Artist

Michelle Habeck’s Broadway credits include projection design for Thoroughly Modern Millie, associate lighting design for The Boy from Oz, King Hedley II and Movin’ Out. Her regional credits include The Chosen, Ten Percent of Molly Snyder (Steppenwolf Theatre Company), Elmina’s Kitchen (CenterStage), A Raisin in the Sun, Two Trains Running and Carter’s Way (Kansas City Repertory Theatre), Who’s Afraid of Virginia Woolf? (Alliance Theatre), Lobby Hero, The Christmas That Almost Wasn’t (Goodman Theatre), Vigil (Geva Theatre), Amber Waves (Indiana Repertory Theatre), lighting design for The Uneasy Chair, The Chosen, The Subject Was Roses and scenic design for The Doctor’s Dilemma (Writers’ Theatre), Waiting for Godot (Swine Palace Production), Fraulein Else, Guys and Dolls, The Romance Cycle (Court Theatre), American Dead (American Theater Company), A Skull in Connemara (Northlight Theatre) and They All Fall Down: The Richard Nickel Story (Lookingglass Theatre Company). Ms. Habeck received her MFA in Scenic/Lighting Design from Northwestern University and is now on faculty at University of Texas at Austin.