About This Show

This program begins with Hannah Marcus performing bones fragile, movement and live sound looping piece that explores moments of infiniteness,tenderness, and memory featuring Milo Sachse-Hofheimer. Afterwards artist Mitsu Salmon accompanied by Kikù Hibino draws from her own family history, voice, and geology in her work Desert Turtle.

 

This performance contains nudity. 

 

About Hannah Marcus 

 Hannah Marcus is a Chicago-based dance artist and maker interested in supporting and deconstructing the materiality of the body. Her research finds form in collaborative performance and video work, often exploring the nexus between movement and technology, sound, language, visual design, and site-specificity. 

 

About Milo Sachse-Hofheimer

Milo Sachse-Hofheimer graduated with a BFA in dance from the University of Minnesota - Twin Cities in 2023 where they received training from Erin Thompson, Ananya Chatterjea, Carl Flink, Hijack, Marciano Dos Santos and Laura Osterhaus. Throughout college, they performed repertoire from Gallim, Robert Moses, Annie Hanauer, BRKFST, Black Label Movement, Elayna Waxse, Leila Awadallah, and Brother(hood). In their final year of school, Milo performed with The Limon Dance Company and self-produced an evening-length show at the Red Eye Theater. Outside of school, they had the opportunity to perform work from Paulina Olowaska at the Walker, present work with Corpus Callosum Dance at the Southern Theater and Minneapolis/Indianapolis Fringe, participate in Sidra Bell’s Research Module, and attend the B12 Dance Festival, Bates Dance Festival and Gallim Winter Intensive. Since graduating, they have begun working with Black Label Movement as well as House of DOV, Hannah Marcus,and Fever Dream Dance Collective. 

 

About Mitsu Salmon

Mitsu Salmon creates visual and performing works that fuse multiple disciplines. Creating in differing media—translating one medium to another—is connected to the translation of differing cultures and languages. Her work draws from familial and personal narratives and then abstracts, expands and contradicts them. Her current projects investigate familial histories, nature, imperialism and archives.

Salmon received her MFA from the School of the Art Institute of Chicago and BFA from NYU. She has participated in artist residencies such as at Taipei Artist Village (Taiwan), Incheon Art Platform (Korea),  Guildhall (NY) and Utah Museum of Contemporary Art. She has presented work at places such as the Museum of Contemporary Art Chicago, Indianapolis Museum of Art and Chicago Cultural Center. She has received the Midwest Nexus Touring Grant, Chicago Dancemaker’s Lab Grant, Utah Performing Arts Fellowship and grants from Salt Lake City. She is currently an assistant professor at Brandeis University.

 

About Kikù Hibino

Japanese-born sound artist Kikù Hibino produces electronic music that focuses on unusual rhythmic structures and melodies inspired by nature, optical illusion and moiré patterns.

From chamber music for media productions to ambient noise for art installations, he has collaborated internationally with a wide variety of artists and scholars, including Whitney Johnson, Baudouin Saintyves, Yuge Zhou, Mitsu Salmon, Kawaguchi Takao (Dumb Type), Theaster Gates, Mike Weis (Zelienople) and Norma Field.

Kikù is on the Italian record label Superpang. His work has been shown in the Museum Of Contemporary Art Chicago, Bemis Center For Contemporary Arts, Reva and David Logan Center for the Arts, Experimental Sound Studio, Chicago Cultural Center, Three Walls, Compound Yellow, Elastic Arts, Hairpin Arts Center, Hyde Park Art Center, Utah Museum of Contemporary Art among others. He is a 2017 Individual Artist Grant recipient from Chicago Department of Cultural Affairs, 2021 Outer Ear Artist in Residency at Experimental Sound Studio. Kikù lives and works in Chicago.

  

MORE ABOUT MERGE

 

Running Time

90 minutes including an intermission.

Due to the high volume and wide breadth of work we present, we are often not able to proactively offer content advisories for individual performances. However, if you have specific concerns about stage effects (such as strobe lights or fog/haze) that might have a bearing on comfort or well-being, or if you would like to know more about the age appropriateness of the performance, please contact the box office at 312-335-1650.

 SPONSORS


 

Running Time

90 minutes including an intermission.

Content Advisory

Due to the high volume and wide breadth of work we present, we are often not able to proactively offer content advisories for individual performances. However, if you have specific concerns about stage effects (such as strobe lights or fog/haze) that might have a bearing on comfort or well-being, or if you would like to know more about the age appropriateness of the performance, please contact the box office at 312-335-1650.

 SPONSORS