Member Profiles
K. Todd Freeman
Biography
K. Todd Freeman joined the Steppenwolf Theatre Company ensemble in 1993. Steppenwolf (acting): Downstate (Jeff Award), Airline Highway, The Brother/Sister Plays, Topdog/Underdog, A Clockwork Orange, We All Went Down to Amsterdam, One Flew Over the Cuckoo’s Nest, The Song of Jacob Zulu. Steppenwolf (directing): The Christians, Good People. Broadway: Airline Highway (Tony Nomination, Drama Desk Award), One Flew Over the Cuckoo’s Nest, The Song of Jacob Zulu (Tony Nomination). Off-Broadway: Fetch Clay Make Man (NYTW, Obie Award); Intelligent Homosexual’s Guide to Capitalism and Socialism with a Key to the Scriptures, Spunk (Public Theatre); Regional: Angels in America (Mark Taper Forum). TV: High Maintenance, God Friended Me, Blacklist, A Series of Unfortunate Events, Blindspot, The OA, Law and Order: SVU, Buffy the Vampire Slayer, NYPD Blue. Film: Same Storm, Naked Singularity, Anesthesia, Weightless, The Dark Knight, Cider House Rules, Gross Pointe Blank.
Watch & Listen
Ensemble member K. Todd Freeman
credit:
The Song of Jacob Zulu
The Song of Jacob Zulu traveled to Australia and Broadway in 1993.David Rainey with ensemble member K. Todd Freeman
credit:
Topdog/Underdog
Lincoln and Booth are brothers, named by their father as a joke. Lincoln sits in an arcade all day, dressed as his presidential namesake and is assassinated over and over. Booth, stays in their run down apartment, practicing to be a great Three-Card Monte hustler.credit:
We All Went Down To Amsterdam
At a typically charmless nursing home, the resident troublemaker, Woody, is confronted by a visitor from his past—a past he can barely remember.credit:
Will the Circle Be Unbroken?
Steppenwolf Theatre Company's Traffic series closes Millennium Park's "Blockbuster Weekend" with a performance of Studs Terkel's Will the Circle Be Unbroken? directed by Steppenwolf Associate Artist Jessica Thebus and featuring Steppenwolf ensemble members Robert Brueler, K. Todd Freeman and Sally Murphy.credit:
Will the Circle Be Unbroken?
Steppenwolf Theatre Company's Traffic series closes Millennium Park's "Blockbuster Weekend" with a performance of Studs Terkel's Will the Circle Be Unbroken? directed by Steppenwolf Associate Artist Jessica Thebus and featuring Steppenwolf ensemble members Robert Brueler, K. Todd Freeman and Sally Murphy.credit:
Will the Circle Be Unbroken?
Steppenwolf Theatre Company's Traffic series closes Millennium Park's "Blockbuster Weekend" with a performance of Studs Terkel's Will the Circle Be Unbroken? directed by Steppenwolf Associate Artist Jessica Thebus and featuring Steppenwolf ensemble members Robert Brueler, K. Todd Freeman and Sally Murphy.credit:
Will the Circle Be Unbroken?
Steppenwolf Theatre Company's Traffic series closes Millennium Park's "Blockbuster Weekend" with a performance of Studs Terkel's Will the Circle Be Unbroken? directed by Steppenwolf Associate Artist Jessica Thebus and featuring Steppenwolf ensemble members Robert Brueler, K. Todd Freeman and Sally Murphy.credit:
Will the Circle Be Unbroken?
Steppenwolf Theatre Company's Traffic series closes Millennium Park's "Blockbuster Weekend" with a performance of Studs Terkel's Will the Circle Be Unbroken? directed by Steppenwolf Associate Artist Jessica Thebus and featuring Steppenwolf ensemble members Robert Brueler, K. Todd Freeman and Sally Murphy.credit:
Will the Circle Be Unbroken?
Steppenwolf Theatre Company's Traffic series closes Millennium Park's "Blockbuster Weekend" with a performance of Studs Terkel's Will the Circle Be Unbroken? directed by Steppenwolf Associate Artist Jessica Thebus and featuring Steppenwolf ensemble members Robert Brueler, K. Todd Freeman and Sally Murphy.credit:
Will the Circle Be Unbroken?
Steppenwolf Theatre Company's Traffic series closes Millennium Park's "Blockbuster Weekend" with a performance of Studs Terkel's Will the Circle Be Unbroken? directed by Steppenwolf Associate Artist Jessica Thebus and featuring Steppenwolf ensemble members Robert Brueler, K. Todd Freeman and Sally Murphy.Ensemble member Eric Simonson and stage manager Malcolm Ewen
credit: Jay Geneske
Carter's Way in Rehearsal
The cast and crew of Carter's Way in rehearsal for ensemble member Eric Simonson's play.Ensemble member James Vincent Meredith as Oriole
credit: Jay Geneske
Carter's Way in Rehearsal
The cast and crew of Carter's Way in rehearsal for ensemble member Eric Simonson's play.Ensemble member James Vincent Meredith as Oriole
credit: Jay Geneske
Carter's Way in Rehearsal
The cast and crew of Carter's Way in rehearsal for ensemble member Eric Simonson's play.Ensemble member Ora Jones as Marilyn
credit: Jay Geneske
Carter's Way in Rehearsal
The cast and crew of Carter's Way in rehearsal for ensemble member Eric Simonson's play.Ensemble members Ora Jones and James Vincent Meredith
credit: Jay Geneske
Carter's Way in Rehearsal
The cast and crew of Carter's Way in rehearsal for ensemble member Eric Simonson's play.Anne Adams as Eunice
credit: Jay Geneske
Carter's Way in Rehearsal
The cast and crew of Carter's Way in rehearsal for ensemble member Eric Simonson's play.Playwright and director Eric Simonson
credit: Jay Geneske
Carter's Way in Rehearsal
The cast and crew of Carter's Way in rehearsal for ensemble member Eric Simonson's play.Ensemble member K. Todd Freeman as Pewee
credit: Jay Geneske
Carter's Way in Rehearsal
The cast and crew of Carter's Way in rehearsal for ensemble member Eric Simonson's play.Ensemble members Ora Jones and James Vincent Meredith
credit: Michael Brosilow
Carter's Way in Production
It’s 1935. In America, it’s the middle of the Great Depression. The scene is hopping with recording deals and jam-packed clubs like Planet Mars, where life revolves around Oriole Carter, a brilliant black saxophonist who leads the house band.Ensemble member Ora Jones and Keith Kupferer
credit: Michael Brosilow
Carter's Way in Production
It’s 1935. In America, it’s the middle of the Great Depression. The scene is hopping with recording deals and jam-packed clubs like Planet Mars, where life revolves around Oriole Carter, a brilliant black saxophonist who leads the house band.Calvin Dutton and ensemble member Ora Jones
credit: Michael Brosilow
Carter's Way in Production
It’s 1935. In America, it’s the middle of the Great Depression. The scene is hopping with recording deals and jam-packed clubs like Planet Mars, where life revolves around Oriole Carter, a brilliant black saxophonist who leads the house band.Ensemble member Ora Jones
credit: Michael Brosilow
Carter's Way in Production
It’s 1935. In America, it’s the middle of the Great Depression. The scene is hopping with recording deals and jam-packed clubs like Planet Mars, where life revolves around Oriole Carter, a brilliant black saxophonist who leads the house band.Ensemble member Robert Breuler
credit: Michael Brosilow
Carter's Way in Production
It’s 1935. In America, it’s the middle of the Great Depression. The scene is hopping with recording deals and jam-packed clubs like Planet Mars, where life revolves around Oriole Carter, a brilliant black saxophonist who leads the house band.Ensemble member James Vincent Meredith and Anne Adams
credit: Michael Brosilow
Carter's Way in Production
It’s 1935. In America, it’s the middle of the Great Depression. The scene is hopping with recording deals and jam-packed clubs like Planet Mars, where life revolves around Oriole Carter, a brilliant black saxophonist who leads the house band.Ensemble member James Vincent Meredith and Anne Adams
credit: Michael Brosilow
Carter's Way in Production
It’s 1935. In America, it’s the middle of the Great Depression. The scene is hopping with recording deals and jam-packed clubs like Planet Mars, where life revolves around Oriole Carter, a brilliant black saxophonist who leads the house band.Keith Kupferer and ensemble member Robert Breuler
credit: Michael Brosilow
Carter's Way in Production
It’s 1935. In America, it’s the middle of the Great Depression. The scene is hopping with recording deals and jam-packed clubs like Planet Mars, where life revolves around Oriole Carter, a brilliant black saxophonist who leads the house band.Ensemble member K. Todd Freeman
credit: Michael Brosilow
Carter's Way in Production
It’s 1935. In America, it’s the middle of the Great Depression. The scene is hopping with recording deals and jam-packed clubs like Planet Mars, where life revolves around Oriole Carter, a brilliant black saxophonist who leads the house band.Michael Popgue and ensemble members James Vincent Meredith and Ora Jones
credit: Michael Brosilow
Carter's Way in Production
It’s 1935. In America, it’s the middle of the Great Depression. The scene is hopping with recording deals and jam-packed clubs like Planet Mars, where life revolves around Oriole Carter, a brilliant black saxophonist who leads the house band.Ensemble member Ora Jones
credit: Mark Campbell
Dream Chicago
Featuring pieces by seven contemporary Chicago writers, Dream Chicago celebrated the visionary dreams from the past that gave character to the “City of Big Shoulders” and inspired its people to imagine a collective future. Dream Chicago was presented as part of Blockbuster Week in Millennium Park.Artistic Director Martha Lavey
credit: Mark Campbell
Dream Chicago
Featuring pieces by seven contemporary Chicago writers, Dream Chicago celebrated the visionary dreams from the past that gave character to the “City of Big Shoulders” and inspired its people to imagine a collective future. Dream Chicago was presented as part of Blockbuster Week in Millennium Park.Ensemble member Ian Barford
credit: Mark Campbell
Dream Chicago
Featuring pieces by seven contemporary Chicago writers, Dream Chicago celebrated the visionary dreams from the past that gave character to the “City of Big Shoulders” and inspired its people to imagine a collective future. Dream Chicago was presented as part of Blockbuster Week in Millennium Park.Jazz vocalist Maggie Brown
credit: Mark Campbell
Dream Chicago
Featuring pieces by seven contemporary Chicago writers, Dream Chicago celebrated the visionary dreams from the past that gave character to the “City of Big Shoulders” and inspired its people to imagine a collective future. Dream Chicago was presented as part of Blockbuster Week in Millennium Park.Ensemble member Robert Breuler
credit: Mark Campbell
Dream Chicago
Featuring pieces by seven contemporary Chicago writers, Dream Chicago celebrated the visionary dreams from the past that gave character to the “City of Big Shoulders” and inspired its people to imagine a collective future. Dream Chicago was presented as part of Blockbuster Week in Millennium Park.Ensemble member Ora Jones
credit: Mark Campbell
Dream Chicago
Featuring pieces by seven contemporary Chicago writers, Dream Chicago celebrated the visionary dreams from the past that gave character to the “City of Big Shoulders” and inspired its people to imagine a collective future. Dream Chicago was presented as part of Blockbuster Week in Millennium Park.Ensemble member Alana Arenas
credit: Mark Campbell
Dream Chicago
Featuring pieces by seven contemporary Chicago writers, Dream Chicago celebrated the visionary dreams from the past that gave character to the “City of Big Shoulders” and inspired its people to imagine a collective future. Dream Chicago was presented as part of Blockbuster Week in Millennium Park.Jazz vocalist Maggie Brown
credit: Mark Campbell
Dream Chicago
Featuring pieces by seven contemporary Chicago writers, Dream Chicago celebrated the visionary dreams from the past that gave character to the “City of Big Shoulders” and inspired its people to imagine a collective future. Dream Chicago was presented as part of Blockbuster Week in Millennium Park.Ensemble member K. Todd Freeman
credit: Mark Campbell
Dream Chicago
Featuring pieces by seven contemporary Chicago writers, Dream Chicago celebrated the visionary dreams from the past that gave character to the “City of Big Shoulders” and inspired its people to imagine a collective future. Dream Chicago was presented as part of Blockbuster Week in Millennium Park.Ensemble member K. Todd Freeman
credit: Mark Campbell
Will the Circle Be Unbroken? in Production
A Tribute to Studs Terkel: Will the Circle Be Unbroken? directed by Steppenwolf Associate Artist Jessica Thebus and featuring Steppenwolf ensemble members Robert Brueler, K. Todd Freeman, Tom Irwin, Alan Wilder, Martha Lavey and Frank Galati.Ensemble member Robert Breuler
credit: Mark Campbell
Will the Circle Be Unbroken? in Production
A Tribute to Studs Terkel: Will the Circle Be Unbroken? directed by Steppenwolf Associate Artist Jessica Thebus and featuring Steppenwolf ensemble members Robert Brueler, K. Todd Freeman, Tom Irwin, Alan Wilder, Martha Lavey and Frank Galati.Ensemble member Frank Galati
credit: Mark Campbell
Will the Circle Be Unbroken? in Production
A Tribute to Studs Terkel: Will the Circle Be Unbroken? directed by Steppenwolf Associate Artist Jessica Thebus and featuring Steppenwolf ensemble members Robert Brueler, K. Todd Freeman, Tom Irwin, Alan Wilder, Martha Lavey and Frank Galati.David Schwimmer
credit: Mark Campbell
Will the Circle Be Unbroken? in Production
A Tribute to Studs Terkel: Will the Circle Be Unbroken? directed by Steppenwolf Associate Artist Jessica Thebus and featuring Steppenwolf ensemble members Robert Brueler, K. Todd Freeman, Tom Irwin, Alan Wilder, Martha Lavey and Frank Galati.Ensemble member Alan Wilder
credit: Mark Campbell
Will the Circle Be Unbroken? in Production
A Tribute to Studs Terkel: Will the Circle Be Unbroken? directed by Steppenwolf Associate Artist Jessica Thebus and featuring Steppenwolf ensemble members Robert Brueler, K. Todd Freeman, Tom Irwin, Alan Wilder, Martha Lavey and Frank Galati.Ensemble member Tom Irwin
credit: Mark Campbell
Will the Circle Be Unbroken? in Production
A Tribute to Studs Terkel: Will the Circle Be Unbroken? directed by Steppenwolf Associate Artist Jessica Thebus and featuring Steppenwolf ensemble members Robert Brueler, K. Todd Freeman, Tom Irwin, Alan Wilder, Martha Lavey and Frank Galati.Michael Smith
credit: Mark Campbell
Will the Circle Be Unbroken? in Production
A Tribute to Studs Terkel: Will the Circle Be Unbroken? directed by Steppenwolf Associate Artist Jessica Thebus and featuring Steppenwolf ensemble members Robert Brueler, K. Todd Freeman, Tom Irwin, Alan Wilder, Martha Lavey and Frank Galati.Dennis Zacek
credit: Mark Campbell
Will the Circle Be Unbroken? in Production
A Tribute to Studs Terkel: Will the Circle Be Unbroken? directed by Steppenwolf Associate Artist Jessica Thebus and featuring Steppenwolf ensemble members Robert Brueler, K. Todd Freeman, Tom Irwin, Alan Wilder, Martha Lavey and Frank Galati.Ernest Perry, Jr.
credit: Mark Campbell
Will the Circle Be Unbroken? in Production
A Tribute to Studs Terkel: Will the Circle Be Unbroken? directed by Steppenwolf Associate Artist Jessica Thebus and featuring Steppenwolf ensemble members Robert Brueler, K. Todd Freeman, Tom Irwin, Alan Wilder, Martha Lavey and Frank Galati.Rick Kogan
credit: Mark Campbell
Will the Circle Be Unbroken? in Production
A Tribute to Studs Terkel: Will the Circle Be Unbroken? directed by Steppenwolf Associate Artist Jessica Thebus and featuring Steppenwolf ensemble members Robert Brueler, K. Todd Freeman, Tom Irwin, Alan Wilder, Martha Lavey and Frank Galati.Tina Brown, Rhonda Preston and David Simmons
credit: Mark Campbell
Will the Circle Be Unbroken? in Production
A Tribute to Studs Terkel: Will the Circle Be Unbroken? directed by Steppenwolf Associate Artist Jessica Thebus and featuring Steppenwolf ensemble members Robert Brueler, K. Todd Freeman, Tom Irwin, Alan Wilder, Martha Lavey and Frank Galati.Cast of Will the Circle Be Unbroken?
credit: Mark Campbell
Will the Circle Be Unbroken? in Production
A Tribute to Studs Terkel: Will the Circle Be Unbroken? directed by Steppenwolf Associate Artist Jessica Thebus and featuring Steppenwolf ensemble members Robert Brueler, K. Todd Freeman, Tom Irwin, Alan Wilder, Martha Lavey and Frank Galati.Ensemble member Francis Guinan with John Procaccino
credit: Mark Campbell
Art in Rehearsal
The cast and crew of Art in rehearsal for the play by Yasmina Reza.Ensemble member K. Todd Freeman
credit: Mark Campbell
Art in Rehearsal
The cast and crew of Art in rehearsal for the play by Yasmina Reza.Ensemble member Francis Guinan
credit: Mark Campbell
Art in Rehearsal
The cast and crew of Art in rehearsal for the play by Yasmina Reza.Ensemble member Francis Guinan with John Procaccino
credit: Mark Campbell
Art in Rehearsal
The cast and crew of Art in rehearsal for the play by Yasmina Reza.John Procaccino and ensemble member K. Todd Freeman
credit: Mark Campbell
Art in Rehearsal
The cast and crew of Art in rehearsal for the play by Yasmina Reza.Ensemble member K. Todd Freeman with John Procaccino and ensemble member Francis Guinan
credit: Mark Campbell
Art in Rehearsal
The cast and crew of Art in rehearsal for the play by Yasmina Reza.Ensemble member K. Todd Freeman
credit: Mark Campbell
Art in Rehearsal
The cast and crew of Art in rehearsal for the play by Yasmina Reza.John Procaccino and ensemble member K. Todd Freeman
credit: Mark Campbell
Art in Rehearsal
The cast and crew of Art in rehearsal for the play by Yasmina Reza.Joe Dempsey and Randall Newsome with ensemble member Ian Barford
credit: Michael Brosilow
Art in Production
Art explores the intricacies of a long-term friendship between three men. When one of them drops a fortune on a piece of modern art, his friends’ surprising reactions touch off a series of personal confrontations.Randall Newsome and Joe Dempsey with ensemble member Ian Barford
credit: Michael Brosilow
Art in Production
Art explores the intricacies of a long-term friendship between three men. When one of them drops a fortune on a piece of modern art, his friends’ surprising reactions touch off a series of personal confrontations.Randall Newsome with ensemble member Ian Barford and Joe Dempsey
credit: Michael Brosilow
Art in Production
Art explores the intricacies of a long-term friendship between three men. When one of them drops a fortune on a piece of modern art, his friends’ surprising reactions touch off a series of personal confrontations.John Procaccino with ensemble members Francis Guinan and K. Todd Freeman
credit: Michael Brosilow
Art in Production
Art explores the intricacies of a long-term friendship between three men. When one of them drops a fortune on a piece of modern art, his friends’ surprising reactions touch off a series of personal confrontations.John Procaccino with ensemble member K. Todd Freeman
credit: Michael Brosilow
Art in Production
Art explores the intricacies of a long-term friendship between three men. When one of them drops a fortune on a piece of modern art, his friends’ surprising reactions touch off a series of personal confrontations.Ensemble member Francis Guinan
credit: Michael Brosilow
Art in Production
Art explores the intricacies of a long-term friendship between three men. When one of them drops a fortune on a piece of modern art, his friends’ surprising reactions touch off a series of personal confrontations.Ensemble members Francis Guinan and K. Todd Freeman
credit: Michael Brosilow
Art in Production
Art explores the intricacies of a long-term friendship between three men. When one of them drops a fortune on a piece of modern art, his friends’ surprising reactions touch off a series of personal confrontations.Ensemble member Francis Guinan with John Procaccino
credit: Michael Brosilow
Art in Production
Art explores the intricacies of a long-term friendship between three men. When one of them drops a fortune on a piece of modern art, his friends’ surprising reactions touch off a series of personal confrontations.John Procaccino
credit: Michael Brosilow
Art in Production
Art explores the intricacies of a long-term friendship between three men. When one of them drops a fortune on a piece of modern art, his friends’ surprising reactions touch off a series of personal confrontations.Ensemble member K. Todd Freeman
credit: Michael Brosilow
Art in Production
Art explores the intricacies of a long-term friendship between three men. When one of them drops a fortune on a piece of modern art, his friends’ surprising reactions touch off a series of personal confrontations.John Procaccino with ensemble member Francis Guinan
credit: Michael Brosilow
Art in Production
Art explores the intricacies of a long-term friendship between three men. When one of them drops a fortune on a piece of modern art, his friends’ surprising reactions touch off a series of personal confrontations.Ensemble member Francis Guinan with John Procaccino
credit: Michael Brosilow
Art in Production
Art explores the intricacies of a long-term friendship between three men. When one of them drops a fortune on a piece of modern art, his friends’ surprising reactions touch off a series of personal confrontations.John Procaccino with ensemble members Francis Guinan and K. Todd Freeman
credit: Michael Brosilow
Art in Production
Art explores the intricacies of a long-term friendship between three men. When one of them drops a fortune on a piece of modern art, his friends’ surprising reactions touch off a series of personal confrontations.Eric James Casady, Emma Rosenthal, ensemble member Jon Michael Hill, Stephen Louis Grush, ensemble members Frank Galati and Alana Arenas with Miles Fletcher
credit: Michael Brosilow
The Tempest in Production
In Shakespeare’s final work, Prospero is exiled to an enchanted island where he harnesses the powers of magic and masters the spirits that dwell there. His desire for revenge drives him to conjure a mighty storm trapping his enemies on the island.Ensemble members Jon Michael Hill and Lois Smith, Emma Rosenthal,ensemble member Alan Wilder, Miles Fletcher, Craig Spidle and ensemble member James Vincent Meredith
credit: Michael Brosilow
The Tempest in Production
In Shakespeare’s final work, Prospero is exiled to an enchanted island where he harnesses the powers of magic and masters the spirits that dwell there. His desire for revenge drives him to conjure a mighty storm trapping his enemies on the island.Ensemble members James Vincent Meredith and Alan Wilder
credit: Michael Brosilow
The Tempest in Production
In Shakespeare’s final work, Prospero is exiled to an enchanted island where he harnesses the powers of magic and masters the spirits that dwell there. His desire for revenge drives him to conjure a mighty storm trapping his enemies on the island.Ensemble member Alana Arenas, Stephen Louis Grush, Eric James Casady, Miles Fletcher, Emma Rosenthal, ensemble members Jon Michael Hill, Yasen Peyankov and Tim Hopper
credit: Michael Brosilow
The Tempest in Production
In Shakespeare’s final work, Prospero is exiled to an enchanted island where he harnesses the powers of magic and masters the spirits that dwell there. His desire for revenge drives him to conjure a mighty storm trapping his enemies on the island.Eric James Casady, Miles Fletcher, Emma Rosenthal, ensemble members Alan Wilder, Lois Smith, James Vincent Meredith with Craig Spidle
credit: Michael Brosilow
The Tempest in Production
In Shakespeare’s final work, Prospero is exiled to an enchanted island where he harnesses the powers of magic and masters the spirits that dwell there. His desire for revenge drives him to conjure a mighty storm trapping his enemies on the island.Ensemble member Jon Michael Hill
credit: Michael Brosilow
The Tempest in Production
In Shakespeare’s final work, Prospero is exiled to an enchanted island where he harnesses the powers of magic and masters the spirits that dwell there. His desire for revenge drives him to conjure a mighty storm trapping his enemies on the island.Ensemble member Alana Arenas with Stephen Louis Grush
credit: Michael Brosilow
The Tempest in Production
In Shakespeare’s final work, Prospero is exiled to an enchanted island where he harnesses the powers of magic and masters the spirits that dwell there. His desire for revenge drives him to conjure a mighty storm trapping his enemies on the island.Ensemble members K. Todd Freeman, Yasen Peyankov and Tim Hopper
credit: Michael Brosilow
The Tempest in Production
In Shakespeare’s final work, Prospero is exiled to an enchanted island where he harnesses the powers of magic and masters the spirits that dwell there. His desire for revenge drives him to conjure a mighty storm trapping his enemies on the island.Ensemble member Jon Michael Hill, Emma Rosenthal, ensemble member Frank Galati with Miles Fletcher
credit: Michael Brosilow
The Tempest in Production
In Shakespeare’s final work, Prospero is exiled to an enchanted island where he harnesses the powers of magic and masters the spirits that dwell there. His desire for revenge drives him to conjure a mighty storm trapping his enemies on the island.Ensemble members K. Todd Freeman and Frank Galati
credit: Michael Brosilow
The Tempest in Production
In Shakespeare’s final work, Prospero is exiled to an enchanted island where he harnesses the powers of magic and masters the spirits that dwell there. His desire for revenge drives him to conjure a mighty storm trapping his enemies on the island.Ensemble member Lois Smith, Craig Spidle and ensemble member James Vincent Meredith
credit: Michael Brosilow
The Tempest in Production
In Shakespeare’s final work, Prospero is exiled to an enchanted island where he harnesses the powers of magic and masters the spirits that dwell there. His desire for revenge drives him to conjure a mighty storm trapping his enemies on the island.Hallie Gordon with ensemble members Frank Galati, Martha Lavey, K. Todd Freeman and Amy Morton
credit: Luis Ibarra
34th Season Kick-Off Celebration
Steppenwolf's 34th Season Kick-Off Celebration was an exciting look inside the 2009-2010 season, exploring the power of belief. The event featured backstage tours, a behind-the-scenes artistic discussion and much more.A Steppenwolf subscriber with production manager Al Franklin
credit: Luis Ibarra
34th Season Kick-Off Celebration
Steppenwolf's 34th Season Kick-Off Celebration was an exciting look inside the 2009-2010 season, exploring the power of belief. The event featured backstage tours, a behind-the-scenes artistic discussion and much more.Steppenwolf subscribers with literary manager Joy Meads
credit: Mark Campbell
34th Season Kick-Off Celebration
Steppenwolf's 34th Season Kick-Off Celebration was an exciting look inside the 2009-2010 season, exploring the power of belief. The event featured backstage tours, a behind-the-scenes artistic discussion and much more.Steppenwolf subscribers enjoying the evening
credit: Mark Campbell
34th Season Kick-Off Celebration
Steppenwolf's 34th Season Kick-Off Celebration was an exciting look inside the 2009-2010 season, exploring the power of belief. The event featured backstage tours, a behind-the-scenes artistic discussion and much more.Steppenwolf subscribers and donors on a back stage tour of the theater
credit: Mark Campbell
34th Season Kick-Off Celebration
Steppenwolf's 34th Season Kick-Off Celebration was an exciting look inside the 2009-2010 season, exploring the power of belief. The event featured backstage tours, a behind-the-scenes artistic discussion and much more.Steppenwolf subscribers with Digital Assets Assistant Timothy Den and Digital Asset Manager Vince Amatuzzi
credit: Luis Ibarra
34th Season Kick-Off Celebration
Steppenwolf's 34th Season Kick-Off Celebration was an exciting look inside the 2009-2010 season, exploring the power of belief. The event featured backstage tours, a behind-the-scenes artistic discussion and much more.Steppenwolf subscribers and donors enjoying the artistic discussion
credit: Luis Ibarra
34th Season Kick-Off Celebration
Steppenwolf's 34th Season Kick-Off Celebration was an exciting look inside the 2009-2010 season, exploring the power of belief. The event featured backstage tours, a behind-the-scenes artistic discussion and much more.Steppenwolf Young Adult Council members enjoying the evening
credit: Mark Campbell
34th Season Kick-Off Celebration
Steppenwolf's 34th Season Kick-Off Celebration was an exciting look inside the 2009-2010 season, exploring the power of belief. The event featured backstage tours, a behind-the-scenes artistic discussion and much more.Steppenwolf subscribers with SYA Intern Karin Freed
credit: Luis Ibarra
34th Season Kick-Off Celebration
Steppenwolf's 34th Season Kick-Off Celebration was an exciting look inside the 2009-2010 season, exploring the power of belief. The event featured backstage tours, a behind-the-scenes artistic discussion and much more.Steppenwolf subscribers with Special Events Manager Kendra Stock
credit: Mark Campbell
34th Season Kick-Off Celebration
Steppenwolf's 34th Season Kick-Off Celebration was an exciting look inside the 2009-2010 season, exploring the power of belief. The event featured backstage tours, a behind-the-scenes artistic discussion and much more.The cast of The Brother/Sister Plays
credit: Mark Campbell
The Brother/Sister Plays in Rehearsal
A breakthrough theatrical event: three interconnected plays by a brilliant new American voice. Grand in scope, yet intimate and heartfelt, Tarell McCraney’s plays are daring, funny and genuine. Steppenwolf will present The Brother/Sister Plays in repertory, with In the Red and Brown Water on one evening, in rotation with The Brothers Size/Marcus; Or the Secret of Sweet on another.Ensemble member Alana Arenas with Jacqueline Williams
credit: Mark Campbell
The Brother/Sister Plays in Rehearsal
A breakthrough theatrical event: three interconnected plays by a brilliant new American voice. Grand in scope, yet intimate and heartfelt, Tarell McCraney’s plays are daring, funny and genuine. Steppenwolf will present The Brother/Sister Plays in repertory, with In the Red and Brown Water on one evening, in rotation with The Brothers Size/Marcus; Or the Secret of Sweet on another.Glenn Davis, ensemble member Alana Arenas, Phillip James Brannon and ensemble member Tina Landau
credit: Mark Campbell
The Brother/Sister Plays in Rehearsal
A breakthrough theatrical event: three interconnected plays by a brilliant new American voice. Grand in scope, yet intimate and heartfelt, Tarell McCraney’s plays are daring, funny and genuine. Steppenwolf will present The Brother/Sister Plays in repertory, with In the Red and Brown Water on one evening, in rotation with The Brothers Size/Marcus; Or the Secret of Sweet on another.Tarell Alvin McCraney
credit: Mark Campbell
The Brother/Sister Plays in Rehearsal
A breakthrough theatrical event: three interconnected plays by a brilliant new American voice. Grand in scope, yet intimate and heartfelt, Tarell McCraney’s plays are daring, funny and genuine. Steppenwolf will present The Brother/Sister Plays in repertory, with In the Red and Brown Water on one evening, in rotation with The Brothers Size/Marcus; Or the Secret of Sweet on another.Phillip James Brannon(foreground), Rodrick Covington and ensemble member K. Todd Freeman(background)
credit: Mark Campbell
The Brother/Sister Plays in Rehearsal
A breakthrough theatrical event: three interconnected plays by a brilliant new American voice. Grand in scope, yet intimate and heartfelt, Tarell McCraney’s plays are daring, funny and genuine. Steppenwolf will present The Brother/Sister Plays in repertory, with In the Red and Brown Water on one evening, in rotation with The Brothers Size/Marcus; Or the Secret of Sweet on another.Ensemble members Tina Landau and Ora Jones
credit: Mark Campbell
The Brother/Sister Plays in Rehearsal
A breakthrough theatrical event: three interconnected plays by a brilliant new American voice. Grand in scope, yet intimate and heartfelt, Tarell McCraney’s plays are daring, funny and genuine. Steppenwolf will present The Brother/Sister Plays in repertory, with In the Red and Brown Water on one evening, in rotation with The Brothers Size/Marcus; Or the Secret of Sweet on another.Glenn Davis and ensemble member Alana Arenas
credit: Mark Campbell
The Brother/Sister Plays in Rehearsal
A breakthrough theatrical event: three interconnected plays by a brilliant new American voice. Grand in scope, yet intimate and heartfelt, Tarell McCraney’s plays are daring, funny and genuine. Steppenwolf will present The Brother/Sister Plays in repertory, with In the Red and Brown Water on one evening, in rotation with The Brothers Size/Marcus; Or the Secret of Sweet on another.Phillip James Brannon and Jacqueline Williams
credit: Mark Campbell
The Brother/Sister Plays in Rehearsal
A breakthrough theatrical event: three interconnected plays by a brilliant new American voice. Grand in scope, yet intimate and heartfelt, Tarell McCraney’s plays are daring, funny and genuine. Steppenwolf will present The Brother/Sister Plays in repertory, with In the Red and Brown Water on one evening, in rotation with The Brothers Size/Marcus; Or the Secret of Sweet on another.The cast and director of The Brother/Sister Plays
credit: Mark Campbell
The Brother/Sister Plays in Rehearsal
A breakthrough theatrical event: three interconnected plays by a brilliant new American voice. Grand in scope, yet intimate and heartfelt, Tarell McCraney’s plays are daring, funny and genuine. Steppenwolf will present The Brother/Sister Plays in repertory, with In the Red and Brown Water on one evening, in rotation with The Brothers Size/Marcus; Or the Secret of Sweet on another.Tarell Alvin McCraney and Phillip James Brannon(foreground) with ensemble member K. Todd Freeman(background)
credit: Mark Campbell
The Brother/Sister Plays in Rehearsal
A breakthrough theatrical event: three interconnected plays by a brilliant new American voice. Grand in scope, yet intimate and heartfelt, Tarell McCraney’s plays are daring, funny and genuine. Steppenwolf will present The Brother/Sister Plays in repertory, with In the Red and Brown Water on one evening, in rotation with The Brothers Size/Marcus; Or the Secret of Sweet on another.Ensemble members Alana Arenas and K. Todd Freeman with Rodrick Covington
credit: Mark Campbell
The Brother/Sister Plays in Rehearsal
A breakthrough theatrical event: three interconnected plays by a brilliant new American voice. Grand in scope, yet intimate and heartfelt, Tarell McCraney’s plays are daring, funny and genuine. Steppenwolf will present The Brother/Sister Plays in repertory, with In the Red and Brown Water on one evening, in rotation with The Brothers Size/Marcus; Or the Secret of Sweet on another.Phillip James Brannon, ensemble member K. Todd Freeman and Tarell Alvin McCraney
credit: Mark Campbell
The Brother/Sister Plays in Rehearsal
A breakthrough theatrical event: three interconnected plays by a brilliant new American voice. Grand in scope, yet intimate and heartfelt, Tarell McCraney’s plays are daring, funny and genuine. Steppenwolf will present The Brother/Sister Plays in repertory, with In the Red and Brown Water on one evening, in rotation with The Brothers Size/Marcus; Or the Secret of Sweet on another.Glenn Davis, ensemble member K. Todd Freeman, Jacqueline Williams, ensemble member Alana Arenas, Jeff Parker, Rodrick Covington and Phillip James Brannon
credit: Michael Brosilow
In the Red and Brown Water in Production
A breakthrough theatrical event: three interconnected plays by a brilliant new American voice. Grand in scope, yet intimate and heartfelt, Tarell McCraney’s plays are daring, funny and genuine. Steppenwolf will present The Brother/Sister Plays in repertory, with In the Red and Brown Water on one evening, in rotation with The Brothers Size/Marcus; Or the Secret of Sweet on another.Glenn Davis, ensemble member Ora Jones with Jacqueline Williams
credit: Michael Brosilow
In the Red and Brown Water in Production
A breakthrough theatrical event: three interconnected plays by a brilliant new American voice. Grand in scope, yet intimate and heartfelt, Tarell McCraney’s plays are daring, funny and genuine. Steppenwolf will present The Brother/Sister Plays in repertory, with In the Red and Brown Water on one evening, in rotation with The Brothers Size/Marcus; Or the Secret of Sweet on another.Tamberla Perry, ensemble member K. Todd Freeman with Phillip James Brannon
credit: Michael Brosilow
In the Red and Brown Water in Production
A breakthrough theatrical event: three interconnected plays by a brilliant new American voice. Grand in scope, yet intimate and heartfelt, Tarell McCraney’s plays are daring, funny and genuine. Steppenwolf will present The Brother/Sister Plays in repertory, with In the Red and Brown Water on one evening, in rotation with The Brothers Size/Marcus; Or the Secret of Sweet on another.Ensemble member Alana Arenas with Rodrick Covington (foreground), Jeff Parker, Jacqueline Williams, Tamberla Perry and Phillip James Brannon (background)
credit: Michael Brosilow
In the Red and Brown Water in Production
A breakthrough theatrical event: three interconnected plays by a brilliant new American voice. Grand in scope, yet intimate and heartfelt, Tarell McCraney’s plays are daring, funny and genuine. Steppenwolf will present The Brother/Sister Plays in repertory, with In the Red and Brown Water on one evening, in rotation with The Brothers Size/Marcus; Or the Secret of Sweet on another.Ensemble members Ora Jones and Alana Arenas (foreground), Jacqueline Williams, Glenn Davis, Phillip James Brannon and Rodrick Covington (background)
credit: Michael Brosilow
In the Red and Brown Water in Production
A breakthrough theatrical event: three interconnected plays by a brilliant new American voice. Grand in scope, yet intimate and heartfelt, Tarell McCraney’s plays are daring, funny and genuine. Steppenwolf will present The Brother/Sister Plays in repertory, with In the Red and Brown Water on one evening, in rotation with The Brothers Size/Marcus; Or the Secret of Sweet on another.Ensemble member Alana Arenas with Rodrick Covington
credit: Michael Brosilow
In the Red and Brown Water in Production
A breakthrough theatrical event: three interconnected plays by a brilliant new American voice. Grand in scope, yet intimate and heartfelt, Tarell McCraney’s plays are daring, funny and genuine. Steppenwolf will present The Brother/Sister Plays in repertory, with In the Red and Brown Water on one evening, in rotation with The Brothers Size/Marcus; Or the Secret of Sweet on another.Ensemble member Alana Arenas with Jacqueline Williams (foreground), Phillip James Brannon (background)
credit: Michael Brosilow
In the Red and Brown Water in Production
A breakthrough theatrical event: three interconnected plays by a brilliant new American voice. Grand in scope, yet intimate and heartfelt, Tarell McCraney’s plays are daring, funny and genuine. Steppenwolf will present The Brother/Sister Plays in repertory, with In the Red and Brown Water on one evening, in rotation with The Brothers Size/Marcus; Or the Secret of Sweet on another.Jeff Parker with ensemble member Alana Arenas
credit: Michael Brosilow
In the Red and Brown Water in Production
A breakthrough theatrical event: three interconnected plays by a brilliant new American voice. Grand in scope, yet intimate and heartfelt, Tarell McCraney’s plays are daring, funny and genuine. Steppenwolf will present The Brother/Sister Plays in repertory, with In the Red and Brown Water on one evening, in rotation with The Brothers Size/Marcus; Or the Secret of Sweet on another.Glenn Davis, Phillip James Brannon and Rodrick Covington
credit: Michael Brosilow
In the Red and Brown Water in Production
A breakthrough theatrical event: three interconnected plays by a brilliant new American voice. Grand in scope, yet intimate and heartfelt, Tarell McCraney’s plays are daring, funny and genuine. Steppenwolf will present The Brother/Sister Plays in repertory, with In the Red and Brown Water on one evening, in rotation with The Brothers Size/Marcus; Or the Secret of Sweet on another.Glenn Davis, Tamberla Perry, Phillip James Brannon and Rodrick Covington
credit: Michael Brosilow
In the Red and Brown Water in Production
A breakthrough theatrical event: three interconnected plays by a brilliant new American voice. Grand in scope, yet intimate and heartfelt, Tarell McCraney’s plays are daring, funny and genuine. Steppenwolf will present The Brother/Sister Plays in repertory, with In the Red and Brown Water on one evening, in rotation with The Brothers Size/Marcus; Or the Secret of Sweet on another.Jeff Parker, ensemble members Alana Arena and Ora Jones with Jacqueline Williams, Tamberla Perry and ensemble member K. Todd Freeman
credit: Michael Brosilow
In the Red and Brown Water in Production
A breakthrough theatrical event: three interconnected plays by a brilliant new American voice. Grand in scope, yet intimate and heartfelt, Tarell McCraney’s plays are daring, funny and genuine. Steppenwolf will present The Brother/Sister Plays in repertory, with In the Red and Brown Water on one evening, in rotation with The Brothers Size/Marcus; Or the Secret of Sweet on another.Ensemble member Alana Arenas with Rodrick Covington and the cast
credit: Michael Brosilow
In the Red and Brown Water in Production
A breakthrough theatrical event: three interconnected plays by a brilliant new American voice. Grand in scope, yet intimate and heartfelt, Tarell McCraney’s plays are daring, funny and genuine. Steppenwolf will present The Brother/Sister Plays in repertory, with In the Red and Brown Water on one evening, in rotation with The Brothers Size/Marcus; Or the Secret of Sweet on another.Rodrick Covington with ensemble members Alana Arenas and K. Todd Freeman (foreground) with Glenn Davis (background)
credit: Michael Brosilow
In the Red and Brown Water in Production
A breakthrough theatrical event: three interconnected plays by a brilliant new American voice. Grand in scope, yet intimate and heartfelt, Tarell McCraney’s plays are daring, funny and genuine. Steppenwolf will present The Brother/Sister Plays in repertory, with In the Red and Brown Water on one evening, in rotation with The Brothers Size/Marcus; Or the Secret of Sweet on another.Ensemble members Alana Arenas and K. Todd Freeman with Rodrick Covington
credit: Michael Brosilow
In the Red and Brown Water in Production
A breakthrough theatrical event: three interconnected plays by a brilliant new American voice. Grand in scope, yet intimate and heartfelt, Tarell McCraney’s plays are daring, funny and genuine. Steppenwolf will present The Brother/Sister Plays in repertory, with In the Red and Brown Water on one evening, in rotation with The Brothers Size/Marcus; Or the Secret of Sweet on another.Ensemble member Alana Arenas (center)
credit: Michael Brosilow
In the Red and Brown Water in Production
A breakthrough theatrical event: three interconnected plays by a brilliant new American voice. Grand in scope, yet intimate and heartfelt, Tarell McCraney’s plays are daring, funny and genuine. Steppenwolf will present The Brother/Sister Plays in repertory, with In the Red and Brown Water on one evening, in rotation with The Brothers Size/Marcus; Or the Secret of Sweet on another.Jeff Parker, Glenn Davis, ensemble members Alana Arenas and K. Todd Freeman with Rodrick Covington
credit: Michael Brosilow
In the Red and Brown Water in Production
A breakthrough theatrical event: three interconnected plays by a brilliant new American voice. Grand in scope, yet intimate and heartfelt, Tarell McCraney’s plays are daring, funny and genuine. Steppenwolf will present The Brother/Sister Plays in repertory, with In the Red and Brown Water on one evening, in rotation with The Brothers Size/Marcus; Or the Secret of Sweet on another.Ensemble member Alana Arenas (center), Jacqueline Williams, Jeff Parker, ensemble member Ora Jones, Rodrick Covington, Tamberla Perry and ensemble member K. Todd Freeman
credit: Michael Brosilow
In the Red and Brown Water in Production
A breakthrough theatrical event: three interconnected plays by a brilliant new American voice. Grand in scope, yet intimate and heartfelt, Tarell McCraney’s plays are daring, funny and genuine. Steppenwolf will present The Brother/Sister Plays in repertory, with In the Red and Brown Water on one evening, in rotation with The Brothers Size/Marcus; Or the Secret of Sweet on another.Ensemble member Alana Arenas with Phillip James Brannon and Glenn Davis
credit: Michael Brosilow
In the Red and Brown Water in Production
A breakthrough theatrical event: three interconnected plays by a brilliant new American voice. Grand in scope, yet intimate and heartfelt, Tarell McCraney’s plays are daring, funny and genuine. Steppenwolf will present The Brother/Sister Plays in repertory, with In the Red and Brown Water on one evening, in rotation with The Brothers Size/Marcus; Or the Secret of Sweet on another.Glenn Davis, Jacqueline Williams with ensemble members Ora Jones and Alana Arenas
credit: Michael Brosilow
In the Red and Brown Water in Production
A breakthrough theatrical event: three interconnected plays by a brilliant new American voice. Grand in scope, yet intimate and heartfelt, Tarell McCraney’s plays are daring, funny and genuine. Steppenwolf will present The Brother/Sister Plays in repertory, with In the Red and Brown Water on one evening, in rotation with The Brothers Size/Marcus; Or the Secret of Sweet on another.Jacqueline Williams and ensemble member Ora Jones
credit: Michael Brosilow
In the Red and Brown Water in Production
A breakthrough theatrical event: three interconnected plays by a brilliant new American voice. Grand in scope, yet intimate and heartfelt, Tarell McCraney’s plays are daring, funny and genuine. Steppenwolf will present The Brother/Sister Plays in repertory, with In the Red and Brown Water on one evening, in rotation with The Brothers Size/Marcus; Or the Secret of Sweet on another.Glenn Davis, Phillip James Brannon and ensemble member K. Todd Freeman in <em>The Brothers Size</em>
credit: Michael Brosilow
The Brothers Size/Marcus; Or the Secret of Sweet in Production
A breakthrough theatrical event: three interconnected plays by a brilliant new American voice. Grand in scope, yet intimate and heartfelt, Tarell McCraney’s plays are daring, funny and genuine. Steppenwolf will present The Brother/Sister Plays in repertory, with In the Red and Brown Water on one evening, in rotation with The Brothers Size/Marcus; Or the Secret of Sweet on another.Phillip James Brannon and ensemble member K. Todd Freeman in <em>The Brothers Size</em>
credit: Michael Brosilow
The Brothers Size/Marcus; Or the Secret of Sweet in Production
A breakthrough theatrical event: three interconnected plays by a brilliant new American voice. Grand in scope, yet intimate and heartfelt, Tarell McCraney’s plays are daring, funny and genuine. Steppenwolf will present The Brother/Sister Plays in repertory, with In the Red and Brown Water on one evening, in rotation with The Brothers Size/Marcus; Or the Secret of Sweet on another.Ensemble member K.Todd Freeman with Phillip James Brannon and Glenn Davis in <em>The Brothers Size</em>
credit: Michael Brosilow
The Brothers Size/Marcus; Or the Secret of Sweet in Production
A breakthrough theatrical event: three interconnected plays by a brilliant new American voice. Grand in scope, yet intimate and heartfelt, Tarell McCraney’s plays are daring, funny and genuine. Steppenwolf will present The Brother/Sister Plays in repertory, with In the Red and Brown Water on one evening, in rotation with The Brothers Size/Marcus; Or the Secret of Sweet on another.Glenn Davis and Phillip James Brannon (foreground) with ensemble member K. Todd Freeman (background) in <em>The Brothers Size</em>
credit: Michael Brosilow
The Brothers Size/Marcus; Or the Secret of Sweet in Production
A breakthrough theatrical event: three interconnected plays by a brilliant new American voice. Grand in scope, yet intimate and heartfelt, Tarell McCraney’s plays are daring, funny and genuine. Steppenwolf will present The Brother/Sister Plays in repertory, with In the Red and Brown Water on one evening, in rotation with The Brothers Size/Marcus; Or the Secret of Sweet on another.Phillip James Brannon and ensemble member K. Todd Freeman in <em>The Brothers Size</em>
credit: Michael Brosilow
The Brothers Size/Marcus; Or the Secret of Sweet in Production
A breakthrough theatrical event: three interconnected plays by a brilliant new American voice. Grand in scope, yet intimate and heartfelt, Tarell McCraney’s plays are daring, funny and genuine. Steppenwolf will present The Brother/Sister Plays in repertory, with In the Red and Brown Water on one evening, in rotation with The Brothers Size/Marcus; Or the Secret of Sweet on another.Glenn Davis, Phillip James Brannon and ensemble member K. Todd Freeman in <em>The Brothers Size</em>
credit: Michael Brosilow
The Brothers Size/Marcus; Or the Secret of Sweet in Production
A breakthrough theatrical event: three interconnected plays by a brilliant new American voice. Grand in scope, yet intimate and heartfelt, Tarell McCraney’s plays are daring, funny and genuine. Steppenwolf will present The Brother/Sister Plays in repertory, with In the Red and Brown Water on one evening, in rotation with The Brothers Size/Marcus; Or the Secret of Sweet on another.Ensemble member K.Todd Freeman with Phillip James Brannon in <em>The Brothers Size</em>
credit: Michael Brosilow
The Brothers Size/Marcus; Or the Secret of Sweet in Production
A breakthrough theatrical event: three interconnected plays by a brilliant new American voice. Grand in scope, yet intimate and heartfelt, Tarell McCraney’s plays are daring, funny and genuine. Steppenwolf will present The Brother/Sister Plays in repertory, with In the Red and Brown Water on one evening, in rotation with The Brothers Size/Marcus; Or the Secret of Sweet on another.Phillip James Brannon and ensemble member K. Todd Freeman in <em>The Brothers Size</em>
credit: Michael Brosilow
The Brothers Size/Marcus; Or the Secret of Sweet in Production
A breakthrough theatrical event: three interconnected plays by a brilliant new American voice. Grand in scope, yet intimate and heartfelt, Tarell McCraney’s plays are daring, funny and genuine. Steppenwolf will present The Brother/Sister Plays in repertory, with In the Red and Brown Water on one evening, in rotation with The Brothers Size/Marcus; Or the Secret of Sweet on another.Ensemble member K.Todd Freeman with Glenn Davis and Phillip James Brannon in <em>The Brothers Size</em>
credit: Michael Brosilow
The Brothers Size/Marcus; Or the Secret of Sweet in Production
A breakthrough theatrical event: three interconnected plays by a brilliant new American voice. Grand in scope, yet intimate and heartfelt, Tarell McCraney’s plays are daring, funny and genuine. Steppenwolf will present The Brother/Sister Plays in repertory, with In the Red and Brown Water on one evening, in rotation with The Brothers Size/Marcus; Or the Secret of Sweet on another.Glenn Davis, ensemble member K. Todd Freeman with Phillip James Brannon in <em>The Brothers Size</em>
credit: Michael Brosilow
The Brothers Size/Marcus; Or the Secret of Sweet in Production
A breakthrough theatrical event: three interconnected plays by a brilliant new American voice. Grand in scope, yet intimate and heartfelt, Tarell McCraney’s plays are daring, funny and genuine. Steppenwolf will present The Brother/Sister Plays in repertory, with In the Red and Brown Water on one evening, in rotation with The Brothers Size/Marcus; Or the Secret of Sweet on another.Tamberla Perry, Glenn Davis and ensemble member Alana Arenas in <em>Marcus; Or the Secret of Sweet</em>
credit: Michael Brosilow
The Brothers Size/Marcus; Or the Secret of Sweet in Production
A breakthrough theatrical event: three interconnected plays by a brilliant new American voice. Grand in scope, yet intimate and heartfelt, Tarell McCraney’s plays are daring, funny and genuine. Steppenwolf will present The Brother/Sister Plays in repertory, with In the Red and Brown Water on one evening, in rotation with The Brothers Size/Marcus; Or the Secret of Sweet on another.Tamberla Perry with ensemble members Alana Arenas and K. Todd Freeman in <em>Marcus; Or the Secret of Sweet</em>
credit: Michael Brosilow
The Brothers Size/Marcus; Or the Secret of Sweet in Production
A breakthrough theatrical event: three interconnected plays by a brilliant new American voice. Grand in scope, yet intimate and heartfelt, Tarell McCraney’s plays are daring, funny and genuine. Steppenwolf will present The Brother/Sister Plays in repertory, with In the Red and Brown Water on one evening, in rotation with The Brothers Size/Marcus; Or the Secret of Sweet on another.Jacqueline Williams in <em>Marcus; Or the Secret of Sweet</em>
credit: Michael Brosilow
The Brothers Size/Marcus; Or the Secret of Sweet in Production
A breakthrough theatrical event: three interconnected plays by a brilliant new American voice. Grand in scope, yet intimate and heartfelt, Tarell McCraney’s plays are daring, funny and genuine. Steppenwolf will present The Brother/Sister Plays in repertory, with In the Red and Brown Water on one evening, in rotation with The Brothers Size/Marcus; Or the Secret of Sweet on another.Glenn Davis and Rodrick Covington in <em>Marcus; Or the Secret of Sweet</em>
credit: Michael Brosilow
The Brothers Size/Marcus; Or the Secret of Sweet in Production
A breakthrough theatrical event: three interconnected plays by a brilliant new American voice. Grand in scope, yet intimate and heartfelt, Tarell McCraney’s plays are daring, funny and genuine. Steppenwolf will present The Brother/Sister Plays in repertory, with In the Red and Brown Water on one evening, in rotation with The Brothers Size/Marcus; Or the Secret of Sweet on another.Ensemble member Alana Arenas with Glenn Davis and Tamberla Perry in <em>Marcus; Or the Secret of Sweet</em>
credit: Michael Brosilow
The Brothers Size/Marcus; Or the Secret of Sweet in Production
A breakthrough theatrical event: three interconnected plays by a brilliant new American voice. Grand in scope, yet intimate and heartfelt, Tarell McCraney’s plays are daring, funny and genuine. Steppenwolf will present The Brother/Sister Plays in repertory, with In the Red and Brown Water on one evening, in rotation with The Brothers Size/Marcus; Or the Secret of Sweet on another.Glenn Davis (background) with ensemble members Ora Jones and Alana Arenas (foreground) in <em>Marcus; Or the Secret of Sweet</em>
credit: Michael Brosilow
The Brothers Size/Marcus; Or the Secret of Sweet in Production
A breakthrough theatrical event: three interconnected plays by a brilliant new American voice. Grand in scope, yet intimate and heartfelt, Tarell McCraney’s plays are daring, funny and genuine. Steppenwolf will present The Brother/Sister Plays in repertory, with In the Red and Brown Water on one evening, in rotation with The Brothers Size/Marcus; Or the Secret of Sweet on another.Glenn Davis with ensemble member Alana Arenas in <em>Marcus; Or the Secret of Sweet</em>
credit: Michael Brosilow
The Brothers Size/Marcus; Or the Secret of Sweet in Production
A breakthrough theatrical event: three interconnected plays by a brilliant new American voice. Grand in scope, yet intimate and heartfelt, Tarell McCraney’s plays are daring, funny and genuine. Steppenwolf will present The Brother/Sister Plays in repertory, with In the Red and Brown Water on one evening, in rotation with The Brothers Size/Marcus; Or the Secret of Sweet on another.Phillip James Brannon, Glenn Davis, Rodrick Covington and Jeff Parker in <em>Marcus; Or the Secret of Sweet</em>
credit: Michael Brosilow
The Brothers Size/Marcus; Or the Secret of Sweet in Production
A breakthrough theatrical event: three interconnected plays by a brilliant new American voice. Grand in scope, yet intimate and heartfelt, Tarell McCraney’s plays are daring, funny and genuine. Steppenwolf will present The Brother/Sister Plays in repertory, with In the Red and Brown Water on one evening, in rotation with The Brothers Size/Marcus; Or the Secret of Sweet on another.Ensemble member K.Todd Freeman with Glenn Davis in <em>Marcus; Or the Secret of Sweet</em>
credit: Michael Brosilow
The Brothers Size/Marcus; Or the Secret of Sweet in Production
A breakthrough theatrical event: three interconnected plays by a brilliant new American voice. Grand in scope, yet intimate and heartfelt, Tarell McCraney’s plays are daring, funny and genuine. Steppenwolf will present The Brother/Sister Plays in repertory, with In the Red and Brown Water on one evening, in rotation with The Brothers Size/Marcus; Or the Secret of Sweet on another.Ensemble member Alana Arenas with Glenn Davis (foreground), Phillip James Brannon and Rodrick Covington (background) in <em>Marcus; Or the Secret of Sweet</em>
credit: Michael Brosilow
The Brothers Size/Marcus; Or the Secret of Sweet in Production
A breakthrough theatrical event: three interconnected plays by a brilliant new American voice. Grand in scope, yet intimate and heartfelt, Tarell McCraney’s plays are daring, funny and genuine. Steppenwolf will present The Brother/Sister Plays in repertory, with In the Red and Brown Water on one evening, in rotation with The Brothers Size/Marcus; Or the Secret of Sweet on another.Phillip James Brannon, Rodrick Covington, Glenn Davis and Jeff Parker in <em>Marcus; Or the Secret of Sweet</em>
credit: Michael Brosilow
The Brothers Size/Marcus; Or the Secret of Sweet in Production
A breakthrough theatrical event: three interconnected plays by a brilliant new American voice. Grand in scope, yet intimate and heartfelt, Tarell McCraney’s plays are daring, funny and genuine. Steppenwolf will present The Brother/Sister Plays in repertory, with In the Red and Brown Water on one evening, in rotation with The Brothers Size/Marcus; Or the Secret of Sweet on another.Ensemble member Tina Landau and playwright Tarell McCraney
credit: Mark Campbell
Behind the Scenes at The Brother/Sister Plays B-Roll Shoot
A breakthrough theatrical event: three interconnected plays by a brilliant new American voice. Grand in scope, yet intimate and heartfelt, Tarell McCraney’s plays are daring, funny and genuine. Steppenwolf will present The Brother/Sister Plays in repertory, with In the Red and Brown Water on one evening, in rotation with The Brothers Size/Marcus; Or the Secret of Sweet on another.Ensemble members Alana Arenas and K. Todd Freemand with HMS Media crew
credit: Mark Campbell
Behind the Scenes at The Brother/Sister Plays B-Roll Shoot
A breakthrough theatrical event: three interconnected plays by a brilliant new American voice. Grand in scope, yet intimate and heartfelt, Tarell McCraney’s plays are daring, funny and genuine. Steppenwolf will present The Brother/Sister Plays in repertory, with In the Red and Brown Water on one evening, in rotation with The Brothers Size/Marcus; Or the Secret of Sweet on another.Jacqueline Williams, ensemble member Alana Arenas, Phillip James Brannon and HMS Media crew
credit: Mark Campbell
Behind the Scenes at The Brother/Sister Plays B-Roll Shoot
A breakthrough theatrical event: three interconnected plays by a brilliant new American voice. Grand in scope, yet intimate and heartfelt, Tarell McCraney’s plays are daring, funny and genuine. Steppenwolf will present The Brother/Sister Plays in repertory, with In the Red and Brown Water on one evening, in rotation with The Brothers Size/Marcus; Or the Secret of Sweet on another.Ensemble member Alana Arenas, Phillip James Brannon, Jeff Parker, Tamberla Perry and HMS Media crew
credit: Mark Campbell
Behind the Scenes at The Brother/Sister Plays B-Roll Shoot
A breakthrough theatrical event: three interconnected plays by a brilliant new American voice. Grand in scope, yet intimate and heartfelt, Tarell McCraney’s plays are daring, funny and genuine. Steppenwolf will present The Brother/Sister Plays in repertory, with In the Red and Brown Water on one evening, in rotation with The Brothers Size/Marcus; Or the Secret of Sweet on another.Ensemble member Alana Arenas speaking with David Rosenberg (Communications Director), with Rodrick Covington and Jeff Parker
credit: Mark Campbell
Behind the Scenes at The Brother/Sister Plays B-Roll Shoot
A breakthrough theatrical event: three interconnected plays by a brilliant new American voice. Grand in scope, yet intimate and heartfelt, Tarell McCraney’s plays are daring, funny and genuine. Steppenwolf will present The Brother/Sister Plays in repertory, with In the Red and Brown Water on one evening, in rotation with The Brothers Size/Marcus; Or the Secret of Sweet on another.Ensemble member K. Todd Freeman, Phillip James Brannon filming b-roll of <em>The Brothers Size</em> with HMS Media crew
credit: Mark Campbell
Behind the Scenes at The Brother/Sister Plays B-Roll Shoot
A breakthrough theatrical event: three interconnected plays by a brilliant new American voice. Grand in scope, yet intimate and heartfelt, Tarell McCraney’s plays are daring, funny and genuine. Steppenwolf will present The Brother/Sister Plays in repertory, with In the Red and Brown Water on one evening, in rotation with The Brothers Size/Marcus; Or the Secret of Sweet on another.Ensemble members K. Todd Freeman and Tina Landau with HMS Media crew in the background
credit: Mark Campbell
Behind the Scenes at The Brother/Sister Plays B-Roll Shoot
A breakthrough theatrical event: three interconnected plays by a brilliant new American voice. Grand in scope, yet intimate and heartfelt, Tarell McCraney’s plays are daring, funny and genuine. Steppenwolf will present The Brother/Sister Plays in repertory, with In the Red and Brown Water on one evening, in rotation with The Brothers Size/Marcus; Or the Secret of Sweet on another.Glenn Davis, ensemble member Ora Jones with Jacqueline Williams and HMS Media crew
credit: Mark Campbell
Behind the Scenes at The Brother/Sister Plays B-Roll Shoot
A breakthrough theatrical event: three interconnected plays by a brilliant new American voice. Grand in scope, yet intimate and heartfelt, Tarell McCraney’s plays are daring, funny and genuine. Steppenwolf will present The Brother/Sister Plays in repertory, with In the Red and Brown Water on one evening, in rotation with The Brothers Size/Marcus; Or the Secret of Sweet on another.Stage Manager Deb Styer with playwright Tarell McCraney and HMS Media crew
credit: Mark Campbell
Behind the Scenes at The Brother/Sister Plays B-Roll Shoot
A breakthrough theatrical event: three interconnected plays by a brilliant new American voice. Grand in scope, yet intimate and heartfelt, Tarell McCraney’s plays are daring, funny and genuine. Steppenwolf will present The Brother/Sister Plays in repertory, with In the Red and Brown Water on one evening, in rotation with The Brothers Size/Marcus; Or the Secret of Sweet on another.HMS Media crew between shoots with Rodrick Covington, ensemble member Alana Arenas, David Rosenberg, ensemble member Ora Jones and Jeff Parker(also pictured)
credit: Mark Campbell
Behind the Scenes at The Brother/Sister Plays B-Roll Shoot
A breakthrough theatrical event: three interconnected plays by a brilliant new American voice. Grand in scope, yet intimate and heartfelt, Tarell McCraney’s plays are daring, funny and genuine. Steppenwolf will present The Brother/Sister Plays in repertory, with In the Red and Brown Water on one evening, in rotation with The Brothers Size/Marcus; Or the Secret of Sweet on another.Lusia Strus, ensemble member Mariann Mayberry and director and ensemble member K. Todd Freeman
credit: Joel Moorman
Good People in Rehearsal
Rehearsal photos from Steppenwolf's first production in the 2012/13 season, Good People, by pulitzer prize-winner David Lindsay-Abaire. Good People is directed by ensemble member K. Todd. Freeman and features ensemble members Mariann Mayberry, Alana Arenas, and Molly Regan, along with Keith Kupferer, Will Allen, and Lusia Strus.Ensemble member Molly Regan and Lusia Strus
credit: Joel Moorman
Good People in Rehearsal
Rehearsal photos from Steppenwolf's first production in the 2012/13 season, Good People, by pulitzer prize-winner David Lindsay-Abaire. Good People is directed by ensemble member K. Todd. Freeman and features ensemble members Mariann Mayberry, Alana Arenas, and Molly Regan, along with Keith Kupferer, Will Allen, and Lusia Strus.Keith Kupferer with ensemble members Mariann Mayberry and Alana Arenas
credit: Joel Moorman
Good People in Rehearsal
Rehearsal photos from Steppenwolf's first production in the 2012/13 season, Good People, by pulitzer prize-winner David Lindsay-Abaire. Good People is directed by ensemble member K. Todd. Freeman and features ensemble members Mariann Mayberry, Alana Arenas, and Molly Regan, along with Keith Kupferer, Will Allen, and Lusia Strus.Ensemble members Mariann Mayberry, K. Todd Freeman and Alana Arenas
credit: Joel Moorman
Good People in Rehearsal
Rehearsal photos from Steppenwolf's first production in the 2012/13 season, Good People, by pulitzer prize-winner David Lindsay-Abaire. Good People is directed by ensemble member K. Todd. Freeman and features ensemble members Mariann Mayberry, Alana Arenas, and Molly Regan, along with Keith Kupferer, Will Allen, and Lusia Strus.Ensemble member Mariann Mayberry and Keith Kupferer
credit: Joel Moorman
Good People in Rehearsal
Rehearsal photos from Steppenwolf's first production in the 2012/13 season, Good People, by pulitzer prize-winner David Lindsay-Abaire. Good People is directed by ensemble member K. Todd. Freeman and features ensemble members Mariann Mayberry, Alana Arenas, and Molly Regan, along with Keith Kupferer, Will Allen, and Lusia Strus.Ensemble members Alana Arenas and Mariann Mayberry
credit: Joel Moorman
Good People in Rehearsal
Rehearsal photos from Steppenwolf's first production in the 2012/13 season, Good People, by pulitzer prize-winner David Lindsay-Abaire. Good People is directed by ensemble member K. Todd. Freeman and features ensemble members Mariann Mayberry, Alana Arenas, and Molly Regan, along with Keith Kupferer, Will Allen, and Lusia Strus.Ensemble member and director K. Todd Freeman with assistant director Nathan Green
credit: Joel Moorman
Good People in Rehearsal
Rehearsal photos from Steppenwolf's first production in the 2012/13 season, Good People, by pulitzer prize-winner David Lindsay-Abaire. Good People is directed by ensemble member K. Todd. Freeman and features ensemble members Mariann Mayberry, Alana Arenas, and Molly Regan, along with Keith Kupferer, Will Allen, and Lusia Strus.Keith Kupferer
credit: Joel Moorman
Good People in Rehearsal
Rehearsal photos from Steppenwolf's first production in the 2012/13 season, Good People, by pulitzer prize-winner David Lindsay-Abaire. Good People is directed by ensemble member K. Todd. Freeman and features ensemble members Mariann Mayberry, Alana Arenas, and Molly Regan, along with Keith Kupferer, Will Allen, and Lusia Strus.Keith Kupferer with ensemble members Mariann Mayberry and Alana Arenas
credit: Joel Moorman
Good People in Rehearsal
Rehearsal photos from Steppenwolf's first production in the 2012/13 season, Good People, by pulitzer prize-winner David Lindsay-Abaire. Good People is directed by ensemble member K. Todd. Freeman and features ensemble members Mariann Mayberry, Alana Arenas, and Molly Regan, along with Keith Kupferer, Will Allen, and Lusia Strus.ensemble member Mariann Mayberry
credit: Joel Moorman
Good People in Rehearsal
Rehearsal photos from Steppenwolf's first production in the 2012/13 season, Good People, by pulitzer prize-winner David Lindsay-Abaire. Good People is directed by ensemble member K. Todd. Freeman and features ensemble members Mariann Mayberry, Alana Arenas, and Molly Regan, along with Keith Kupferer, Will Allen, and Lusia Strus.Keith Kupferer with ensemble member Alana Arenas
credit: Joel Moorman
Good People in Rehearsal
Rehearsal photos from Steppenwolf's first production in the 2012/13 season, Good People, by pulitzer prize-winner David Lindsay-Abaire. Good People is directed by ensemble member K. Todd. Freeman and features ensemble members Mariann Mayberry, Alana Arenas, and Molly Regan, along with Keith Kupferer, Will Allen, and Lusia Strus.Ensemble members Marian Mayberry, K. Todd Freeman and Alana Arenas
credit: Joel Moorman
Good People in Rehearsal
Rehearsal photos from Steppenwolf's first production in the 2012/13 season, Good People, by pulitzer prize-winner David Lindsay-Abaire. Good People is directed by ensemble member K. Todd. Freeman and features ensemble members Mariann Mayberry, Alana Arenas, and Molly Regan, along with Keith Kupferer, Will Allen, and Lusia Strus.Ensemble member Mariann Mayberry
credit: Joel Moorman
Good People in Rehearsal
Rehearsal photos from Steppenwolf's first production in the 2012/13 season, Good People, by pulitzer prize-winner David Lindsay-Abaire. Good People is directed by ensemble member K. Todd. Freeman and features ensemble members Mariann Mayberry, Alana Arenas, and Molly Regan, along with Keith Kupferer, Will Allen, and Lusia Strus.Lusia Strus and ensemble members Mariann Mayberry and Molly Regan
credit: Michael Brosilow
Good People in Production
Production photos from Steppenwolf's Good People by Pulitzer Prize winner David Lindsay-Abaire. Good People is directed by ensemble member K. Todd Freeman and features ensemble members Alana Arenas, Mariann Mayberry and Molly Regan with Will Allan, Keith Kupferer and Lusia Strus.Ensemble member Molly Regan
credit: Michael Brosilow
Good People in Production
Production photos from Steppenwolf's Good People by Pulitzer Prize winner David Lindsay-Abaire. Good People is directed by ensemble member K. Todd Freeman and features ensemble members Alana Arenas, Mariann Mayberry and Molly Regan with Will Allan, Keith Kupferer and Lusia Strus.Ensemble member Molly Regan, Lusia Strus and ensemble member Mariann Mayberry
credit: Michael Brosilow
Good People in Production
Production photos from Steppenwolf's Good People by Pulitzer Prize winner David Lindsay-Abaire. Good People is directed by ensemble member K. Todd Freeman and features ensemble members Alana Arenas, Mariann Mayberry and Molly Regan with Will Allan, Keith Kupferer and Lusia Strus.Lusia Strus and ensemble member Mariann Mayberry
credit: Michael Brosilow
Good People in Production
Production photos from Steppenwolf's Good People by Pulitzer Prize winner David Lindsay-Abaire. Good People is directed by ensemble member K. Todd Freeman and features ensemble members Alana Arenas, Mariann Mayberry and Molly Regan with Will Allan, Keith Kupferer and Lusia Strus.Ensemble member Mariann Mayberry
credit: Michael Brosilow
Good People in Production
Production photos from Steppenwolf's Good People by Pulitzer Prize winner David Lindsay-Abaire. Good People is directed by ensemble member K. Todd Freeman and features ensemble members Alana Arenas, Mariann Mayberry and Molly Regan with Will Allan, Keith Kupferer and Lusia Strus.Will Allan and ensemble member Mariann Mayberry
credit: Michael Brosilow
Good People in Production
Production photos from Steppenwolf's Good People by Pulitzer Prize winner David Lindsay-Abaire. Good People is directed by ensemble member K. Todd Freeman and features ensemble members Alana Arenas, Mariann Mayberry and Molly Regan with Will Allan, Keith Kupferer and Lusia Strus.Will Allan, ensemble member Molly Regan, Lusia Strus and ensemble member Mariann Mayberry
credit: Michael Brosilow
Good People in Production
Production photos from Steppenwolf's Good People by Pulitzer Prize winner David Lindsay-Abaire. Good People is directed by ensemble member K. Todd Freeman and features ensemble members Alana Arenas, Mariann Mayberry and Molly Regan with Will Allan, Keith Kupferer and Lusia Strus.Ensemble Member Mariann Mayberry and Keith Kupferer
credit: Michael Brosilow
Good People in Production
Production photos from Steppenwolf's Good People by Pulitzer Prize winner David Lindsay-Abaire. Good People is directed by ensemble member K. Todd Freeman and features ensemble members Alana Arenas, Mariann Mayberry and Molly Regan with Will Allan, Keith Kupferer and Lusia Strus.Keith Kupferer and ensemble memebers Alana Arenas and Mariann Mayberry
credit: Michael Brosilow
Good People in Production
Production photos from Steppenwolf's Good People by Pulitzer Prize winner David Lindsay-Abaire. Good People is directed by ensemble member K. Todd Freeman and features ensemble members Alana Arenas, Mariann Mayberry and Molly Regan with Will Allan, Keith Kupferer and Lusia Strus.Keith Kupferer
credit: Michael Brosilow
Good People in Production
Production photos from Steppenwolf's Good People by Pulitzer Prize winner David Lindsay-Abaire. Good People is directed by ensemble member K. Todd Freeman and features ensemble members Alana Arenas, Mariann Mayberry and Molly Regan with Will Allan, Keith Kupferer and Lusia Strus.Keith Kupferer and ensemble member Alana Arenas
credit: Michael Brosilow
Good People in Production
Production photos from Steppenwolf's Good People by Pulitzer Prize winner David Lindsay-Abaire. Good People is directed by ensemble member K. Todd Freeman and features ensemble members Alana Arenas, Mariann Mayberry and Molly Regan with Will Allan, Keith Kupferer and Lusia Strus.Keith Kupferer and ensemble member Mariann Mayberry
credit: Michael Brosilow
Good People in Production
Production photos from Steppenwolf's Good People by Pulitzer Prize winner David Lindsay-Abaire. Good People is directed by ensemble member K. Todd Freeman and features ensemble members Alana Arenas, Mariann Mayberry and Molly Regan with Will Allan, Keith Kupferer and Lusia Strus.Ensemble members Mariann Mayberry and Alana Arenas
credit: Michael Brosilow
Good People in Production
Production photos from Steppenwolf's Good People by Pulitzer Prize winner David Lindsay-Abaire. Good People is directed by ensemble member K. Todd Freeman and features ensemble members Alana Arenas, Mariann Mayberry and Molly Regan with Will Allan, Keith Kupferer and Lusia Strus.Keith Kupferer and ensemble memebers Alana Arenas and Mariann Mayberry
credit: Michael Brosilow
Good People in Production
Production photos from Steppenwolf's Good People by Pulitzer Prize winner David Lindsay-Abaire. Good People is directed by ensemble member K. Todd Freeman and features ensemble members Alana Arenas, Mariann Mayberry and Molly Regan with Will Allan, Keith Kupferer and Lusia Strus.Tim Edward Rhoze and Kate Buddeke
credit: Joel Moorman
AIRLINE HIGHWAY in Rehearsal
Rehearsal photos from Steppenwolf's production of Airline Highway, written by Lisa D'Amour and directed by Joe Mantello. The cast includes ensemble members Robert Breuler and K. Todd Freeman with Carolyn Braver, Kate Buddeke, Chris Daley, Stephen Louis Grush, Terry Hamilton, Scott Jaeck, Toni Martin, Caroline Neff, Tim Edward Rhoze, Judith Roberts, Brenann Stacker, Gordon Joseph Weiss and Jacqueline Williams.Stephen Louis Grush and Caroline Neff
credit: Joel Moorman
AIRLINE HIGHWAY in Rehearsal
Rehearsal photos from Steppenwolf's production of Airline Highway, written by Lisa D'Amour and directed by Joe Mantello. The cast includes ensemble members Robert Breuler and K. Todd Freeman with Carolyn Braver, Kate Buddeke, Chris Daley, Stephen Louis Grush, Terry Hamilton, Scott Jaeck, Toni Martin, Caroline Neff, Tim Edward Rhoze, Judith Roberts, Brenann Stacker, Gordon Joseph Weiss and Jacqueline Williams.Tim Edward Rhoze and ensemble member K. Todd Freeman
credit: Joel Moorman
AIRLINE HIGHWAY in Rehearsal
Rehearsal photos from Steppenwolf's production of Airline Highway, written by Lisa D'Amour and directed by Joe Mantello. The cast includes ensemble members Robert Breuler and K. Todd Freeman with Carolyn Braver, Kate Buddeke, Chris Daley, Stephen Louis Grush, Terry Hamilton, Scott Jaeck, Toni Martin, Caroline Neff, Tim Edward Rhoze, Judith Roberts, Brenann Stacker, Gordon Joseph Weiss and Jacqueline Williams.Toni Martin, Terry Hamilton and ensemble member Robert Breuler
credit: Joel Moorman
AIRLINE HIGHWAY in Rehearsal
Rehearsal photos from Steppenwolf's production of Airline Highway, written by Lisa D'Amour and directed by Joe Mantello. The cast includes ensemble members Robert Breuler and K. Todd Freeman with Carolyn Braver, Kate Buddeke, Chris Daley, Stephen Louis Grush, Terry Hamilton, Scott Jaeck, Toni Martin, Caroline Neff, Tim Edward Rhoze, Judith Roberts, Brenann Stacker, Gordon Joseph Weiss and Jacqueline Williams.Judith Roberts
credit: Joel Moorman
AIRLINE HIGHWAY in Rehearsal
Rehearsal photos from Steppenwolf's production of Airline Highway, written by Lisa D'Amour and directed by Joe Mantello. The cast includes ensemble members Robert Breuler and K. Todd Freeman with Carolyn Braver, Kate Buddeke, Chris Daley, Stephen Louis Grush, Terry Hamilton, Scott Jaeck, Toni Martin, Caroline Neff, Tim Edward Rhoze, Judith Roberts, Brenann Stacker, Gordon Joseph Weiss and Jacqueline Williams.Director Joe Mantello
credit: Joel Moorman
AIRLINE HIGHWAY in Rehearsal
Rehearsal photos from Steppenwolf's production of Airline Highway, written by Lisa D'Amour and directed by Joe Mantello. The cast includes ensemble members Robert Breuler and K. Todd Freeman with Carolyn Braver, Kate Buddeke, Chris Daley, Stephen Louis Grush, Terry Hamilton, Scott Jaeck, Toni Martin, Caroline Neff, Tim Edward Rhoze, Judith Roberts, Brenann Stacker, Gordon Joseph Weiss and Jacqueline Williams.Gordon Joseph Weiss
credit: Joel Moorman
AIRLINE HIGHWAY in Rehearsal
Rehearsal photos from Steppenwolf's production of Airline Highway, written by Lisa D'Amour and directed by Joe Mantello. The cast includes ensemble members Robert Breuler and K. Todd Freeman with Carolyn Braver, Kate Buddeke, Chris Daley, Stephen Louis Grush, Terry Hamilton, Scott Jaeck, Toni Martin, Caroline Neff, Tim Edward Rhoze, Judith Roberts, Brenann Stacker, Gordon Joseph Weiss and Jacqueline Williams.Scott Jaeck
credit: Joel Moorman
AIRLINE HIGHWAY in Rehearsal
Rehearsal photos from Steppenwolf's production of Airline Highway, written by Lisa D'Amour and directed by Joe Mantello. The cast includes ensemble members Robert Breuler and K. Todd Freeman with Carolyn Braver, Kate Buddeke, Chris Daley, Stephen Louis Grush, Terry Hamilton, Scott Jaeck, Toni Martin, Caroline Neff, Tim Edward Rhoze, Judith Roberts, Brenann Stacker, Gordon Joseph Weiss and Jacqueline Williams.Director Joe Mantello and Playwright Lisa D'Amour
credit: Joel Moorman
AIRLINE HIGHWAY in Rehearsal
Rehearsal photos from Steppenwolf's production of Airline Highway, written by Lisa D'Amour and directed by Joe Mantello. The cast includes ensemble members Robert Breuler and K. Todd Freeman with Carolyn Braver, Kate Buddeke, Chris Daley, Stephen Louis Grush, Terry Hamilton, Scott Jaeck, Toni Martin, Caroline Neff, Tim Edward Rhoze, Judith Roberts, Brenann Stacker, Gordon Joseph Weiss and Jacqueline Williams.Ensemble member K. Todd Freeman
credit: Joel Moorman
AIRLINE HIGHWAY in Rehearsal
Rehearsal photos from Steppenwolf's production of Airline Highway, written by Lisa D'Amour and directed by Joe Mantello. The cast includes ensemble members Robert Breuler and K. Todd Freeman with Carolyn Braver, Kate Buddeke, Chris Daley, Stephen Louis Grush, Terry Hamilton, Scott Jaeck, Toni Martin, Caroline Neff, Tim Edward Rhoze, Judith Roberts, Brenann Stacker, Gordon Joseph Weiss and Jacqueline Williams.Stephen Louis Grush and Gordon Joseph Weiss
credit: Joel Moorman
AIRLINE HIGHWAY in Rehearsal
Rehearsal photos from Steppenwolf's production of Airline Highway, written by Lisa D'Amour and directed by Joe Mantello. The cast includes ensemble members Robert Breuler and K. Todd Freeman with Carolyn Braver, Kate Buddeke, Chris Daley, Stephen Louis Grush, Terry Hamilton, Scott Jaeck, Toni Martin, Caroline Neff, Tim Edward Rhoze, Judith Roberts, Brenann Stacker, Gordon Joseph Weiss and Jacqueline Williams.Ensemble member K. Todd Freeman and Carolyn Braver with the cast of Airline Highway.
credit: Joel Moorman
AIRLINE HIGHWAY in Rehearsal
Rehearsal photos from Steppenwolf's production of Airline Highway, written by Lisa D'Amour and directed by Joe Mantello. The cast includes ensemble members Robert Breuler and K. Todd Freeman with Carolyn Braver, Kate Buddeke, Chris Daley, Stephen Louis Grush, Terry Hamilton, Scott Jaeck, Toni Martin, Caroline Neff, Tim Edward Rhoze, Judith Roberts, Brenann Stacker, Gordon Joseph Weiss and Jacqueline Williams.Director Joe Mantello
credit: Joel Moorman
AIRLINE HIGHWAY in Rehearsal
Rehearsal photos from Steppenwolf's production of Airline Highway, written by Lisa D'Amour and directed by Joe Mantello. The cast includes ensemble members Robert Breuler and K. Todd Freeman with Carolyn Braver, Kate Buddeke, Chris Daley, Stephen Louis Grush, Terry Hamilton, Scott Jaeck, Toni Martin, Caroline Neff, Tim Edward Rhoze, Judith Roberts, Brenann Stacker, Gordon Joseph Weiss and Jacqueline Williams.Kate Buddeke
credit: Joel Moorman
AIRLINE HIGHWAY in Rehearsal
Rehearsal photos from Steppenwolf's production of Airline Highway, written by Lisa D'Amour and directed by Joe Mantello. The cast includes ensemble members Robert Breuler and K. Todd Freeman with Carolyn Braver, Kate Buddeke, Chris Daley, Stephen Louis Grush, Terry Hamilton, Scott Jaeck, Toni Martin, Caroline Neff, Tim Edward Rhoze, Judith Roberts, Brenann Stacker, Gordon Joseph Weiss and Jacqueline Williams.Scott Jaeck with the cast of Airline Highway
credit: Joel Moorman
AIRLINE HIGHWAY in Rehearsal
Rehearsal photos from Steppenwolf's production of Airline Highway, written by Lisa D'Amour and directed by Joe Mantello. The cast includes ensemble members Robert Breuler and K. Todd Freeman with Carolyn Braver, Kate Buddeke, Chris Daley, Stephen Louis Grush, Terry Hamilton, Scott Jaeck, Toni Martin, Caroline Neff, Tim Edward Rhoze, Judith Roberts, Brenann Stacker, Gordon Joseph Weiss and Jacqueline Williams.The cast of <i>Airline Highway</i>
credit: Michael Brosilow
AIRLINE HIGHWAY in Production
Production photos from Steppenwolf's world-premiere production of Airline Highway, written by Lisa D'Amour and directed by Joe Mantello.Caroline Neff and Stephen Louis Grush with the cast of <i>Airline Highway</i>
credit: Michael Brosilow
AIRLINE HIGHWAY in Production
Production photos from Steppenwolf's world-premiere production of Airline Highway, written by Lisa D'Amour and directed by Joe Mantello.Ensemble member K. Todd Freeman
credit: Michael Brosilow
AIRLINE HIGHWAY in Production
Production photos from Steppenwolf's world-premiere production of Airline Highway, written by Lisa D'Amour and directed by Joe Mantello.The cast of <i>Airline Highway</i>
credit: Michael Brosilow
AIRLINE HIGHWAY in Production
Production photos from Steppenwolf's world-premiere production of Airline Highway, written by Lisa D'Amour and directed by Joe Mantello.Carolyn Braver and Caroline Neff
credit: Michael Brosilow
AIRLINE HIGHWAY in Production
Production photos from Steppenwolf's world-premiere production of Airline Highway, written by Lisa D'Amour and directed by Joe Mantello.Gordon Joseph Weiss
credit: Michael Brosilow
AIRLINE HIGHWAY in Production
Production photos from Steppenwolf's world-premiere production of Airline Highway, written by Lisa D'Amour and directed by Joe Mantello.Stephen Louis Grush and Caroline Neff
credit: Michael Brosilow
AIRLINE HIGHWAY in Production
Production photos from Steppenwolf's world-premiere production of Airline Highway, written by Lisa D'Amour and directed by Joe Mantello.The cast of <i>Airline Highway</i>
credit: Michael Brosilow
AIRLINE HIGHWAY in Production
Production photos from Steppenwolf's world-premiere production of Airline Highway, written by Lisa D'Amour and directed by Joe Mantello.Ensemble member K. Todd Freeman, Kate Buddeke, Judith Roberts and Scott Jaeck
credit: Michael Brosilow
AIRLINE HIGHWAY in Production
Production photos from Steppenwolf's world-premiere production of Airline Highway, written by Lisa D'Amour and directed by Joe Mantello.Judith Roberts
credit: Michael Brosilow
AIRLINE HIGHWAY in Production
Production photos from Steppenwolf's world-premiere production of Airline Highway, written by Lisa D'Amour and directed by Joe Mantello.Kate Buddeke and ensemble member K. Todd Freeman
credit: Michael Brosilow
AIRLINE HIGHWAY in Production
Production photos from Steppenwolf's world-premiere production of Airline Highway, written by Lisa D'Amour and directed by Joe Mantello.Carolyn Braver and Kate Buddeke
credit: Michael Brosilow
AIRLINE HIGHWAY in Production
Production photos from Steppenwolf's world-premiere production of Airline Highway, written by Lisa D'Amour and directed by Joe Mantello.Caroline Neff and Tim Edward Rhoze
credit: Michael Brosilow
AIRLINE HIGHWAY in Production
Production photos from Steppenwolf's world-premiere production of Airline Highway, written by Lisa D'Amour and directed by Joe Mantello.The cast of <i>Airline Highway</i>
credit: Michael Brosilow
AIRLINE HIGHWAY in Production
Production photos from Steppenwolf's world-premiere production of Airline Highway, written by Lisa D'Amour and directed by Joe Mantello.credit: Michael Brosilow
Fahrenheit 451
In a future where the written word is forbidden, firemen are paid to burn books, instead of fighting fires. For years Fireman Guy Montag blindly follows the orders of the totalitarian government. One day, after a chance encounter with a seventeen-year-old girl, Montag begins to read the books he burns and to question the life he leads.<i>The Sparrow Project</i>
credit: Michael Brosilow
First Look Repertory of New Work 2005
Steppenwolf Theatre Company proudly introduces the First Look Repertory of New Work, an inaugural program featuring developmental productions of three new plays in rotating repertory. Accompanying the performances is a series of readings, lectures and events regarding the development of new work.<i>A Blameless Life</i>
credit: Michael Brosilow
First Look Repertory of New Work 2005
Steppenwolf Theatre Company proudly introduces the First Look Repertory of New Work, an inaugural program featuring developmental productions of three new plays in rotating repertory. Accompanying the performances is a series of readings, lectures and events regarding the development of new work.<i>Men of Tortuga</i>
credit: Jay Geneske
First Look Repertory of New Work 2005
Steppenwolf Theatre Company proudly introduces the First Look Repertory of New Work, an inaugural program featuring developmental productions of three new plays in rotating repertory. Accompanying the performances is a series of readings, lectures and events regarding the development of new work.ensemble member Rondi Reed and William Petersen
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Fool for Love
Fool for LoveEnsemble members Yasen Peyankov and Laurie Metcalf
credit: Michael Brosilow
Frankie And Johnny In The Clair De Lune
In a cramped walkup on Manhattan’s West Side, Frankie, a waitress, and Johnny, a short order cook, have fallen into bed together at the end of their first date.Ensemble members Yasen Peyankov and Laurie Metcalf
credit: Michael Brosilow
Frankie And Johnny In The Clair De Lune
In a cramped walkup on Manhattan’s West Side, Frankie, a waitress, and Johnny, a short order cook, have fallen into bed together at the end of their first date.Ensemble members Yasen Peyankov and Laurie Metcalf
credit: Michael Brosilow
Frankie And Johnny In The Clair De Lune
In a cramped walkup on Manhattan’s West Side, Frankie, a waitress, and Johnny, a short order cook, have fallen into bed together at the end of their first date.Ensemble members Yasen Peyankov and Laurie Metcalf
credit: Michael Brosilow
Frankie And Johnny In The Clair De Lune
In a cramped walkup on Manhattan’s West Side, Frankie, a waitress, and Johnny, a short order cook, have fallen into bed together at the end of their first date.credit:
Tracers
David Cale's <i>A Likely Story</i>
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Traffic Jam 2005
Traffic Jam 2005David Cale's <i>A Likely Story</i>
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Traffic Jam 2005
Traffic Jam 2005Fred Hersch's <i>Leaves of Grass</i>
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Traffic Jam 2005
Traffic Jam 2005Fred Hersch's <i>Leaves of Grass</i>
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Traffic Jam 2005
Traffic Jam 2005Buddy Guy: In Conversation with Rich Cohen
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Traffic Jam 2005
Traffic Jam 2005Buddy Guy: In Conversation with Rich Cohen
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Traffic Jam 2005
Traffic Jam 2005Kiki & Herb: <i>Jesus Wept</i>
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Traffic Jam 2005
Traffic Jam 2005Kiki & Herb: <i>Jesus Wept</i>
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Traffic Jam 2005
Traffic Jam 2005Elaine Stritch: In Conversation with John Callaway
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Traffic Jam 2005
Traffic Jam 2005Elaine Stritch: In Conversation with John Callaway
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Traffic Jam 2005
Traffic Jam 2005<i>Poetry Speaks to Children</i>
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Traffic Jam 2005
Traffic Jam 2005<i>Poetry Speaks to Children</i>
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Traffic Jam 2005
Traffic Jam 2005<i>Chicago Stories</i>
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Traffic Jam 2005
Traffic Jam 2005<i>Chicago Stories</i>
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Traffic Jam 2005
Traffic Jam 2005<i>South Side Stories</i>
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Traffic Jam 2005
Traffic Jam 2005<i>South Side Stories</i>
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Traffic Jam 2005
Traffic Jam 2005<i>Dr. John & Marcia Ball</i>
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Traffic Jam 2005
Traffic Jam 2005<i>Dr. John & Marica Ball</i>
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Traffic Jam 2005
Traffic Jam 2005<i>The Roches with a Holiday Twist</i>
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Traffic Jam 2005
Traffic Jam 2005<i>The Roches with a Holiday Twist</i>
credit: Doug McGoldrick
Traffic Jam 2005
Traffic Jam 2005New York Times food writer Michael Ruhlman
credit: Jay Geneske
The Making of a Chef
Grant Achatz, Chef and owner of Alinea, will be joined on stage by best-selling author and New York Times contributing food writer Michael Ruhlman to discuss the place of the "celebrity" chef in America, the Hypermodern food movement, and what defines excellence in an industry increasingly molded by media hype and image-making.Alinea chef Grant Achatz
credit: Jay Geneske
The Making of a Chef
Grant Achatz, Chef and owner of Alinea, will be joined on stage by best-selling author and New York Times contributing food writer Michael Ruhlman to discuss the place of the "celebrity" chef in America, the Hypermodern food movement, and what defines excellence in an industry increasingly molded by media hype and image-making.Grant Achatz and Michael Ruhlman
credit: Jay Geneske
The Making of a Chef
Grant Achatz, Chef and owner of Alinea, will be joined on stage by best-selling author and New York Times contributing food writer Michael Ruhlman to discuss the place of the "celebrity" chef in America, the Hypermodern food movement, and what defines excellence in an industry increasingly molded by media hype and image-making.Gail Shapiro and Carolyn Faye Kramer
credit: Michael Brosilow
The Diary of Anne Frank in Rehearsal
The cast and crew in rehearsal for the classic play The Diary of Anne Frank.Gail Shapiro and ensemble member Francis Guinan
credit: Michael Brosilow
The Diary of Anne Frank in Rehearsal
The cast and crew in rehearsal for the classic play The Diary of Anne Frank.Claire Elizabeth Saxe and Carolyn Faye Kramer
credit: Michael Brosilow
The Diary of Anne Frank in Rehearsal
The cast and crew in rehearsal for the classic play The Diary of Anne Frank.Director Tina Landau
credit: Michael Brosilow
The Diary of Anne Frank in Rehearsal
The cast and crew in rehearsal for the classic play The Diary of Anne Frank.Claire Elizabeth Saxe, ensemble member Tina Landau and Carolyn Faye Kramer
credit: Michael Brosilow
The Diary of Anne Frank in Rehearsal
The cast and crew in rehearsal for the classic play The Diary of Anne Frank.Mark Buenning and ensemble member Yasen Peyankov
credit: Michael Brosilow
The Diary of Anne Frank in Rehearsal
The cast and crew in rehearsal for the classic play The Diary of Anne Frank.Ensemble member Tina Landau
credit: Michael Brosilow
The Diary of Anne Frank in Rehearsal
The cast and crew in rehearsal for the classic play The Diary of Anne Frank.Claire Elizabeth Saxe
credit: Michael Brosilow
The Diary of Anne Frank in Rehearsal
The cast and crew in rehearsal for the classic play The Diary of Anne Frank.Oh Say Can You See?
credit: Jay Geneske
Stories on Stage
Stories on StageOh Say Can You See?
credit: Jay Geneske
Stories on Stage
Stories on StageOh Say Can You See?
credit: Jay Geneske
Stories on Stage
Stories on StageEyes Wide Open
credit: Jay Geneske
Stories on Stage
Stories on StageFever Dreams
credit: Jay Geneske
Stories on Stage
Stories on StageFever Dreams
credit: Jay Geneske
Stories on Stage
Stories on StageEyes Wide Open
credit: Jay Geneske
Stories on Stage
Stories on StageEyes Wide Open
credit: Jay Geneske
Stories on Stage
Stories on StageEyes Wide Open
credit: Jay Geneske
Stories on Stage
Stories on StageFever Dreams
credit: Jay Geneske
Stories on Stage
Stories on StageI Had a Dream
credit: Jay Geneske
Stories on Stage
Stories on StageI Had a Dream
credit: Jay Geneske
Stories on Stage
Stories on StageAn Early Morning Snack
credit: Jay Geneske
Stories on Stage
Stories on StageAn Early Morning Snack
credit: Jay Geneske
Stories on Stage
Stories on StageAn Early Morning Snack
credit: Jay Geneske
Stories on Stage
Stories on StageTilting at Windmills
credit: Jay Geneske
Stories on Stage
Stories on StageAn Early Morning Snack
credit: Jay Geneske
Stories on Stage
Stories on StageTilting at Windmills
credit: Jay Geneske
Stories on Stage
Stories on Stagecredit:
Sketchbook 2007 - Program B in Production
Collaboraction presents Sketchbook 2007 - Program B in the Garage Theatre as part of the Visiting Company Initiative.credit:
Sketchbook 2007 - Program B in Production
Collaboraction presents Sketchbook 2007 - Program B in the Garage Theatre as part of the Visiting Company Initiative.credit:
Sketchbook 2007 - Program B in Production
Collaboraction presents Sketchbook 2007 - Program B in the Garage Theatre as part of the Visiting Company Initiative.credit:
Sketchbook 2007 - Program B in Production
Collaboraction presents Sketchbook 2007 - Program B in the Garage Theatre as part of the Visiting Company Initiative.credit:
Sketchbook 2007 - Program B in Production
Collaboraction presents Sketchbook 2007 - Program B in the Garage Theatre as part of the Visiting Company Initiative.Credits & Awards
Film
The Dark Knight; The Cider House Rules; Grosse Pointe Blank; The End of Violence; Grand Canyon; House Arrest; Eraser.Theatre
Off-Broadway: Uncle Tom's Cabin; Freefall; Ubu; West Memphis Mojo; Mark Taper Forum: Miss Evers' Boys; Angels in America. Alley Theatre: 2001-2002 season Touring cast and Chicago production of WickedTelevision
Ghostwriter (PBS); NYPD Blue (ABC); Buffy the Vampire Slayer (WB); Sisters (NBC); A Different World (NBC); The Killing Mind.Awards
Tony Award and Outer Critics Circle Award nominations (The Song of Jacob Zulu).Past Productions
- The Christians
- "MASTER HAROLD"...and the boys
- A Clockwork Orange
- Airline Highway
- Art
- Carter's Way
- Cross-Town Traffic
- Dream Chicago
- Good People
- In the Red and Brown Water
- Libra
- One Flew Over The Cuckoo's Nest
- The Brother/Sister Plays
- The Brothers Size / Marcus; Or the Secret of Sweet
- The Fifth of July (at St. Nicholas Theatre)
- The March
- The Song of Jacob Zulu
- The Tempest
- Topdog/Underdog
- We All Went Down To Amsterdam
- Will the Circle Be Unbroken?
- Downstate
Member Profiles
K. Todd Freeman
Past Productions
- "MASTER HAROLD"...and the boys
- A Clockwork Orange
- Airline Highway
- Art
- Carter's Way
- Cross-Town Traffic
- Downstate
- Dream Chicago
- Good People
- In the Red and Brown Water
- Libra
- One Flew Over The Cuckoo's Nest
- The Brother/Sister Plays
- The Brothers Size / Marcus; Or the Secret of Sweet
- The Christians
- The Fifth of July (at St. Nicholas Theatre)
- The March
- The Song of Jacob Zulu
- The Tempest
- Topdog/Underdog
- We All Went Down To Amsterdam
- Will the Circle Be Unbroken?