Seeking the Genesis; After Dark Award, A Flea in Her Ear, Our Town
Watch & Listen
Ensemble member Amy Morton with Ora Jones and Shannon Cochran
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The Unmentionables in Production
In a posh home in a small town in Africa, a wealthy American entrepreneur, flamboyant government representative, young Christian missionary and his girlfriend meet by accident. One of them goes missing.Shannon Cochran and ensemble member Amy Morton
credit:
The Unmentionables in Production
In a posh home in a small town in Africa, a wealthy American entrepreneur, flamboyant government representative, young Christian missionary and his girlfriend meet by accident. One of them goes missing.Ensemble member Amy Morton, Ora Jones, ensemble member Rick Snyder, Kenn E. Head and Lea Coco
credit:
The Unmentionables in Production
In a posh home in a small town in Africa, a wealthy American entrepreneur, flamboyant government representative, young Christian missionary and his girlfriend meet by accident. One of them goes missing.Ensemble member Rick Snyder, Shannon Cochran, ensemble member Amy Morton and Lea coco
credit:
The Unmentionables in Production
In a posh home in a small town in Africa, a wealthy American entrepreneur, flamboyant government representative, young Christian missionary and his girlfriend meet by accident. One of them goes missing.Kenn E. Head, Chike Johnson and Adeoye
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The Unmentionables in Production
In a posh home in a small town in Africa, a wealthy American entrepreneur, flamboyant government representative, young Christian missionary and his girlfriend meet by accident. One of them goes missing.Shannon Cochran
credit:
The Unmentionables in Production
In a posh home in a small town in Africa, a wealthy American entrepreneur, flamboyant government representative, young Christian missionary and his girlfriend meet by accident. One of them goes missing.Kenn E. Head
credit:
The Unmentionables in Production
In a posh home in a small town in Africa, a wealthy American entrepreneur, flamboyant government representative, young Christian missionary and his girlfriend meet by accident. One of them goes missing.Kenn E. Head, Lea Coco, ensemble member Amy Morton, Shannon Cochran, Ora Jones and ensemble member Rick Snyder
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The Unmentionables in Production
In a posh home in a small town in Africa, a wealthy American entrepreneur, flamboyant government representative, young Christian missionary and his girlfriend meet by accident. One of them goes missing.Ensemble member Rick Snyder with Chike Johnson
credit:
The Unmentionables in Production
In a posh home in a small town in Africa, a wealthy American entrepreneur, flamboyant government representative, young Christian missionary and his girlfriend meet by accident. One of them goes missing.Ensemble member Rick Snyder, Shannon Cochran and ensemble member Amy Morton
credit: Michael Brosilow
The Unmentionables in Production
In a posh home in a small town in Africa, a wealthy American entrepreneur, flamboyant government representative, young Christian missionary and his girlfriend meet by accident. One of them goes missing.Shannon Cochran; ensemble member Amy Morton, Ora Jones and Shannon Cochran
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Behind the Scenes of The Unmentionables
Behind the scenes of The Unmentionables by Bruce Norris.Shannon Cochran and ensemble member Amy Morton; Kenn E. Head
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Behind the Scenes of The Unmentionables
Behind the scenes of The Unmentionables by Bruce Norris.Ensemble member Amy Morton, Ora Jones, ensemble member Rick Snyder, Kenn E. Head and Lea Coco
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Behind the Scenes of The Unmentionables
Behind the scenes of The Unmentionables by Bruce Norris.Kenn E. Head, Jon Hill, Shannon Cochran and Lea Coco
credit:
Behind the Scenes of The Unmentionables
Behind the scenes of The Unmentionables by Bruce Norris.Ora Jones, Shannon Cochran and Lea Coco
credit: Michael Brosilow
Behind the Scenes of The Unmentionables
Behind the scenes of The Unmentionables by Bruce Norris.Lee Stark and ensemble member Tim Hopper
credit: Michael Brosilow
The Crucible in Production
When teenage girls are discovered trying to conjure spirits, the 17th century town of Salem explodes with accusations of witchcraft. The vicious trials that follow expose a community paralyzed by fear, religious extremism and greed.ensemble members Tim Hopper and Ora Jones
credit: Michael Brosilow
The Crucible in Production
When teenage girls are discovered trying to conjure spirits, the 17th century town of Salem explodes with accusations of witchcraft. The vicious trials that follow expose a community paralyzed by fear, religious extremism and greed.ensemble members James Vincent Meredith and Alana Arenas
credit: Michael Brosilow
The Crucible in Production
When teenage girls are discovered trying to conjure spirits, the 17th century town of Salem explodes with accusations of witchcraft. The vicious trials that follow expose a community paralyzed by fear, religious extremism and greed.Kelly O'Sullivan and ensemble member Ian Barford
credit: Michael Brosilow
The Crucible in Production
When teenage girls are discovered trying to conjure spirits, the 17th century town of Salem explodes with accusations of witchcraft. The vicious trials that follow expose a community paralyzed by fear, religious extremism and greed.ensemble members Ian Barford and Sally Murphy
credit: Michael Brosilow
The Crucible in Production
When teenage girls are discovered trying to conjure spirits, the 17th century town of Salem explodes with accusations of witchcraft. The vicious trials that follow expose a community paralyzed by fear, religious extremism and greed.ensemble member Francis Guinan, Tim Edward Rhoze and ensemble member Ian Barford
credit: Michael Brosilow
The Crucible in Production
When teenage girls are discovered trying to conjure spirits, the 17th century town of Salem explodes with accusations of witchcraft. The vicious trials that follow expose a community paralyzed by fear, religious extremism and greed.Maury Cooper as Giles Corey
credit: Michael Brosilow
The Crucible in Production
When teenage girls are discovered trying to conjure spirits, the 17th century town of Salem explodes with accusations of witchcraft. The vicious trials that follow expose a community paralyzed by fear, religious extremism and greed.scene from Act One
credit: Michael Brosilow
The Crucible in Production
When teenage girls are discovered trying to conjure spirits, the 17th century town of Salem explodes with accusations of witchcraft. The vicious trials that follow expose a community paralyzed by fear, religious extremism and greed.ensemble member Alan Wilder, Tim Rhoze and ensemble member Franics Guinan
credit: Michael Brosilow
The Crucible in Production
When teenage girls are discovered trying to conjure spirits, the 17th century town of Salem explodes with accusations of witchcraft. The vicious trials that follow expose a community paralyzed by fear, religious extremism and greed.Kelly O'Sullivan as Abigail Williams
credit: Michael Brosilow
The Crucible in Production
When teenage girls are discovered trying to conjure spirits, the 17th century town of Salem explodes with accusations of witchcraft. The vicious trials that follow expose a community paralyzed by fear, religious extremism and greed.ensemble member Tim Hopper as Reverend Hale
credit: Michael Brosilow
The Crucible in Production
When teenage girls are discovered trying to conjure spirits, the 17th century town of Salem explodes with accusations of witchcraft. The vicious trials that follow expose a community paralyzed by fear, religious extremism and greed.scene from Act Three
credit: Michael Brosilow
The Crucible in Production
When teenage girls are discovered trying to conjure spirits, the 17th century town of Salem explodes with accusations of witchcraft. The vicious trials that follow expose a community paralyzed by fear, religious extremism and greed.ensemble member Ora Jones as Tituba
credit: Michael Brosilow
The Crucible in Production
When teenage girls are discovered trying to conjure spirits, the 17th century town of Salem explodes with accusations of witchcraft. The vicious trials that follow expose a community paralyzed by fear, religious extremism and greed.scene from Act Three
credit: Michael Brosilow
The Crucible in Production
When teenage girls are discovered trying to conjure spirits, the 17th century town of Salem explodes with accusations of witchcraft. The vicious trials that follow expose a community paralyzed by fear, religious extremism and greed.Mildred Langford, Lucy Carapetyan and Kelly O'Sullivan
credit: Michael Brosilow
The Crucible in Production
When teenage girls are discovered trying to conjure spirits, the 17th century town of Salem explodes with accusations of witchcraft. The vicious trials that follow expose a community paralyzed by fear, religious extremism and greed.scene from Act One
credit: Michael Brosilow
The Crucible in Production
When teenage girls are discovered trying to conjure spirits, the 17th century town of Salem explodes with accusations of witchcraft. The vicious trials that follow expose a community paralyzed by fear, religious extremism and greed.Ensemble member Eric Simonson and stage manager Malcolm Ewen
credit: Jay Geneske
Carter's Way in Rehearsal
The cast and crew of Carter's Way in rehearsal for ensemble member Eric Simonson's play.Ensemble member James Vincent Meredith as Oriole
credit: Jay Geneske
Carter's Way in Rehearsal
The cast and crew of Carter's Way in rehearsal for ensemble member Eric Simonson's play.Ensemble member James Vincent Meredith as Oriole
credit: Jay Geneske
Carter's Way in Rehearsal
The cast and crew of Carter's Way in rehearsal for ensemble member Eric Simonson's play.Ensemble member Ora Jones as Marilyn
credit: Jay Geneske
Carter's Way in Rehearsal
The cast and crew of Carter's Way in rehearsal for ensemble member Eric Simonson's play.Ensemble members Ora Jones and James Vincent Meredith
credit: Jay Geneske
Carter's Way in Rehearsal
The cast and crew of Carter's Way in rehearsal for ensemble member Eric Simonson's play.Anne Adams as Eunice
credit: Jay Geneske
Carter's Way in Rehearsal
The cast and crew of Carter's Way in rehearsal for ensemble member Eric Simonson's play.Playwright and director Eric Simonson
credit: Jay Geneske
Carter's Way in Rehearsal
The cast and crew of Carter's Way in rehearsal for ensemble member Eric Simonson's play.Ensemble member K. Todd Freeman as Pewee
credit: Jay Geneske
Carter's Way in Rehearsal
The cast and crew of Carter's Way in rehearsal for ensemble member Eric Simonson's play.Ensemble members Ora Jones and James Vincent Meredith
credit: Michael Brosilow
Carter's Way in Production
It’s 1935. In America, it’s the middle of the Great Depression. The scene is hopping with recording deals and jam-packed clubs like Planet Mars, where life revolves around Oriole Carter, a brilliant black saxophonist who leads the house band.Ensemble member Ora Jones and Keith Kupferer
credit: Michael Brosilow
Carter's Way in Production
It’s 1935. In America, it’s the middle of the Great Depression. The scene is hopping with recording deals and jam-packed clubs like Planet Mars, where life revolves around Oriole Carter, a brilliant black saxophonist who leads the house band.Calvin Dutton and ensemble member Ora Jones
credit: Michael Brosilow
Carter's Way in Production
It’s 1935. In America, it’s the middle of the Great Depression. The scene is hopping with recording deals and jam-packed clubs like Planet Mars, where life revolves around Oriole Carter, a brilliant black saxophonist who leads the house band.Ensemble member Ora Jones
credit: Michael Brosilow
Carter's Way in Production
It’s 1935. In America, it’s the middle of the Great Depression. The scene is hopping with recording deals and jam-packed clubs like Planet Mars, where life revolves around Oriole Carter, a brilliant black saxophonist who leads the house band.Ensemble member Robert Breuler
credit: Michael Brosilow
Carter's Way in Production
It’s 1935. In America, it’s the middle of the Great Depression. The scene is hopping with recording deals and jam-packed clubs like Planet Mars, where life revolves around Oriole Carter, a brilliant black saxophonist who leads the house band.Ensemble member James Vincent Meredith and Anne Adams
credit: Michael Brosilow
Carter's Way in Production
It’s 1935. In America, it’s the middle of the Great Depression. The scene is hopping with recording deals and jam-packed clubs like Planet Mars, where life revolves around Oriole Carter, a brilliant black saxophonist who leads the house band.Ensemble member James Vincent Meredith and Anne Adams
credit: Michael Brosilow
Carter's Way in Production
It’s 1935. In America, it’s the middle of the Great Depression. The scene is hopping with recording deals and jam-packed clubs like Planet Mars, where life revolves around Oriole Carter, a brilliant black saxophonist who leads the house band.Keith Kupferer and ensemble member Robert Breuler
credit: Michael Brosilow
Carter's Way in Production
It’s 1935. In America, it’s the middle of the Great Depression. The scene is hopping with recording deals and jam-packed clubs like Planet Mars, where life revolves around Oriole Carter, a brilliant black saxophonist who leads the house band.Ensemble member K. Todd Freeman
credit: Michael Brosilow
Carter's Way in Production
It’s 1935. In America, it’s the middle of the Great Depression. The scene is hopping with recording deals and jam-packed clubs like Planet Mars, where life revolves around Oriole Carter, a brilliant black saxophonist who leads the house band.Michael Popgue and ensemble members James Vincent Meredith and Ora Jones
credit: Michael Brosilow
Carter's Way in Production
It’s 1935. In America, it’s the middle of the Great Depression. The scene is hopping with recording deals and jam-packed clubs like Planet Mars, where life revolves around Oriole Carter, a brilliant black saxophonist who leads the house band.Ensemble member Ora Jones
credit: Mark Campbell
Dream Chicago
Featuring pieces by seven contemporary Chicago writers, Dream Chicago celebrated the visionary dreams from the past that gave character to the “City of Big Shoulders” and inspired its people to imagine a collective future. Dream Chicago was presented as part of Blockbuster Week in Millennium Park.Artistic Director Martha Lavey
credit: Mark Campbell
Dream Chicago
Featuring pieces by seven contemporary Chicago writers, Dream Chicago celebrated the visionary dreams from the past that gave character to the “City of Big Shoulders” and inspired its people to imagine a collective future. Dream Chicago was presented as part of Blockbuster Week in Millennium Park.Ensemble member Ian Barford
credit: Mark Campbell
Dream Chicago
Featuring pieces by seven contemporary Chicago writers, Dream Chicago celebrated the visionary dreams from the past that gave character to the “City of Big Shoulders” and inspired its people to imagine a collective future. Dream Chicago was presented as part of Blockbuster Week in Millennium Park.Jazz vocalist Maggie Brown
credit: Mark Campbell
Dream Chicago
Featuring pieces by seven contemporary Chicago writers, Dream Chicago celebrated the visionary dreams from the past that gave character to the “City of Big Shoulders” and inspired its people to imagine a collective future. Dream Chicago was presented as part of Blockbuster Week in Millennium Park.Ensemble member Robert Breuler
credit: Mark Campbell
Dream Chicago
Featuring pieces by seven contemporary Chicago writers, Dream Chicago celebrated the visionary dreams from the past that gave character to the “City of Big Shoulders” and inspired its people to imagine a collective future. Dream Chicago was presented as part of Blockbuster Week in Millennium Park.Ensemble member Ora Jones
credit: Mark Campbell
Dream Chicago
Featuring pieces by seven contemporary Chicago writers, Dream Chicago celebrated the visionary dreams from the past that gave character to the “City of Big Shoulders” and inspired its people to imagine a collective future. Dream Chicago was presented as part of Blockbuster Week in Millennium Park.Ensemble member Alana Arenas
credit: Mark Campbell
Dream Chicago
Featuring pieces by seven contemporary Chicago writers, Dream Chicago celebrated the visionary dreams from the past that gave character to the “City of Big Shoulders” and inspired its people to imagine a collective future. Dream Chicago was presented as part of Blockbuster Week in Millennium Park.Jazz vocalist Maggie Brown
credit: Mark Campbell
Dream Chicago
Featuring pieces by seven contemporary Chicago writers, Dream Chicago celebrated the visionary dreams from the past that gave character to the “City of Big Shoulders” and inspired its people to imagine a collective future. Dream Chicago was presented as part of Blockbuster Week in Millennium Park.Ensemble member K. Todd Freeman
credit: Mark Campbell
Dream Chicago
Featuring pieces by seven contemporary Chicago writers, Dream Chicago celebrated the visionary dreams from the past that gave character to the “City of Big Shoulders” and inspired its people to imagine a collective future. Dream Chicago was presented as part of Blockbuster Week in Millennium Park.The cast of The Brother/Sister Plays
credit: Mark Campbell
The Brother/Sister Plays in Rehearsal
A breakthrough theatrical event: three interconnected plays by a brilliant new American voice. Grand in scope, yet intimate and heartfelt, Tarell McCraney’s plays are daring, funny and genuine. Steppenwolf will present The Brother/Sister Plays in repertory, with In the Red and Brown Water on one evening, in rotation with The Brothers Size/Marcus; Or the Secret of Sweet on another.Ensemble member Alana Arenas with Jacqueline Williams
credit: Mark Campbell
The Brother/Sister Plays in Rehearsal
A breakthrough theatrical event: three interconnected plays by a brilliant new American voice. Grand in scope, yet intimate and heartfelt, Tarell McCraney’s plays are daring, funny and genuine. Steppenwolf will present The Brother/Sister Plays in repertory, with In the Red and Brown Water on one evening, in rotation with The Brothers Size/Marcus; Or the Secret of Sweet on another.Glenn Davis, ensemble member Alana Arenas, Phillip James Brannon and ensemble member Tina Landau
credit: Mark Campbell
The Brother/Sister Plays in Rehearsal
A breakthrough theatrical event: three interconnected plays by a brilliant new American voice. Grand in scope, yet intimate and heartfelt, Tarell McCraney’s plays are daring, funny and genuine. Steppenwolf will present The Brother/Sister Plays in repertory, with In the Red and Brown Water on one evening, in rotation with The Brothers Size/Marcus; Or the Secret of Sweet on another.Tarell Alvin McCraney
credit: Mark Campbell
The Brother/Sister Plays in Rehearsal
A breakthrough theatrical event: three interconnected plays by a brilliant new American voice. Grand in scope, yet intimate and heartfelt, Tarell McCraney’s plays are daring, funny and genuine. Steppenwolf will present The Brother/Sister Plays in repertory, with In the Red and Brown Water on one evening, in rotation with The Brothers Size/Marcus; Or the Secret of Sweet on another.Phillip James Brannon(foreground), Rodrick Covington and ensemble member K. Todd Freeman(background)
credit: Mark Campbell
The Brother/Sister Plays in Rehearsal
A breakthrough theatrical event: three interconnected plays by a brilliant new American voice. Grand in scope, yet intimate and heartfelt, Tarell McCraney’s plays are daring, funny and genuine. Steppenwolf will present The Brother/Sister Plays in repertory, with In the Red and Brown Water on one evening, in rotation with The Brothers Size/Marcus; Or the Secret of Sweet on another.Ensemble members Tina Landau and Ora Jones
credit: Mark Campbell
The Brother/Sister Plays in Rehearsal
A breakthrough theatrical event: three interconnected plays by a brilliant new American voice. Grand in scope, yet intimate and heartfelt, Tarell McCraney’s plays are daring, funny and genuine. Steppenwolf will present The Brother/Sister Plays in repertory, with In the Red and Brown Water on one evening, in rotation with The Brothers Size/Marcus; Or the Secret of Sweet on another.Glenn Davis and ensemble member Alana Arenas
credit: Mark Campbell
The Brother/Sister Plays in Rehearsal
A breakthrough theatrical event: three interconnected plays by a brilliant new American voice. Grand in scope, yet intimate and heartfelt, Tarell McCraney’s plays are daring, funny and genuine. Steppenwolf will present The Brother/Sister Plays in repertory, with In the Red and Brown Water on one evening, in rotation with The Brothers Size/Marcus; Or the Secret of Sweet on another.Phillip James Brannon and Jacqueline Williams
credit: Mark Campbell
The Brother/Sister Plays in Rehearsal
A breakthrough theatrical event: three interconnected plays by a brilliant new American voice. Grand in scope, yet intimate and heartfelt, Tarell McCraney’s plays are daring, funny and genuine. Steppenwolf will present The Brother/Sister Plays in repertory, with In the Red and Brown Water on one evening, in rotation with The Brothers Size/Marcus; Or the Secret of Sweet on another.The cast and director of The Brother/Sister Plays
credit: Mark Campbell
The Brother/Sister Plays in Rehearsal
A breakthrough theatrical event: three interconnected plays by a brilliant new American voice. Grand in scope, yet intimate and heartfelt, Tarell McCraney’s plays are daring, funny and genuine. Steppenwolf will present The Brother/Sister Plays in repertory, with In the Red and Brown Water on one evening, in rotation with The Brothers Size/Marcus; Or the Secret of Sweet on another.Tarell Alvin McCraney and Phillip James Brannon(foreground) with ensemble member K. Todd Freeman(background)
credit: Mark Campbell
The Brother/Sister Plays in Rehearsal
A breakthrough theatrical event: three interconnected plays by a brilliant new American voice. Grand in scope, yet intimate and heartfelt, Tarell McCraney’s plays are daring, funny and genuine. Steppenwolf will present The Brother/Sister Plays in repertory, with In the Red and Brown Water on one evening, in rotation with The Brothers Size/Marcus; Or the Secret of Sweet on another.Ensemble members Alana Arenas and K. Todd Freeman with Rodrick Covington
credit: Mark Campbell
The Brother/Sister Plays in Rehearsal
A breakthrough theatrical event: three interconnected plays by a brilliant new American voice. Grand in scope, yet intimate and heartfelt, Tarell McCraney’s plays are daring, funny and genuine. Steppenwolf will present The Brother/Sister Plays in repertory, with In the Red and Brown Water on one evening, in rotation with The Brothers Size/Marcus; Or the Secret of Sweet on another.Phillip James Brannon, ensemble member K. Todd Freeman and Tarell Alvin McCraney
credit: Mark Campbell
The Brother/Sister Plays in Rehearsal
A breakthrough theatrical event: three interconnected plays by a brilliant new American voice. Grand in scope, yet intimate and heartfelt, Tarell McCraney’s plays are daring, funny and genuine. Steppenwolf will present The Brother/Sister Plays in repertory, with In the Red and Brown Water on one evening, in rotation with The Brothers Size/Marcus; Or the Secret of Sweet on another.Glenn Davis, ensemble member K. Todd Freeman, Jacqueline Williams, ensemble member Alana Arenas, Jeff Parker, Rodrick Covington and Phillip James Brannon
credit: Michael Brosilow
In the Red and Brown Water in Production
A breakthrough theatrical event: three interconnected plays by a brilliant new American voice. Grand in scope, yet intimate and heartfelt, Tarell McCraney’s plays are daring, funny and genuine. Steppenwolf will present The Brother/Sister Plays in repertory, with In the Red and Brown Water on one evening, in rotation with The Brothers Size/Marcus; Or the Secret of Sweet on another.Glenn Davis, ensemble member Ora Jones with Jacqueline Williams
credit: Michael Brosilow
In the Red and Brown Water in Production
A breakthrough theatrical event: three interconnected plays by a brilliant new American voice. Grand in scope, yet intimate and heartfelt, Tarell McCraney’s plays are daring, funny and genuine. Steppenwolf will present The Brother/Sister Plays in repertory, with In the Red and Brown Water on one evening, in rotation with The Brothers Size/Marcus; Or the Secret of Sweet on another.Tamberla Perry, ensemble member K. Todd Freeman with Phillip James Brannon
credit: Michael Brosilow
In the Red and Brown Water in Production
A breakthrough theatrical event: three interconnected plays by a brilliant new American voice. Grand in scope, yet intimate and heartfelt, Tarell McCraney’s plays are daring, funny and genuine. Steppenwolf will present The Brother/Sister Plays in repertory, with In the Red and Brown Water on one evening, in rotation with The Brothers Size/Marcus; Or the Secret of Sweet on another.Ensemble member Alana Arenas with Rodrick Covington (foreground), Jeff Parker, Jacqueline Williams, Tamberla Perry and Phillip James Brannon (background)
credit: Michael Brosilow
In the Red and Brown Water in Production
A breakthrough theatrical event: three interconnected plays by a brilliant new American voice. Grand in scope, yet intimate and heartfelt, Tarell McCraney’s plays are daring, funny and genuine. Steppenwolf will present The Brother/Sister Plays in repertory, with In the Red and Brown Water on one evening, in rotation with The Brothers Size/Marcus; Or the Secret of Sweet on another.Ensemble members Ora Jones and Alana Arenas (foreground), Jacqueline Williams, Glenn Davis, Phillip James Brannon and Rodrick Covington (background)
credit: Michael Brosilow
In the Red and Brown Water in Production
A breakthrough theatrical event: three interconnected plays by a brilliant new American voice. Grand in scope, yet intimate and heartfelt, Tarell McCraney’s plays are daring, funny and genuine. Steppenwolf will present The Brother/Sister Plays in repertory, with In the Red and Brown Water on one evening, in rotation with The Brothers Size/Marcus; Or the Secret of Sweet on another.Ensemble member Alana Arenas with Rodrick Covington
credit: Michael Brosilow
In the Red and Brown Water in Production
A breakthrough theatrical event: three interconnected plays by a brilliant new American voice. Grand in scope, yet intimate and heartfelt, Tarell McCraney’s plays are daring, funny and genuine. Steppenwolf will present The Brother/Sister Plays in repertory, with In the Red and Brown Water on one evening, in rotation with The Brothers Size/Marcus; Or the Secret of Sweet on another.Ensemble member Alana Arenas with Jacqueline Williams (foreground), Phillip James Brannon (background)
credit: Michael Brosilow
In the Red and Brown Water in Production
A breakthrough theatrical event: three interconnected plays by a brilliant new American voice. Grand in scope, yet intimate and heartfelt, Tarell McCraney’s plays are daring, funny and genuine. Steppenwolf will present The Brother/Sister Plays in repertory, with In the Red and Brown Water on one evening, in rotation with The Brothers Size/Marcus; Or the Secret of Sweet on another.Jeff Parker with ensemble member Alana Arenas
credit: Michael Brosilow
In the Red and Brown Water in Production
A breakthrough theatrical event: three interconnected plays by a brilliant new American voice. Grand in scope, yet intimate and heartfelt, Tarell McCraney’s plays are daring, funny and genuine. Steppenwolf will present The Brother/Sister Plays in repertory, with In the Red and Brown Water on one evening, in rotation with The Brothers Size/Marcus; Or the Secret of Sweet on another.Glenn Davis, Phillip James Brannon and Rodrick Covington
credit: Michael Brosilow
In the Red and Brown Water in Production
A breakthrough theatrical event: three interconnected plays by a brilliant new American voice. Grand in scope, yet intimate and heartfelt, Tarell McCraney’s plays are daring, funny and genuine. Steppenwolf will present The Brother/Sister Plays in repertory, with In the Red and Brown Water on one evening, in rotation with The Brothers Size/Marcus; Or the Secret of Sweet on another.Glenn Davis, Tamberla Perry, Phillip James Brannon and Rodrick Covington
credit: Michael Brosilow
In the Red and Brown Water in Production
A breakthrough theatrical event: three interconnected plays by a brilliant new American voice. Grand in scope, yet intimate and heartfelt, Tarell McCraney’s plays are daring, funny and genuine. Steppenwolf will present The Brother/Sister Plays in repertory, with In the Red and Brown Water on one evening, in rotation with The Brothers Size/Marcus; Or the Secret of Sweet on another.Jeff Parker, ensemble members Alana Arena and Ora Jones with Jacqueline Williams, Tamberla Perry and ensemble member K. Todd Freeman
credit: Michael Brosilow
In the Red and Brown Water in Production
A breakthrough theatrical event: three interconnected plays by a brilliant new American voice. Grand in scope, yet intimate and heartfelt, Tarell McCraney’s plays are daring, funny and genuine. Steppenwolf will present The Brother/Sister Plays in repertory, with In the Red and Brown Water on one evening, in rotation with The Brothers Size/Marcus; Or the Secret of Sweet on another.Ensemble member Alana Arenas with Rodrick Covington and the cast
credit: Michael Brosilow
In the Red and Brown Water in Production
A breakthrough theatrical event: three interconnected plays by a brilliant new American voice. Grand in scope, yet intimate and heartfelt, Tarell McCraney’s plays are daring, funny and genuine. Steppenwolf will present The Brother/Sister Plays in repertory, with In the Red and Brown Water on one evening, in rotation with The Brothers Size/Marcus; Or the Secret of Sweet on another.Rodrick Covington with ensemble members Alana Arenas and K. Todd Freeman (foreground) with Glenn Davis (background)
credit: Michael Brosilow
In the Red and Brown Water in Production
A breakthrough theatrical event: three interconnected plays by a brilliant new American voice. Grand in scope, yet intimate and heartfelt, Tarell McCraney’s plays are daring, funny and genuine. Steppenwolf will present The Brother/Sister Plays in repertory, with In the Red and Brown Water on one evening, in rotation with The Brothers Size/Marcus; Or the Secret of Sweet on another.Ensemble members Alana Arenas and K. Todd Freeman with Rodrick Covington
credit: Michael Brosilow
In the Red and Brown Water in Production
A breakthrough theatrical event: three interconnected plays by a brilliant new American voice. Grand in scope, yet intimate and heartfelt, Tarell McCraney’s plays are daring, funny and genuine. Steppenwolf will present The Brother/Sister Plays in repertory, with In the Red and Brown Water on one evening, in rotation with The Brothers Size/Marcus; Or the Secret of Sweet on another.Ensemble member Alana Arenas (center)
credit: Michael Brosilow
In the Red and Brown Water in Production
A breakthrough theatrical event: three interconnected plays by a brilliant new American voice. Grand in scope, yet intimate and heartfelt, Tarell McCraney’s plays are daring, funny and genuine. Steppenwolf will present The Brother/Sister Plays in repertory, with In the Red and Brown Water on one evening, in rotation with The Brothers Size/Marcus; Or the Secret of Sweet on another.Jeff Parker, Glenn Davis, ensemble members Alana Arenas and K. Todd Freeman with Rodrick Covington
credit: Michael Brosilow
In the Red and Brown Water in Production
A breakthrough theatrical event: three interconnected plays by a brilliant new American voice. Grand in scope, yet intimate and heartfelt, Tarell McCraney’s plays are daring, funny and genuine. Steppenwolf will present The Brother/Sister Plays in repertory, with In the Red and Brown Water on one evening, in rotation with The Brothers Size/Marcus; Or the Secret of Sweet on another.Ensemble member Alana Arenas (center), Jacqueline Williams, Jeff Parker, ensemble member Ora Jones, Rodrick Covington, Tamberla Perry and ensemble member K. Todd Freeman
credit: Michael Brosilow
In the Red and Brown Water in Production
A breakthrough theatrical event: three interconnected plays by a brilliant new American voice. Grand in scope, yet intimate and heartfelt, Tarell McCraney’s plays are daring, funny and genuine. Steppenwolf will present The Brother/Sister Plays in repertory, with In the Red and Brown Water on one evening, in rotation with The Brothers Size/Marcus; Or the Secret of Sweet on another.Ensemble member Alana Arenas with Phillip James Brannon and Glenn Davis
credit: Michael Brosilow
In the Red and Brown Water in Production
A breakthrough theatrical event: three interconnected plays by a brilliant new American voice. Grand in scope, yet intimate and heartfelt, Tarell McCraney’s plays are daring, funny and genuine. Steppenwolf will present The Brother/Sister Plays in repertory, with In the Red and Brown Water on one evening, in rotation with The Brothers Size/Marcus; Or the Secret of Sweet on another.Glenn Davis, Jacqueline Williams with ensemble members Ora Jones and Alana Arenas
credit: Michael Brosilow
In the Red and Brown Water in Production
A breakthrough theatrical event: three interconnected plays by a brilliant new American voice. Grand in scope, yet intimate and heartfelt, Tarell McCraney’s plays are daring, funny and genuine. Steppenwolf will present The Brother/Sister Plays in repertory, with In the Red and Brown Water on one evening, in rotation with The Brothers Size/Marcus; Or the Secret of Sweet on another.Jacqueline Williams and ensemble member Ora Jones
credit: Michael Brosilow
In the Red and Brown Water in Production
A breakthrough theatrical event: three interconnected plays by a brilliant new American voice. Grand in scope, yet intimate and heartfelt, Tarell McCraney’s plays are daring, funny and genuine. Steppenwolf will present The Brother/Sister Plays in repertory, with In the Red and Brown Water on one evening, in rotation with The Brothers Size/Marcus; Or the Secret of Sweet on another.Glenn Davis, Phillip James Brannon and ensemble member K. Todd Freeman in <em>The Brothers Size</em>
credit: Michael Brosilow
The Brothers Size/Marcus; Or the Secret of Sweet in Production
A breakthrough theatrical event: three interconnected plays by a brilliant new American voice. Grand in scope, yet intimate and heartfelt, Tarell McCraney’s plays are daring, funny and genuine. Steppenwolf will present The Brother/Sister Plays in repertory, with In the Red and Brown Water on one evening, in rotation with The Brothers Size/Marcus; Or the Secret of Sweet on another.Phillip James Brannon and ensemble member K. Todd Freeman in <em>The Brothers Size</em>
credit: Michael Brosilow
The Brothers Size/Marcus; Or the Secret of Sweet in Production
A breakthrough theatrical event: three interconnected plays by a brilliant new American voice. Grand in scope, yet intimate and heartfelt, Tarell McCraney’s plays are daring, funny and genuine. Steppenwolf will present The Brother/Sister Plays in repertory, with In the Red and Brown Water on one evening, in rotation with The Brothers Size/Marcus; Or the Secret of Sweet on another.Ensemble member K.Todd Freeman with Phillip James Brannon and Glenn Davis in <em>The Brothers Size</em>
credit: Michael Brosilow
The Brothers Size/Marcus; Or the Secret of Sweet in Production
A breakthrough theatrical event: three interconnected plays by a brilliant new American voice. Grand in scope, yet intimate and heartfelt, Tarell McCraney’s plays are daring, funny and genuine. Steppenwolf will present The Brother/Sister Plays in repertory, with In the Red and Brown Water on one evening, in rotation with The Brothers Size/Marcus; Or the Secret of Sweet on another.Glenn Davis and Phillip James Brannon (foreground) with ensemble member K. Todd Freeman (background) in <em>The Brothers Size</em>
credit: Michael Brosilow
The Brothers Size/Marcus; Or the Secret of Sweet in Production
A breakthrough theatrical event: three interconnected plays by a brilliant new American voice. Grand in scope, yet intimate and heartfelt, Tarell McCraney’s plays are daring, funny and genuine. Steppenwolf will present The Brother/Sister Plays in repertory, with In the Red and Brown Water on one evening, in rotation with The Brothers Size/Marcus; Or the Secret of Sweet on another.Phillip James Brannon and ensemble member K. Todd Freeman in <em>The Brothers Size</em>
credit: Michael Brosilow
The Brothers Size/Marcus; Or the Secret of Sweet in Production
A breakthrough theatrical event: three interconnected plays by a brilliant new American voice. Grand in scope, yet intimate and heartfelt, Tarell McCraney’s plays are daring, funny and genuine. Steppenwolf will present The Brother/Sister Plays in repertory, with In the Red and Brown Water on one evening, in rotation with The Brothers Size/Marcus; Or the Secret of Sweet on another.Glenn Davis, Phillip James Brannon and ensemble member K. Todd Freeman in <em>The Brothers Size</em>
credit: Michael Brosilow
The Brothers Size/Marcus; Or the Secret of Sweet in Production
A breakthrough theatrical event: three interconnected plays by a brilliant new American voice. Grand in scope, yet intimate and heartfelt, Tarell McCraney’s plays are daring, funny and genuine. Steppenwolf will present The Brother/Sister Plays in repertory, with In the Red and Brown Water on one evening, in rotation with The Brothers Size/Marcus; Or the Secret of Sweet on another.Ensemble member K.Todd Freeman with Phillip James Brannon in <em>The Brothers Size</em>
credit: Michael Brosilow
The Brothers Size/Marcus; Or the Secret of Sweet in Production
A breakthrough theatrical event: three interconnected plays by a brilliant new American voice. Grand in scope, yet intimate and heartfelt, Tarell McCraney’s plays are daring, funny and genuine. Steppenwolf will present The Brother/Sister Plays in repertory, with In the Red and Brown Water on one evening, in rotation with The Brothers Size/Marcus; Or the Secret of Sweet on another.Phillip James Brannon and ensemble member K. Todd Freeman in <em>The Brothers Size</em>
credit: Michael Brosilow
The Brothers Size/Marcus; Or the Secret of Sweet in Production
A breakthrough theatrical event: three interconnected plays by a brilliant new American voice. Grand in scope, yet intimate and heartfelt, Tarell McCraney’s plays are daring, funny and genuine. Steppenwolf will present The Brother/Sister Plays in repertory, with In the Red and Brown Water on one evening, in rotation with The Brothers Size/Marcus; Or the Secret of Sweet on another.Ensemble member K.Todd Freeman with Glenn Davis and Phillip James Brannon in <em>The Brothers Size</em>
credit: Michael Brosilow
The Brothers Size/Marcus; Or the Secret of Sweet in Production
A breakthrough theatrical event: three interconnected plays by a brilliant new American voice. Grand in scope, yet intimate and heartfelt, Tarell McCraney’s plays are daring, funny and genuine. Steppenwolf will present The Brother/Sister Plays in repertory, with In the Red and Brown Water on one evening, in rotation with The Brothers Size/Marcus; Or the Secret of Sweet on another.Glenn Davis, ensemble member K. Todd Freeman with Phillip James Brannon in <em>The Brothers Size</em>
credit: Michael Brosilow
The Brothers Size/Marcus; Or the Secret of Sweet in Production
A breakthrough theatrical event: three interconnected plays by a brilliant new American voice. Grand in scope, yet intimate and heartfelt, Tarell McCraney’s plays are daring, funny and genuine. Steppenwolf will present The Brother/Sister Plays in repertory, with In the Red and Brown Water on one evening, in rotation with The Brothers Size/Marcus; Or the Secret of Sweet on another.Tamberla Perry, Glenn Davis and ensemble member Alana Arenas in <em>Marcus; Or the Secret of Sweet</em>
credit: Michael Brosilow
The Brothers Size/Marcus; Or the Secret of Sweet in Production
A breakthrough theatrical event: three interconnected plays by a brilliant new American voice. Grand in scope, yet intimate and heartfelt, Tarell McCraney’s plays are daring, funny and genuine. Steppenwolf will present The Brother/Sister Plays in repertory, with In the Red and Brown Water on one evening, in rotation with The Brothers Size/Marcus; Or the Secret of Sweet on another.Tamberla Perry with ensemble members Alana Arenas and K. Todd Freeman in <em>Marcus; Or the Secret of Sweet</em>
credit: Michael Brosilow
The Brothers Size/Marcus; Or the Secret of Sweet in Production
A breakthrough theatrical event: three interconnected plays by a brilliant new American voice. Grand in scope, yet intimate and heartfelt, Tarell McCraney’s plays are daring, funny and genuine. Steppenwolf will present The Brother/Sister Plays in repertory, with In the Red and Brown Water on one evening, in rotation with The Brothers Size/Marcus; Or the Secret of Sweet on another.Jacqueline Williams in <em>Marcus; Or the Secret of Sweet</em>
credit: Michael Brosilow
The Brothers Size/Marcus; Or the Secret of Sweet in Production
A breakthrough theatrical event: three interconnected plays by a brilliant new American voice. Grand in scope, yet intimate and heartfelt, Tarell McCraney’s plays are daring, funny and genuine. Steppenwolf will present The Brother/Sister Plays in repertory, with In the Red and Brown Water on one evening, in rotation with The Brothers Size/Marcus; Or the Secret of Sweet on another.Glenn Davis and Rodrick Covington in <em>Marcus; Or the Secret of Sweet</em>
credit: Michael Brosilow
The Brothers Size/Marcus; Or the Secret of Sweet in Production
A breakthrough theatrical event: three interconnected plays by a brilliant new American voice. Grand in scope, yet intimate and heartfelt, Tarell McCraney’s plays are daring, funny and genuine. Steppenwolf will present The Brother/Sister Plays in repertory, with In the Red and Brown Water on one evening, in rotation with The Brothers Size/Marcus; Or the Secret of Sweet on another.Ensemble member Alana Arenas with Glenn Davis and Tamberla Perry in <em>Marcus; Or the Secret of Sweet</em>
credit: Michael Brosilow
The Brothers Size/Marcus; Or the Secret of Sweet in Production
A breakthrough theatrical event: three interconnected plays by a brilliant new American voice. Grand in scope, yet intimate and heartfelt, Tarell McCraney’s plays are daring, funny and genuine. Steppenwolf will present The Brother/Sister Plays in repertory, with In the Red and Brown Water on one evening, in rotation with The Brothers Size/Marcus; Or the Secret of Sweet on another.Glenn Davis (background) with ensemble members Ora Jones and Alana Arenas (foreground) in <em>Marcus; Or the Secret of Sweet</em>
credit: Michael Brosilow
The Brothers Size/Marcus; Or the Secret of Sweet in Production
A breakthrough theatrical event: three interconnected plays by a brilliant new American voice. Grand in scope, yet intimate and heartfelt, Tarell McCraney’s plays are daring, funny and genuine. Steppenwolf will present The Brother/Sister Plays in repertory, with In the Red and Brown Water on one evening, in rotation with The Brothers Size/Marcus; Or the Secret of Sweet on another.Glenn Davis with ensemble member Alana Arenas in <em>Marcus; Or the Secret of Sweet</em>
credit: Michael Brosilow
The Brothers Size/Marcus; Or the Secret of Sweet in Production
A breakthrough theatrical event: three interconnected plays by a brilliant new American voice. Grand in scope, yet intimate and heartfelt, Tarell McCraney’s plays are daring, funny and genuine. Steppenwolf will present The Brother/Sister Plays in repertory, with In the Red and Brown Water on one evening, in rotation with The Brothers Size/Marcus; Or the Secret of Sweet on another.Phillip James Brannon, Glenn Davis, Rodrick Covington and Jeff Parker in <em>Marcus; Or the Secret of Sweet</em>
credit: Michael Brosilow
The Brothers Size/Marcus; Or the Secret of Sweet in Production
A breakthrough theatrical event: three interconnected plays by a brilliant new American voice. Grand in scope, yet intimate and heartfelt, Tarell McCraney’s plays are daring, funny and genuine. Steppenwolf will present The Brother/Sister Plays in repertory, with In the Red and Brown Water on one evening, in rotation with The Brothers Size/Marcus; Or the Secret of Sweet on another.Ensemble member K.Todd Freeman with Glenn Davis in <em>Marcus; Or the Secret of Sweet</em>
credit: Michael Brosilow
The Brothers Size/Marcus; Or the Secret of Sweet in Production
A breakthrough theatrical event: three interconnected plays by a brilliant new American voice. Grand in scope, yet intimate and heartfelt, Tarell McCraney’s plays are daring, funny and genuine. Steppenwolf will present The Brother/Sister Plays in repertory, with In the Red and Brown Water on one evening, in rotation with The Brothers Size/Marcus; Or the Secret of Sweet on another.Ensemble member Alana Arenas with Glenn Davis (foreground), Phillip James Brannon and Rodrick Covington (background) in <em>Marcus; Or the Secret of Sweet</em>
credit: Michael Brosilow
The Brothers Size/Marcus; Or the Secret of Sweet in Production
A breakthrough theatrical event: three interconnected plays by a brilliant new American voice. Grand in scope, yet intimate and heartfelt, Tarell McCraney’s plays are daring, funny and genuine. Steppenwolf will present The Brother/Sister Plays in repertory, with In the Red and Brown Water on one evening, in rotation with The Brothers Size/Marcus; Or the Secret of Sweet on another.Phillip James Brannon, Rodrick Covington, Glenn Davis and Jeff Parker in <em>Marcus; Or the Secret of Sweet</em>
credit: Michael Brosilow
The Brothers Size/Marcus; Or the Secret of Sweet in Production
A breakthrough theatrical event: three interconnected plays by a brilliant new American voice. Grand in scope, yet intimate and heartfelt, Tarell McCraney’s plays are daring, funny and genuine. Steppenwolf will present The Brother/Sister Plays in repertory, with In the Red and Brown Water on one evening, in rotation with The Brothers Size/Marcus; Or the Secret of Sweet on another.Ensemble member Tina Landau and playwright Tarell McCraney
credit: Mark Campbell
Behind the Scenes at The Brother/Sister Plays B-Roll Shoot
A breakthrough theatrical event: three interconnected plays by a brilliant new American voice. Grand in scope, yet intimate and heartfelt, Tarell McCraney’s plays are daring, funny and genuine. Steppenwolf will present The Brother/Sister Plays in repertory, with In the Red and Brown Water on one evening, in rotation with The Brothers Size/Marcus; Or the Secret of Sweet on another.Ensemble members Alana Arenas and K. Todd Freemand with HMS Media crew
credit: Mark Campbell
Behind the Scenes at The Brother/Sister Plays B-Roll Shoot
A breakthrough theatrical event: three interconnected plays by a brilliant new American voice. Grand in scope, yet intimate and heartfelt, Tarell McCraney’s plays are daring, funny and genuine. Steppenwolf will present The Brother/Sister Plays in repertory, with In the Red and Brown Water on one evening, in rotation with The Brothers Size/Marcus; Or the Secret of Sweet on another.Jacqueline Williams, ensemble member Alana Arenas, Phillip James Brannon and HMS Media crew
credit: Mark Campbell
Behind the Scenes at The Brother/Sister Plays B-Roll Shoot
A breakthrough theatrical event: three interconnected plays by a brilliant new American voice. Grand in scope, yet intimate and heartfelt, Tarell McCraney’s plays are daring, funny and genuine. Steppenwolf will present The Brother/Sister Plays in repertory, with In the Red and Brown Water on one evening, in rotation with The Brothers Size/Marcus; Or the Secret of Sweet on another.Ensemble member Alana Arenas, Phillip James Brannon, Jeff Parker, Tamberla Perry and HMS Media crew
credit: Mark Campbell
Behind the Scenes at The Brother/Sister Plays B-Roll Shoot
A breakthrough theatrical event: three interconnected plays by a brilliant new American voice. Grand in scope, yet intimate and heartfelt, Tarell McCraney’s plays are daring, funny and genuine. Steppenwolf will present The Brother/Sister Plays in repertory, with In the Red and Brown Water on one evening, in rotation with The Brothers Size/Marcus; Or the Secret of Sweet on another.Ensemble member Alana Arenas speaking with David Rosenberg (Communications Director), with Rodrick Covington and Jeff Parker
credit: Mark Campbell
Behind the Scenes at The Brother/Sister Plays B-Roll Shoot
A breakthrough theatrical event: three interconnected plays by a brilliant new American voice. Grand in scope, yet intimate and heartfelt, Tarell McCraney’s plays are daring, funny and genuine. Steppenwolf will present The Brother/Sister Plays in repertory, with In the Red and Brown Water on one evening, in rotation with The Brothers Size/Marcus; Or the Secret of Sweet on another.Ensemble member K. Todd Freeman, Phillip James Brannon filming b-roll of <em>The Brothers Size</em> with HMS Media crew
credit: Mark Campbell
Behind the Scenes at The Brother/Sister Plays B-Roll Shoot
A breakthrough theatrical event: three interconnected plays by a brilliant new American voice. Grand in scope, yet intimate and heartfelt, Tarell McCraney’s plays are daring, funny and genuine. Steppenwolf will present The Brother/Sister Plays in repertory, with In the Red and Brown Water on one evening, in rotation with The Brothers Size/Marcus; Or the Secret of Sweet on another.Ensemble members K. Todd Freeman and Tina Landau with HMS Media crew in the background
credit: Mark Campbell
Behind the Scenes at The Brother/Sister Plays B-Roll Shoot
A breakthrough theatrical event: three interconnected plays by a brilliant new American voice. Grand in scope, yet intimate and heartfelt, Tarell McCraney’s plays are daring, funny and genuine. Steppenwolf will present The Brother/Sister Plays in repertory, with In the Red and Brown Water on one evening, in rotation with The Brothers Size/Marcus; Or the Secret of Sweet on another.Glenn Davis, ensemble member Ora Jones with Jacqueline Williams and HMS Media crew
credit: Mark Campbell
Behind the Scenes at The Brother/Sister Plays B-Roll Shoot
A breakthrough theatrical event: three interconnected plays by a brilliant new American voice. Grand in scope, yet intimate and heartfelt, Tarell McCraney’s plays are daring, funny and genuine. Steppenwolf will present The Brother/Sister Plays in repertory, with In the Red and Brown Water on one evening, in rotation with The Brothers Size/Marcus; Or the Secret of Sweet on another.Stage Manager Deb Styer with playwright Tarell McCraney and HMS Media crew
credit: Mark Campbell
Behind the Scenes at The Brother/Sister Plays B-Roll Shoot
A breakthrough theatrical event: three interconnected plays by a brilliant new American voice. Grand in scope, yet intimate and heartfelt, Tarell McCraney’s plays are daring, funny and genuine. Steppenwolf will present The Brother/Sister Plays in repertory, with In the Red and Brown Water on one evening, in rotation with The Brothers Size/Marcus; Or the Secret of Sweet on another.HMS Media crew between shoots with Rodrick Covington, ensemble member Alana Arenas, David Rosenberg, ensemble member Ora Jones and Jeff Parker(also pictured)
credit: Mark Campbell
Behind the Scenes at The Brother/Sister Plays B-Roll Shoot
A breakthrough theatrical event: three interconnected plays by a brilliant new American voice. Grand in scope, yet intimate and heartfelt, Tarell McCraney’s plays are daring, funny and genuine. Steppenwolf will present The Brother/Sister Plays in repertory, with In the Red and Brown Water on one evening, in rotation with The Brothers Size/Marcus; Or the Secret of Sweet on another.Cast and crew in rehearsal for <i>Middletown</i>
credit: Joel Moorman
Middletown in Rehearsal
We stopped by rehearsal for Middletown, Steppenwolf's next mainstage production.Michael Patrick Thornton
credit: Joel Moorman
Middletown in Rehearsal
We stopped by rehearsal for Middletown, Steppenwolf's next mainstage production.Director Les Waters and Ensemble member Ora Jones
credit: Joel Moorman
Middletown in Rehearsal
We stopped by rehearsal for Middletown, Steppenwolf's next mainstage production.Ensemble member Tracy Letts and Danny McCarthy
credit: Joel Moorman
Middletown in Rehearsal
We stopped by rehearsal for Middletown, Steppenwolf's next mainstage production.Ensemble member Alana Arenas and Director Les Waters
credit: Joel Moorman
Middletown in Rehearsal
We stopped by rehearsal for Middletown, Steppenwolf's next mainstage production.Ensemble member Alana Arenas, Les Waters and Molly Glynn
credit: Joel Moorman
Middletown in Rehearsal
We stopped by rehearsal for Middletown, Steppenwolf's next mainstage production.Ensemble member Martha Lavey and Brenda Barrie
credit: Joel Moorman
Middletown in Rehearsal
We stopped by rehearsal for Middletown, Steppenwolf's next mainstage production.Danny McCarthy, Ensemble member Alana Arenas, Brenda Barrie and Molly Glynn
credit: Joel Moorman
Middletown in Rehearsal
We stopped by rehearsal for Middletown, Steppenwolf's next mainstage production.Keith Kupferer and Molly Glynn
credit: Joel Moorman
Middletown in Rehearsal
We stopped by rehearsal for Middletown, Steppenwolf's next mainstage production.Ensemble member Martha Lavey, Danny McCarthy and Brenda Barrie
credit: Joel Moorman
Middletown in Rehearsal
We stopped by rehearsal for Middletown, Steppenwolf's next mainstage production.Brenda Barrie, Molly Glynn, Director Les Waters and Stage Manager Laura Glenn
credit: Joel Moorman
Middletown in Rehearsal
We stopped by rehearsal for Middletown, Steppenwolf's next mainstage production.Director Les Waters
credit: Joel Moorman
Middletown in Rehearsal
We stopped by rehearsal for Middletown, Steppenwolf's next mainstage production.Danny McCarthy
credit: Michael Brosilow
Middletown in Production
Production photos from Steppenwolf's fifth production in the 2010-11 season, Middletown. Middletown is written by Will Eno and Directed by Les Waters.Ensemble member Tim Hopper
credit: Michael Brosilow
Middletown in Production
Production photos from Steppenwolf's fifth production in the 2010-11 season, Middletown. Middletown is written by Will Eno and Directed by Les Waters.Michael Patrick Thornton, Brenda Barrie and ensemble member Martha Lavey
credit: Michael Brosilow
Middletown in Production
Production photos from Steppenwolf's fifth production in the 2010-11 season, Middletown. Middletown is written by Will Eno and Directed by Les Waters.Brenda Barrie and Michael Patrick Thornton
credit: Michael Brosilow
Middletown in Production
Production photos from Steppenwolf's fifth production in the 2010-11 season, Middletown. Middletown is written by Will Eno and Directed by Les Waters.Ensemble member Martha Lavey
credit: Michael Brosilow
Middletown in Production
Production photos from Steppenwolf's fifth production in the 2010-11 season, Middletown. Middletown is written by Will Eno and Directed by Les Waters.Brenda Barrie and ensemble member Tracy Letts
credit: Michael Brosilow
Middletown in Production
Production photos from Steppenwolf's fifth production in the 2010-11 season, Middletown. Middletown is written by Will Eno and Directed by Les Waters.Danny McCarthy and Keith Kupferer
credit: Michael Brosilow
Middletown in Production
Production photos from Steppenwolf's fifth production in the 2010-11 season, Middletown. Middletown is written by Will Eno and Directed by Les Waters.Ensemble member Tracy Letts and Michael Patrick Thornton
credit: Michael Brosilow
Middletown in Production
Production photos from Steppenwolf's fifth production in the 2010-11 season, Middletown. Middletown is written by Will Eno and Directed by Les Waters.Ensemble member Tim Hopper and Molly Glynn
credit: Michael Brosilow
Middletown in Production
Production photos from Steppenwolf's fifth production in the 2010-11 season, Middletown. Middletown is written by Will Eno and Directed by Les Waters.Ensemble member Tim Hopper and Brenda Barrie
credit: Michael Brosilow
Middletown in Production
Production photos from Steppenwolf's fifth production in the 2010-11 season, Middletown. Middletown is written by Will Eno and Directed by Les Waters.Ensemble member Ora Jones and Michael Patrick Thornton
credit: Michael Brosilow
Middletown in Production
Production photos from Steppenwolf's fifth production in the 2010-11 season, Middletown. Middletown is written by Will Eno and Directed by Les Waters.Ensemble member Tracy Letts and Brenda Barrie
credit: Michael Brosilow
Middletown in Production
Production photos from Steppenwolf's fifth production in the 2010-11 season, Middletown. Middletown is written by Will Eno and Directed by Les Waters.Cast and Crew of <i>Three Sisters</i>
credit: Joel Moorman
Three Sisters in Rehearsal
Step into the rehearsal room and sneak a peek at our upcoming production of Three Sisters. Directed by ensemble member Anna Shapiro and adapted by ensemble member Tracy Letts (August Osage County).Cast of <i>Three Sisters</i> including Dan Waller dancing in the center
credit: Joel Moorman
Three Sisters in Rehearsal
Step into the rehearsal room and sneak a peek at our upcoming production of Three Sisters. Directed by ensemble member Anna Shapiro and adapted by ensemble member Tracy Letts (August Osage County).Caroline Neff and ensemble member Alana Arenas
credit: Joel Moorman
Three Sisters in Rehearsal
Step into the rehearsal room and sneak a peek at our upcoming production of Three Sisters. Directed by ensemble member Anna Shapiro and adapted by ensemble member Tracy Letts (August Osage County).Caroline Neff and Scott Jaeck
credit: Joel Moorman
Three Sisters in Rehearsal
Step into the rehearsal room and sneak a peek at our upcoming production of Three Sisters. Directed by ensemble member Anna Shapiro and adapted by ensemble member Tracy Letts (August Osage County).Carrie Coon and director and ensemble member Anna Shapiro
credit: Joel Moorman
Three Sisters in Rehearsal
Step into the rehearsal room and sneak a peek at our upcoming production of Three Sisters. Directed by ensemble member Anna Shapiro and adapted by ensemble member Tracy Letts (August Osage County).Dan Waller and Derek Gasper
credit: Joel Moorman
Three Sisters in Rehearsal
Step into the rehearsal room and sneak a peek at our upcoming production of Three Sisters. Directed by ensemble member Anna Shapiro and adapted by ensemble member Tracy Letts (August Osage County).Carrie Coon
credit: Joel Moorman
Three Sisters in Rehearsal
Step into the rehearsal room and sneak a peek at our upcoming production of Three Sisters. Directed by ensemble member Anna Shapiro and adapted by ensemble member Tracy Letts (August Osage County).B. Diego Colon and Chance Bone
credit: Joel Moorman
Three Sisters in Rehearsal
Step into the rehearsal room and sneak a peek at our upcoming production of Three Sisters. Directed by ensemble member Anna Shapiro and adapted by ensemble member Tracy Letts (August Osage County).John Judd and ensemble member Tracy Letts (playwright/adapter)
credit: Joel Moorman
Three Sisters in Rehearsal
Step into the rehearsal room and sneak a peek at our upcoming production of Three Sisters. Directed by ensemble member Anna Shapiro and adapted by ensemble member Tracy Letts (August Osage County).Dan Waller and Scott Jaeck
credit: Joel Moorman
Three Sisters in Rehearsal
Step into the rehearsal room and sneak a peek at our upcoming production of Three Sisters. Directed by ensemble member Anna Shapiro and adapted by ensemble member Tracy Letts (August Osage County).John Judd and Yasen Peyankov
credit: Joel Moorman
Three Sisters in Rehearsal
Step into the rehearsal room and sneak a peek at our upcoming production of Three Sisters. Directed by ensemble member Anna Shapiro and adapted by ensemble member Tracy Letts (August Osage County).Derek Gasper and Caroline Neff
credit: Joel Moorman
Three Sisters in Rehearsal
Step into the rehearsal room and sneak a peek at our upcoming production of Three Sisters. Directed by ensemble member Anna Shapiro and adapted by ensemble member Tracy Letts (August Osage County).Scott Jaeck and Dan Waller
credit: Joel Moorman
Three Sisters in Rehearsal
Step into the rehearsal room and sneak a peek at our upcoming production of Three Sisters. Directed by ensemble member Anna Shapiro and adapted by ensemble member Tracy Letts (August Osage County).Usman Ally and director and ensemble member Anna Shapiro
credit: Joel Moorman
Three Sisters in Rehearsal
Step into the rehearsal room and sneak a peek at our upcoming production of Three Sisters. Directed by ensemble member Anna Shapiro and adapted by ensemble member Tracy Letts (August Osage County).Ensemble members Alana Arena, Anna Shapiro (director) and Tracy Letts (playwright/adapter)
credit: Joel Moorman
Three Sisters in Rehearsal
Step into the rehearsal room and sneak a peek at our upcoming production of Three Sisters. Directed by ensemble member Anna Shapiro and adapted by ensemble member Tracy Letts (August Osage County).Ensemble members Anna Shapiro (director) and Tracy Letts (playwright/adapter)
credit: Joel Moorman
Three Sisters in Rehearsal
Step into the rehearsal room and sneak a peek at our upcoming production of Three Sisters. Directed by ensemble member Anna Shapiro and adapted by ensemble member Tracy Letts (August Osage County).Ensemble member Yasen Peyankov
credit: Joel Moorman
Three Sisters in Rehearsal
Step into the rehearsal room and sneak a peek at our upcoming production of Three Sisters. Directed by ensemble member Anna Shapiro and adapted by ensemble member Tracy Letts (August Osage County).Caroline Neff and Carrie Coon
credit: Michael Brosilow
Three Sisters in Production
Production photos from ensemble member Tracy Letts' adaptation of Three Sisters, directed by ensemble member Anna D. Shapiro.Dan Waller and ensemble member Alana Arenas
credit: Michael Brosilow
Three Sisters in Production
Production photos from ensemble member Tracy Letts' adaptation of Three Sisters, directed by ensemble member Anna D. Shapiro.Usman Ally, Caroline Neff, Ora Jones, and Carrie Coon
credit: Michael Brosilow
Three Sisters in Production
Production photos from ensemble member Tracy Letts' adaptation of Three Sisters, directed by ensemble member Anna D. Shapiro.Scott Jaeck and Dan Waller
credit: Michael Brosilow
Three Sisters in Production
Production photos from ensemble member Tracy Letts' adaptation of Three Sisters, directed by ensemble member Anna D. Shapiro.The cast of Three Sisters
credit: Michael Brosilow
Three Sisters in Production
Production photos from ensemble member Tracy Letts' adaptation of Three Sisters, directed by ensemble member Anna D. Shapiro.Ensemble member Yasen Peyankov and B. Diego Colon
credit: Michael Brosilow
Three Sisters in Production
Production photos from ensemble member Tracy Letts' adaptation of Three Sisters, directed by ensemble member Anna D. Shapiro.Carrie Coon, Derek Gaspar and Caroline Neff
credit: Michael Brosilow
Three Sisters in Production
Production photos from ensemble member Tracy Letts' adaptation of Three Sisters, directed by ensemble member Anna D. Shapiro.Caroline Neff and Mary Ann Thebus
credit: Michael Brosilow
Three Sisters in Production
Production photos from ensemble member Tracy Letts' adaptation of Three Sisters, directed by ensemble member Anna D. Shapiro.ensemble members Alana Arenas and Ora Jones
credit: Michael Brosilow
Three Sisters in Production
Production photos from ensemble member Tracy Letts' adaptation of Three Sisters, directed by ensemble member Anna D. Shapiro.Dan Waller
credit: Michael Brosilow
Three Sisters in Production
Production photos from ensemble member Tracy Letts' adaptation of Three Sisters, directed by ensemble member Anna D. Shapiro.Scott Jaeck, ensemble member Yasen Peyankov, Derek Gaspar and Caroline Neff
credit: Michael Brosilow
Three Sisters in Production
Production photos from ensemble member Tracy Letts' adaptation of Three Sisters, directed by ensemble member Anna D. Shapiro.Ensemble member Yasen Peyankov
credit: Michael Brosilow
Three Sisters in Production
Production photos from ensemble member Tracy Letts' adaptation of Three Sisters, directed by ensemble member Anna D. Shapiro.Dan Waller and Maury Cooper
credit: Michael Brosilow
Three Sisters in Production
Production photos from ensemble member Tracy Letts' adaptation of Three Sisters, directed by ensemble member Anna D. Shapiro.Carrie Coon, Caroline Neff and ensemble member Ora Jones
credit: Michael Brosilow
Three Sisters in Production
Production photos from ensemble member Tracy Letts' adaptation of Three Sisters, directed by ensemble member Anna D. Shapiro.Caroline Neff, Carrie Coon and ensemble members Yasen Peyankov and Ora Jones
credit: Michael Brosilow
Three Sisters in Production
Production photos from ensemble member Tracy Letts' adaptation of Three Sisters, directed by ensemble member Anna D. Shapiro.Warming up with the cast of The Wheel
credit: Thomas Weitz
The Wheel in Rehearsal
Rehearsal photos from Steppenwolf's production of The Wheel, by Zinnie Harris and directed by ensemble member Tina Landau. The Wheel features ensemble members Joan Allen, Robert Breuler, Tim Hopper, Ora Jones and Yasen Peyankov with Kareem Bandealy, La Shawn Banks, Chaon Cross, Emma Gordon, Mark L. Montgomery, Erin Oechsel, Stephenie Park, Daniel Pass, Edgar Miguel Sanchez, Scott Stangland, Demetrios Troy and Matthew Yee.Ensemble Member Joan Allen
credit: Thomas Weitz
The Wheel in Rehearsal
Rehearsal photos from Steppenwolf's production of The Wheel, by Zinnie Harris and directed by ensemble member Tina Landau. The Wheel features ensemble members Joan Allen, Robert Breuler, Tim Hopper, Ora Jones and Yasen Peyankov with Kareem Bandealy, La Shawn Banks, Chaon Cross, Emma Gordon, Mark L. Montgomery, Erin Oechsel, Stephenie Park, Daniel Pass, Edgar Miguel Sanchez, Scott Stangland, Demetrios Troy and Matthew Yee.Cast member Mark L. Montgomery
credit: Thomas Weitz
The Wheel in Rehearsal
Rehearsal photos from Steppenwolf's production of The Wheel, by Zinnie Harris and directed by ensemble member Tina Landau. The Wheel features ensemble members Joan Allen, Robert Breuler, Tim Hopper, Ora Jones and Yasen Peyankov with Kareem Bandealy, La Shawn Banks, Chaon Cross, Emma Gordon, Mark L. Montgomery, Erin Oechsel, Stephenie Park, Daniel Pass, Edgar Miguel Sanchez, Scott Stangland, Demetrios Troy and Matthew Yee.Director and ensemble member Tina Landau
credit: Thomas Weitz
The Wheel in Rehearsal
Rehearsal photos from Steppenwolf's production of The Wheel, by Zinnie Harris and directed by ensemble member Tina Landau. The Wheel features ensemble members Joan Allen, Robert Breuler, Tim Hopper, Ora Jones and Yasen Peyankov with Kareem Bandealy, La Shawn Banks, Chaon Cross, Emma Gordon, Mark L. Montgomery, Erin Oechsel, Stephenie Park, Daniel Pass, Edgar Miguel Sanchez, Scott Stangland, Demetrios Troy and Matthew Yee.End of warmups
credit: Thomas Weitz
The Wheel in Rehearsal
Rehearsal photos from Steppenwolf's production of The Wheel, by Zinnie Harris and directed by ensemble member Tina Landau. The Wheel features ensemble members Joan Allen, Robert Breuler, Tim Hopper, Ora Jones and Yasen Peyankov with Kareem Bandealy, La Shawn Banks, Chaon Cross, Emma Gordon, Mark L. Montgomery, Erin Oechsel, Stephenie Park, Daniel Pass, Edgar Miguel Sanchez, Scott Stangland, Demetrios Troy and Matthew Yee.(L to R) Demetrios Troy, ensemble members Robert Breuler and Joan Allen, La Shawn Banks
credit: Thomas Weitz
The Wheel in Rehearsal
Rehearsal photos from Steppenwolf's production of The Wheel, by Zinnie Harris and directed by ensemble member Tina Landau. The Wheel features ensemble members Joan Allen, Robert Breuler, Tim Hopper, Ora Jones and Yasen Peyankov with Kareem Bandealy, La Shawn Banks, Chaon Cross, Emma Gordon, Mark L. Montgomery, Erin Oechsel, Stephenie Park, Daniel Pass, Edgar Miguel Sanchez, Scott Stangland, Demetrios Troy and Matthew Yee.Ensemble member Yasen Peyankov and Chaon Cross
credit: Thomas Weitz
The Wheel in Rehearsal
Rehearsal photos from Steppenwolf's production of The Wheel, by Zinnie Harris and directed by ensemble member Tina Landau. The Wheel features ensemble members Joan Allen, Robert Breuler, Tim Hopper, Ora Jones and Yasen Peyankov with Kareem Bandealy, La Shawn Banks, Chaon Cross, Emma Gordon, Mark L. Montgomery, Erin Oechsel, Stephenie Park, Daniel Pass, Edgar Miguel Sanchez, Scott Stangland, Demetrios Troy and Matthew Yee.Ensemble member Tim Hopper
credit: Thomas Weitz
The Wheel in Rehearsal
Rehearsal photos from Steppenwolf's production of The Wheel, by Zinnie Harris and directed by ensemble member Tina Landau. The Wheel features ensemble members Joan Allen, Robert Breuler, Tim Hopper, Ora Jones and Yasen Peyankov with Kareem Bandealy, La Shawn Banks, Chaon Cross, Emma Gordon, Mark L. Montgomery, Erin Oechsel, Stephenie Park, Daniel Pass, Edgar Miguel Sanchez, Scott Stangland, Demetrios Troy and Matthew Yee.Cast member La Shawn Banks
credit: Thomas Weitz
The Wheel in Rehearsal
Rehearsal photos from Steppenwolf's production of The Wheel, by Zinnie Harris and directed by ensemble member Tina Landau. The Wheel features ensemble members Joan Allen, Robert Breuler, Tim Hopper, Ora Jones and Yasen Peyankov with Kareem Bandealy, La Shawn Banks, Chaon Cross, Emma Gordon, Mark L. Montgomery, Erin Oechsel, Stephenie Park, Daniel Pass, Edgar Miguel Sanchez, Scott Stangland, Demetrios Troy and Matthew Yee.(Foreground) La Shawn Banks and Demetrios Troy
credit: Thomas Weitz
The Wheel in Rehearsal
Rehearsal photos from Steppenwolf's production of The Wheel, by Zinnie Harris and directed by ensemble member Tina Landau. The Wheel features ensemble members Joan Allen, Robert Breuler, Tim Hopper, Ora Jones and Yasen Peyankov with Kareem Bandealy, La Shawn Banks, Chaon Cross, Emma Gordon, Mark L. Montgomery, Erin Oechsel, Stephenie Park, Daniel Pass, Edgar Miguel Sanchez, Scott Stangland, Demetrios Troy and Matthew Yee.(L to R) Ensemble members Yasen Peyankov and Tim Hopper
credit: Thomas Weitz
The Wheel in Rehearsal
Rehearsal photos from Steppenwolf's production of The Wheel, by Zinnie Harris and directed by ensemble member Tina Landau. The Wheel features ensemble members Joan Allen, Robert Breuler, Tim Hopper, Ora Jones and Yasen Peyankov with Kareem Bandealy, La Shawn Banks, Chaon Cross, Emma Gordon, Mark L. Montgomery, Erin Oechsel, Stephenie Park, Daniel Pass, Edgar Miguel Sanchez, Scott Stangland, Demetrios Troy and Matthew Yee.Director and ensemble member Tina Landau watches the cast play with shadows
credit: Thomas Weitz
The Wheel in Rehearsal
Rehearsal photos from Steppenwolf's production of The Wheel, by Zinnie Harris and directed by ensemble member Tina Landau. The Wheel features ensemble members Joan Allen, Robert Breuler, Tim Hopper, Ora Jones and Yasen Peyankov with Kareem Bandealy, La Shawn Banks, Chaon Cross, Emma Gordon, Mark L. Montgomery, Erin Oechsel, Stephenie Park, Daniel Pass, Edgar Miguel Sanchez, Scott Stangland, Demetrios Troy and Matthew Yee.The cast rehearses a war scene
credit: Thomas Weitz
The Wheel in Rehearsal
Rehearsal photos from Steppenwolf's production of The Wheel, by Zinnie Harris and directed by ensemble member Tina Landau. The Wheel features ensemble members Joan Allen, Robert Breuler, Tim Hopper, Ora Jones and Yasen Peyankov with Kareem Bandealy, La Shawn Banks, Chaon Cross, Emma Gordon, Mark L. Montgomery, Erin Oechsel, Stephenie Park, Daniel Pass, Edgar Miguel Sanchez, Scott Stangland, Demetrios Troy and Matthew Yee.Director and ensemble member Tina Landau addresses the cast
credit: Thomas Weitz
The Wheel in Rehearsal
Rehearsal photos from Steppenwolf's production of The Wheel, by Zinnie Harris and directed by ensemble member Tina Landau. The Wheel features ensemble members Joan Allen, Robert Breuler, Tim Hopper, Ora Jones and Yasen Peyankov with Kareem Bandealy, La Shawn Banks, Chaon Cross, Emma Gordon, Mark L. Montgomery, Erin Oechsel, Stephenie Park, Daniel Pass, Edgar Miguel Sanchez, Scott Stangland, Demetrios Troy and Matthew Yee.Ensemble members Tina Landau (Director) and Joan Allen talk about the scene.
credit: Thomas Weitz
The Wheel in Rehearsal
Rehearsal photos from Steppenwolf's production of The Wheel, by Zinnie Harris and directed by ensemble member Tina Landau. The Wheel features ensemble members Joan Allen, Robert Breuler, Tim Hopper, Ora Jones and Yasen Peyankov with Kareem Bandealy, La Shawn Banks, Chaon Cross, Emma Gordon, Mark L. Montgomery, Erin Oechsel, Stephenie Park, Daniel Pass, Edgar Miguel Sanchez, Scott Stangland, Demetrios Troy and Matthew Yee.Ensemble member Yasen Peyankov and cast member Matthew Yee
credit: Thomas Weitz
The Wheel in Rehearsal
Rehearsal photos from Steppenwolf's production of The Wheel, by Zinnie Harris and directed by ensemble member Tina Landau. The Wheel features ensemble members Joan Allen, Robert Breuler, Tim Hopper, Ora Jones and Yasen Peyankov with Kareem Bandealy, La Shawn Banks, Chaon Cross, Emma Gordon, Mark L. Montgomery, Erin Oechsel, Stephenie Park, Daniel Pass, Edgar Miguel Sanchez, Scott Stangland, Demetrios Troy and Matthew Yee.Cast member Edgar Miguel Sanchez
credit: Thomas Weitz
The Wheel in Rehearsal
Rehearsal photos from Steppenwolf's production of The Wheel, by Zinnie Harris and directed by ensemble member Tina Landau. The Wheel features ensemble members Joan Allen, Robert Breuler, Tim Hopper, Ora Jones and Yasen Peyankov with Kareem Bandealy, La Shawn Banks, Chaon Cross, Emma Gordon, Mark L. Montgomery, Erin Oechsel, Stephenie Park, Daniel Pass, Edgar Miguel Sanchez, Scott Stangland, Demetrios Troy and Matthew Yee.(L to R) Cast members La Shawn Banks and Kareem Bandealy
credit: Thomas Weitz
The Wheel in Rehearsal
Rehearsal photos from Steppenwolf's production of The Wheel, by Zinnie Harris and directed by ensemble member Tina Landau. The Wheel features ensemble members Joan Allen, Robert Breuler, Tim Hopper, Ora Jones and Yasen Peyankov with Kareem Bandealy, La Shawn Banks, Chaon Cross, Emma Gordon, Mark L. Montgomery, Erin Oechsel, Stephenie Park, Daniel Pass, Edgar Miguel Sanchez, Scott Stangland, Demetrios Troy and Matthew Yee.Director and ensemble member Tina Landau with the cast of <i>The Wheel</i>
credit: Thomas Weitz
The Wheel in Rehearsal
Rehearsal photos from Steppenwolf's production of The Wheel, by Zinnie Harris and directed by ensemble member Tina Landau. The Wheel features ensemble members Joan Allen, Robert Breuler, Tim Hopper, Ora Jones and Yasen Peyankov with Kareem Bandealy, La Shawn Banks, Chaon Cross, Emma Gordon, Mark L. Montgomery, Erin Oechsel, Stephenie Park, Daniel Pass, Edgar Miguel Sanchez, Scott Stangland, Demetrios Troy and Matthew Yee.Mark L. Montgomery and Emma Gordon
credit: Michael Brosilow
THE WHEEL in Production
Production photos of The Wheel, written by Zinnie Harris and directed by ensemble member Tina Landau. The Wheel features ensemble members Joan Allen, Robert Breuler, Tim Hopper, Ora Jones and Yasen Peyankov. Additional cast includes Kareem Bandealy, La Shawn Banks, Chaon Cross, Emma Gordon, Mark L. Montgomery, Erin Oechsel, Stephenie Park, Daniel Pass, Edgar Miguel Sanchez, Scott Stangland, Demetrios Troy and Matthew Yee.Ensemble members Joan Allen and Ora Jones with Daniel Pass and Emma Gordon
credit: Michael Brosilow
THE WHEEL in Production
Production photos of The Wheel, written by Zinnie Harris and directed by ensemble member Tina Landau. The Wheel features ensemble members Joan Allen, Robert Breuler, Tim Hopper, Ora Jones and Yasen Peyankov. Additional cast includes Kareem Bandealy, La Shawn Banks, Chaon Cross, Emma Gordon, Mark L. Montgomery, Erin Oechsel, Stephenie Park, Daniel Pass, Edgar Miguel Sanchez, Scott Stangland, Demetrios Troy and Matthew Yee.Emma Gordon with Daniel Pass
credit: Michael Brosilow
THE WHEEL in Production
Production photos of The Wheel, written by Zinnie Harris and directed by ensemble member Tina Landau. The Wheel features ensemble members Joan Allen, Robert Breuler, Tim Hopper, Ora Jones and Yasen Peyankov. Additional cast includes Kareem Bandealy, La Shawn Banks, Chaon Cross, Emma Gordon, Mark L. Montgomery, Erin Oechsel, Stephenie Park, Daniel Pass, Edgar Miguel Sanchez, Scott Stangland, Demetrios Troy and Matthew Yee.Ensemble member Joan Allen with Daniel Pass and Emma Gordon
credit: Michael Brosilow
THE WHEEL in Production
Production photos of The Wheel, written by Zinnie Harris and directed by ensemble member Tina Landau. The Wheel features ensemble members Joan Allen, Robert Breuler, Tim Hopper, Ora Jones and Yasen Peyankov. Additional cast includes Kareem Bandealy, La Shawn Banks, Chaon Cross, Emma Gordon, Mark L. Montgomery, Erin Oechsel, Stephenie Park, Daniel Pass, Edgar Miguel Sanchez, Scott Stangland, Demetrios Troy and Matthew Yee.La Shawn Banks, Scott Stangland and ensemble member Joan Allen
credit: Michael Brosilow
THE WHEEL in Production
Production photos of The Wheel, written by Zinnie Harris and directed by ensemble member Tina Landau. The Wheel features ensemble members Joan Allen, Robert Breuler, Tim Hopper, Ora Jones and Yasen Peyankov. Additional cast includes Kareem Bandealy, La Shawn Banks, Chaon Cross, Emma Gordon, Mark L. Montgomery, Erin Oechsel, Stephenie Park, Daniel Pass, Edgar Miguel Sanchez, Scott Stangland, Demetrios Troy and Matthew Yee.Kareem Bandealy and Emma Gordon
credit: Michael Brosilow
THE WHEEL in Production
Production photos of The Wheel, written by Zinnie Harris and directed by ensemble member Tina Landau. The Wheel features ensemble members Joan Allen, Robert Breuler, Tim Hopper, Ora Jones and Yasen Peyankov. Additional cast includes Kareem Bandealy, La Shawn Banks, Chaon Cross, Emma Gordon, Mark L. Montgomery, Erin Oechsel, Stephenie Park, Daniel Pass, Edgar Miguel Sanchez, Scott Stangland, Demetrios Troy and Matthew Yee.Kareem Bandealy
credit: Michael Brosilow
THE WHEEL in Production
Production photos of The Wheel, written by Zinnie Harris and directed by ensemble member Tina Landau. The Wheel features ensemble members Joan Allen, Robert Breuler, Tim Hopper, Ora Jones and Yasen Peyankov. Additional cast includes Kareem Bandealy, La Shawn Banks, Chaon Cross, Emma Gordon, Mark L. Montgomery, Erin Oechsel, Stephenie Park, Daniel Pass, Edgar Miguel Sanchez, Scott Stangland, Demetrios Troy and Matthew Yee.Chaon Cross and ensemble member Joan Allen
credit: Michael Brosilow
THE WHEEL in Production
Production photos of The Wheel, written by Zinnie Harris and directed by ensemble member Tina Landau. The Wheel features ensemble members Joan Allen, Robert Breuler, Tim Hopper, Ora Jones and Yasen Peyankov. Additional cast includes Kareem Bandealy, La Shawn Banks, Chaon Cross, Emma Gordon, Mark L. Montgomery, Erin Oechsel, Stephenie Park, Daniel Pass, Edgar Miguel Sanchez, Scott Stangland, Demetrios Troy and Matthew Yee.Cast members of <i>The Wheel</i>
credit: Michael Brosilow
THE WHEEL in Production
Production photos of The Wheel, written by Zinnie Harris and directed by ensemble member Tina Landau. The Wheel features ensemble members Joan Allen, Robert Breuler, Tim Hopper, Ora Jones and Yasen Peyankov. Additional cast includes Kareem Bandealy, La Shawn Banks, Chaon Cross, Emma Gordon, Mark L. Montgomery, Erin Oechsel, Stephenie Park, Daniel Pass, Edgar Miguel Sanchez, Scott Stangland, Demetrios Troy and Matthew Yee.Ensemble members Tim Hopper and Joan Allen
credit: Michael Brosilow
THE WHEEL in Production
Production photos of The Wheel, written by Zinnie Harris and directed by ensemble member Tina Landau. The Wheel features ensemble members Joan Allen, Robert Breuler, Tim Hopper, Ora Jones and Yasen Peyankov. Additional cast includes Kareem Bandealy, La Shawn Banks, Chaon Cross, Emma Gordon, Mark L. Montgomery, Erin Oechsel, Stephenie Park, Daniel Pass, Edgar Miguel Sanchez, Scott Stangland, Demetrios Troy and Matthew Yee.Cast members of <i>The Wheel</i>
credit: Michael Brosilow
THE WHEEL in Production
Production photos of The Wheel, written by Zinnie Harris and directed by ensemble member Tina Landau. The Wheel features ensemble members Joan Allen, Robert Breuler, Tim Hopper, Ora Jones and Yasen Peyankov. Additional cast includes Kareem Bandealy, La Shawn Banks, Chaon Cross, Emma Gordon, Mark L. Montgomery, Erin Oechsel, Stephenie Park, Daniel Pass, Edgar Miguel Sanchez, Scott Stangland, Demetrios Troy and Matthew Yee.Cast members of <i>The Wheel</i>
credit: Michael Brosilow
THE WHEEL in Production
Production photos of The Wheel, written by Zinnie Harris and directed by ensemble member Tina Landau. The Wheel features ensemble members Joan Allen, Robert Breuler, Tim Hopper, Ora Jones and Yasen Peyankov. Additional cast includes Kareem Bandealy, La Shawn Banks, Chaon Cross, Emma Gordon, Mark L. Montgomery, Erin Oechsel, Stephenie Park, Daniel Pass, Edgar Miguel Sanchez, Scott Stangland, Demetrios Troy and Matthew Yee.Cast members of <i>The Wheel</i>
credit: Michael Brosilow
THE WHEEL in Production
Production photos of The Wheel, written by Zinnie Harris and directed by ensemble member Tina Landau. The Wheel features ensemble members Joan Allen, Robert Breuler, Tim Hopper, Ora Jones and Yasen Peyankov. Additional cast includes Kareem Bandealy, La Shawn Banks, Chaon Cross, Emma Gordon, Mark L. Montgomery, Erin Oechsel, Stephenie Park, Daniel Pass, Edgar Miguel Sanchez, Scott Stangland, Demetrios Troy and Matthew Yee.Ensemble member Joan Allen
credit: Michael Brosilow
THE WHEEL in Production
Production photos of The Wheel, written by Zinnie Harris and directed by ensemble member Tina Landau. The Wheel features ensemble members Joan Allen, Robert Breuler, Tim Hopper, Ora Jones and Yasen Peyankov. Additional cast includes Kareem Bandealy, La Shawn Banks, Chaon Cross, Emma Gordon, Mark L. Montgomery, Erin Oechsel, Stephenie Park, Daniel Pass, Edgar Miguel Sanchez, Scott Stangland, Demetrios Troy and Matthew Yee.credit: Michael Brosilow
Fahrenheit 451
In a future where the written word is forbidden, firemen are paid to burn books, instead of fighting fires. For years Fireman Guy Montag blindly follows the orders of the totalitarian government. One day, after a chance encounter with a seventeen-year-old girl, Montag begins to read the books he burns and to question the life he leads.<i>The Sparrow Project</i>
credit: Michael Brosilow
First Look Repertory of New Work 2005
Steppenwolf Theatre Company proudly introduces the First Look Repertory of New Work, an inaugural program featuring developmental productions of three new plays in rotating repertory. Accompanying the performances is a series of readings, lectures and events regarding the development of new work.<i>A Blameless Life</i>
credit: Michael Brosilow
First Look Repertory of New Work 2005
Steppenwolf Theatre Company proudly introduces the First Look Repertory of New Work, an inaugural program featuring developmental productions of three new plays in rotating repertory. Accompanying the performances is a series of readings, lectures and events regarding the development of new work.<i>Men of Tortuga</i>
credit: Jay Geneske
First Look Repertory of New Work 2005
Steppenwolf Theatre Company proudly introduces the First Look Repertory of New Work, an inaugural program featuring developmental productions of three new plays in rotating repertory. Accompanying the performances is a series of readings, lectures and events regarding the development of new work.credit:
Fred Hersch's Leaves of Grass
Master pianist and composer Fred Hersch delivers Walt Whitman’s book of poems Leaves of Grass as a large-scale jazz score for two voices and an instrumental octet.credit:
Fred Hersch's Leaves of Grass
Master pianist and composer Fred Hersch delivers Walt Whitman’s book of poems Leaves of Grass as a large-scale jazz score for two voices and an instrumental octet.credit:
Fred Hersch's Leaves of Grass
Master pianist and composer Fred Hersch delivers Walt Whitman’s book of poems Leaves of Grass as a large-scale jazz score for two voices and an instrumental octet.credit:
Fred Hersch's Leaves of Grass
Master pianist and composer Fred Hersch delivers Walt Whitman’s book of poems Leaves of Grass as a large-scale jazz score for two voices and an instrumental octet.credit:
Fred Hersch's Leaves of Grass
Master pianist and composer Fred Hersch delivers Walt Whitman’s book of poems Leaves of Grass as a large-scale jazz score for two voices and an instrumental octet.credit:
Fred Hersch's Leaves of Grass
Master pianist and composer Fred Hersch delivers Walt Whitman’s book of poems Leaves of Grass as a large-scale jazz score for two voices and an instrumental octet.credit:
Fred Hersch's Leaves of Grass
Master pianist and composer Fred Hersch delivers Walt Whitman’s book of poems Leaves of Grass as a large-scale jazz score for two voices and an instrumental octet.credit: Doug McGoldrick
Fred Hersch's Leaves of Grass
Master pianist and composer Fred Hersch delivers Walt Whitman’s book of poems Leaves of Grass as a large-scale jazz score for two voices and an instrumental octet.credit:
Stepping Out
Libya V. Pugh, Monifa M. Days, Alana Arenas and Chavez Ravine
credit: Michael Brosilow
The Bluest Eye
Nobel Prize-winning author Toni Morrison's The Bluest Eye is a story about the tragic life of a young black girl in 1940's Ohio. With rich language and bold vision, this story examines the standards of beauty, a young girl’s coming of age, and the devastating events she endures.Libya V. Pugh and Monifa M. Days
credit: Michael Brosilow
The Bluest Eye
Nobel Prize-winning author Toni Morrison's The Bluest Eye is a story about the tragic life of a young black girl in 1940's Ohio. With rich language and bold vision, this story examines the standards of beauty, a young girl’s coming of age, and the devastating events she endures.Alana Arenas and Chavez Ravine
credit: Michael Brosilow
The Bluest Eye
Nobel Prize-winning author Toni Morrison's The Bluest Eye is a story about the tragic life of a young black girl in 1940's Ohio. With rich language and bold vision, this story examines the standards of beauty, a young girl’s coming of age, and the devastating events she endures.Playwright Lydia Diamond at a post-show discussion
credit: Michael Brosilow
The Bluest Eye
Nobel Prize-winning author Toni Morrison's The Bluest Eye is a story about the tragic life of a young black girl in 1940's Ohio. With rich language and bold vision, this story examines the standards of beauty, a young girl’s coming of age, and the devastating events she endures.Cast, director Hallie Gordon and playwright Lydia Diamond at a post-show discussion
credit: Michael Brosilow
The Bluest Eye
Nobel Prize-winning author Toni Morrison's The Bluest Eye is a story about the tragic life of a young black girl in 1940's Ohio. With rich language and bold vision, this story examines the standards of beauty, a young girl’s coming of age, and the devastating events she endures.credit:
The Caretaker
Ensemble members Amy Morton and Tracy Letts
credit: Michael Brosilow
Three Days Of Rain
A famous architect has died and left a mysterious will, prompting his children and their best friend to wonder about their families' history.David Rainey with ensemble member K. Todd Freeman
credit:
Topdog/Underdog
Lincoln and Booth are brothers, named by their father as a joke. Lincoln sits in an arcade all day, dressed as his presidential namesake and is assassinated over and over. Booth, stays in their run down apartment, practicing to be a great Three-Card Monte hustler.ensemble members Jeff Perry and Amy Morton
credit:
You Can't Take It With You
You Can't Take It With Youcredit:
Dandelion Wine in Production
In this homage to his Midwestern childhood, Bradbury brings to life one unforgettable summer full of skinned knees, the smell of freshly cut grass, squishy new sneakers, time machines and a fortune telling Tarot witch. Bradbury’s magical story is a sensory explosion that reminds us to cherish the simple pleasures of youth.credit:
Dandelion Wine in Production
In this homage to his Midwestern childhood, Bradbury brings to life one unforgettable summer full of skinned knees, the smell of freshly cut grass, squishy new sneakers, time machines and a fortune telling Tarot witch. Bradbury’s magical story is a sensory explosion that reminds us to cherish the simple pleasures of youth.credit:
Dandelion Wine in Production
In this homage to his Midwestern childhood, Bradbury brings to life one unforgettable summer full of skinned knees, the smell of freshly cut grass, squishy new sneakers, time machines and a fortune telling Tarot witch. Bradbury’s magical story is a sensory explosion that reminds us to cherish the simple pleasures of youth.credit:
Dandelion Wine in Production
In this homage to his Midwestern childhood, Bradbury brings to life one unforgettable summer full of skinned knees, the smell of freshly cut grass, squishy new sneakers, time machines and a fortune telling Tarot witch. Bradbury’s magical story is a sensory explosion that reminds us to cherish the simple pleasures of youth.Past Productions
- Balm In Gilead
- Balm in Gilead (Remount at the Apollo Theater Center)
- Carter's Way
- Dream Chicago
- In the Red and Brown Water
- Love Kills: A Concert Reading
- Middletown
- Morning Star
- The Brother/Sister Plays
- The Brothers Size / Marcus; Or the Secret of Sweet
- The Crucible
- The PocketBook Monologues
- The Unmentionables
- The Violet Hour
- The Wheel
- Three Sisters
- Familiar
- The Children
- The Doppelgänger (an international farce)
- The Roommate
- Noises Off
Member Profiles
Ora Jones
Upcoming Productions
Past Productions
- Balm In Gilead
- Balm in Gilead (Remount at the Apollo Theater Center)
- Carter's Way
- Dream Chicago
- Familiar
- In the Red and Brown Water
- Love Kills: A Concert Reading
- Middletown
- Morning Star
- The Brother/Sister Plays
- The Brothers Size / Marcus; Or the Secret of Sweet
- The Children
- The Crucible
- The Doppelgänger (an international farce)
- The PocketBook Monologues
- The Roommate
- The Unmentionables
- The Violet Hour
- The Wheel
- Three Sisters