Member Profiles
James Vincent Meredith
Biography
Watch & Listen
Derrick Nelson, Kyle Hall and Kyle Hatley with ensemble
credit: Michael Brosilow
Take Me Out
Darren Lemming is the epitome of a baseball star. He’s handsome, charismatic, articulate, rich and infallible on the field. He’s every boy’s all-American hero. But when Darren comes out of the closet, his announcement sets off a startling chain of events that ...a startling chain of events that profoundly changes everyone in Darren’s world and threatens to undermine America’s best-loved team.Tom Aulino with ensemble
credit: Michael Brosilow
Take Me Out
Darren Lemming is the epitome of a baseball star. He’s handsome, charismatic, articulate, rich and infallible on the field. He’s every boy’s all-American hero. But when Darren comes out of the closet, his announcement sets off a startling chain of events that ...a startling chain of events that profoundly changes everyone in Darren’s world and threatens to undermine America’s best-loved team.Danny McCarthy, Kyle Hall and Benjamin Sprunger
credit: Michael Brosilow
Take Me Out
Darren Lemming is the epitome of a baseball star. He’s handsome, charismatic, articulate, rich and infallible on the field. He’s every boy’s all-American hero. But when Darren comes out of the closet, his announcement sets off a startling chain of events that ...a startling chain of events that profoundly changes everyone in Darren’s world and threatens to undermine America’s best-loved team.Derrick Nelson and James Vincent Meredith
credit: Michael Brosilow
Take Me Out
Darren Lemming is the epitome of a baseball star. He’s handsome, charismatic, articulate, rich and infallible on the field. He’s every boy’s all-American hero. But when Darren comes out of the closet, his announcement sets off a startling chain of events that ...a startling chain of events that profoundly changes everyone in Darren’s world and threatens to undermine America’s best-loved team.Kate Arrington and ensemble member Tracy Letts
credit: Michael Brosilow
The Pain and the Itch
This darkly funny, bitingly insightful comedy exposes one family's dysfunction and darkest secrets during a particularly interesting Thanksgiving.Jayne Houdyshell, Kate Arrington, Lillian Almaguer, Zak Orth, ensemble member Mariann Mayberry and James Vincent Meredith
credit: Michael Brosilow
The Pain and the Itch
This darkly funny, bitingly insightful comedy exposes one family's dysfunction and darkest secrets during a particularly interesting Thanksgiving.Zak Orth and ensemble member Tracy Letts
credit: Michael Brosilow
The Pain and the Itch
This darkly funny, bitingly insightful comedy exposes one family's dysfunction and darkest secrets during a particularly interesting Thanksgiving.Lillian Almaguer, Jayne Houdyshell, Zak Orth and Kate Arrington
credit: Michael Brosilow
The Pain and the Itch
This darkly funny, bitingly insightful comedy exposes one family's dysfunction and darkest secrets during a particularly interesting Thanksgiving.James Vincent Meredith
credit: Michael Brosilow
The Pain and the Itch
This darkly funny, bitingly insightful comedy exposes one family's dysfunction and darkest secrets during a particularly interesting Thanksgiving.Lillian Almaguer, ensemble member Mariann Mayberry, Zak Orth and Jayne Houdyshell
credit: Michael Brosilow
The Pain and the Itch
This darkly funny, bitingly insightful comedy exposes one family's dysfunction and darkest secrets during a particularly interesting Thanksgiving.Zak Orth and ensemble member Mariann Mayberry
credit: Michael Brosilow
The Pain and the Itch
This darkly funny, bitingly insightful comedy exposes one family's dysfunction and darkest secrets during a particularly interesting Thanksgiving.Ensemble member Mariann Mayberry, Lillian Almaguer, Zak Orth and Jayne Houdyshell
credit: Michael Brosilow
The Pain and the Itch
This darkly funny, bitingly insightful comedy exposes one family's dysfunction and darkest secrets during a particularly interesting Thanksgiving.Ensemble members James Vincent Meredith and Alana Arenas
credit: Michael Brosilow
The Crucible in Rehearsal
The cast and crew in rehearsal for The Crucible.Ensemble members Alana Arenas and Sally Murphy
credit: Michael Brosilow
The Crucible in Rehearsal
The cast and crew in rehearsal for The Crucible.Ensemble member Sally Murphy as Elizabeth Proctor
credit: Michael Brosilow
The Crucible in Rehearsal
The cast and crew in rehearsal for The Crucible.Ensemble member James Vincent Meredith as John Proctor
credit: Michael Brosilow
The Crucible in Rehearsal
The cast and crew in rehearsal for The Crucible.Ensemble member Alana Arenas as Mary Warren
credit: Michael Brosilow
The Crucible in Rehearsal
The cast and crew in rehearsal for The Crucible.Ensemble members James Vincent Meredith and Sally Murphy
credit: Michael Brosilow
The Crucible in Rehearsal
The cast and crew in rehearsal for The Crucible.Director Anna D. Shapiro with Sally Murphy, James Vincent Meredith and Alana Arenas
credit: Michael Brosilow
The Crucible in Rehearsal
The cast and crew in rehearsal for The Crucible.James Vincent Meredith, Anna D. Shapiro and Alana Arenas
credit: Michael Brosilow
The Crucible in Rehearsal
The cast and crew in rehearsal for The Crucible.Lee Stark and ensemble member Tim Hopper
credit: Michael Brosilow
The Crucible in Production
When teenage girls are discovered trying to conjure spirits, the 17th century town of Salem explodes with accusations of witchcraft. The vicious trials that follow expose a community paralyzed by fear, religious extremism and greed.ensemble members Tim Hopper and Ora Jones
credit: Michael Brosilow
The Crucible in Production
When teenage girls are discovered trying to conjure spirits, the 17th century town of Salem explodes with accusations of witchcraft. The vicious trials that follow expose a community paralyzed by fear, religious extremism and greed.ensemble members James Vincent Meredith and Alana Arenas
credit: Michael Brosilow
The Crucible in Production
When teenage girls are discovered trying to conjure spirits, the 17th century town of Salem explodes with accusations of witchcraft. The vicious trials that follow expose a community paralyzed by fear, religious extremism and greed.Kelly O'Sullivan and ensemble member Ian Barford
credit: Michael Brosilow
The Crucible in Production
When teenage girls are discovered trying to conjure spirits, the 17th century town of Salem explodes with accusations of witchcraft. The vicious trials that follow expose a community paralyzed by fear, religious extremism and greed.ensemble members Ian Barford and Sally Murphy
credit: Michael Brosilow
The Crucible in Production
When teenage girls are discovered trying to conjure spirits, the 17th century town of Salem explodes with accusations of witchcraft. The vicious trials that follow expose a community paralyzed by fear, religious extremism and greed.ensemble member Francis Guinan, Tim Edward Rhoze and ensemble member Ian Barford
credit: Michael Brosilow
The Crucible in Production
When teenage girls are discovered trying to conjure spirits, the 17th century town of Salem explodes with accusations of witchcraft. The vicious trials that follow expose a community paralyzed by fear, religious extremism and greed.Maury Cooper as Giles Corey
credit: Michael Brosilow
The Crucible in Production
When teenage girls are discovered trying to conjure spirits, the 17th century town of Salem explodes with accusations of witchcraft. The vicious trials that follow expose a community paralyzed by fear, religious extremism and greed.scene from Act One
credit: Michael Brosilow
The Crucible in Production
When teenage girls are discovered trying to conjure spirits, the 17th century town of Salem explodes with accusations of witchcraft. The vicious trials that follow expose a community paralyzed by fear, religious extremism and greed.ensemble member Alan Wilder, Tim Rhoze and ensemble member Franics Guinan
credit: Michael Brosilow
The Crucible in Production
When teenage girls are discovered trying to conjure spirits, the 17th century town of Salem explodes with accusations of witchcraft. The vicious trials that follow expose a community paralyzed by fear, religious extremism and greed.Kelly O'Sullivan as Abigail Williams
credit: Michael Brosilow
The Crucible in Production
When teenage girls are discovered trying to conjure spirits, the 17th century town of Salem explodes with accusations of witchcraft. The vicious trials that follow expose a community paralyzed by fear, religious extremism and greed.ensemble member Tim Hopper as Reverend Hale
credit: Michael Brosilow
The Crucible in Production
When teenage girls are discovered trying to conjure spirits, the 17th century town of Salem explodes with accusations of witchcraft. The vicious trials that follow expose a community paralyzed by fear, religious extremism and greed.scene from Act Three
credit: Michael Brosilow
The Crucible in Production
When teenage girls are discovered trying to conjure spirits, the 17th century town of Salem explodes with accusations of witchcraft. The vicious trials that follow expose a community paralyzed by fear, religious extremism and greed.ensemble member Ora Jones as Tituba
credit: Michael Brosilow
The Crucible in Production
When teenage girls are discovered trying to conjure spirits, the 17th century town of Salem explodes with accusations of witchcraft. The vicious trials that follow expose a community paralyzed by fear, religious extremism and greed.scene from Act Three
credit: Michael Brosilow
The Crucible in Production
When teenage girls are discovered trying to conjure spirits, the 17th century town of Salem explodes with accusations of witchcraft. The vicious trials that follow expose a community paralyzed by fear, religious extremism and greed.Mildred Langford, Lucy Carapetyan and Kelly O'Sullivan
credit: Michael Brosilow
The Crucible in Production
When teenage girls are discovered trying to conjure spirits, the 17th century town of Salem explodes with accusations of witchcraft. The vicious trials that follow expose a community paralyzed by fear, religious extremism and greed.scene from Act One
credit: Michael Brosilow
The Crucible in Production
When teenage girls are discovered trying to conjure spirits, the 17th century town of Salem explodes with accusations of witchcraft. The vicious trials that follow expose a community paralyzed by fear, religious extremism and greed.Ensemble member Eric Simonson and stage manager Malcolm Ewen
credit: Jay Geneske
Carter's Way in Rehearsal
The cast and crew of Carter's Way in rehearsal for ensemble member Eric Simonson's play.Ensemble member James Vincent Meredith as Oriole
credit: Jay Geneske
Carter's Way in Rehearsal
The cast and crew of Carter's Way in rehearsal for ensemble member Eric Simonson's play.Ensemble member James Vincent Meredith as Oriole
credit: Jay Geneske
Carter's Way in Rehearsal
The cast and crew of Carter's Way in rehearsal for ensemble member Eric Simonson's play.Ensemble member Ora Jones as Marilyn
credit: Jay Geneske
Carter's Way in Rehearsal
The cast and crew of Carter's Way in rehearsal for ensemble member Eric Simonson's play.Ensemble members Ora Jones and James Vincent Meredith
credit: Jay Geneske
Carter's Way in Rehearsal
The cast and crew of Carter's Way in rehearsal for ensemble member Eric Simonson's play.Anne Adams as Eunice
credit: Jay Geneske
Carter's Way in Rehearsal
The cast and crew of Carter's Way in rehearsal for ensemble member Eric Simonson's play.Playwright and director Eric Simonson
credit: Jay Geneske
Carter's Way in Rehearsal
The cast and crew of Carter's Way in rehearsal for ensemble member Eric Simonson's play.Ensemble member K. Todd Freeman as Pewee
credit: Jay Geneske
Carter's Way in Rehearsal
The cast and crew of Carter's Way in rehearsal for ensemble member Eric Simonson's play.Ensemble members Ora Jones and James Vincent Meredith
credit: Michael Brosilow
Carter's Way in Production
It’s 1935. In America, it’s the middle of the Great Depression. The scene is hopping with recording deals and jam-packed clubs like Planet Mars, where life revolves around Oriole Carter, a brilliant black saxophonist who leads the house band.Ensemble member Ora Jones and Keith Kupferer
credit: Michael Brosilow
Carter's Way in Production
It’s 1935. In America, it’s the middle of the Great Depression. The scene is hopping with recording deals and jam-packed clubs like Planet Mars, where life revolves around Oriole Carter, a brilliant black saxophonist who leads the house band.Calvin Dutton and ensemble member Ora Jones
credit: Michael Brosilow
Carter's Way in Production
It’s 1935. In America, it’s the middle of the Great Depression. The scene is hopping with recording deals and jam-packed clubs like Planet Mars, where life revolves around Oriole Carter, a brilliant black saxophonist who leads the house band.Ensemble member Ora Jones
credit: Michael Brosilow
Carter's Way in Production
It’s 1935. In America, it’s the middle of the Great Depression. The scene is hopping with recording deals and jam-packed clubs like Planet Mars, where life revolves around Oriole Carter, a brilliant black saxophonist who leads the house band.Ensemble member Robert Breuler
credit: Michael Brosilow
Carter's Way in Production
It’s 1935. In America, it’s the middle of the Great Depression. The scene is hopping with recording deals and jam-packed clubs like Planet Mars, where life revolves around Oriole Carter, a brilliant black saxophonist who leads the house band.Ensemble member James Vincent Meredith and Anne Adams
credit: Michael Brosilow
Carter's Way in Production
It’s 1935. In America, it’s the middle of the Great Depression. The scene is hopping with recording deals and jam-packed clubs like Planet Mars, where life revolves around Oriole Carter, a brilliant black saxophonist who leads the house band.Ensemble member James Vincent Meredith and Anne Adams
credit: Michael Brosilow
Carter's Way in Production
It’s 1935. In America, it’s the middle of the Great Depression. The scene is hopping with recording deals and jam-packed clubs like Planet Mars, where life revolves around Oriole Carter, a brilliant black saxophonist who leads the house band.Keith Kupferer and ensemble member Robert Breuler
credit: Michael Brosilow
Carter's Way in Production
It’s 1935. In America, it’s the middle of the Great Depression. The scene is hopping with recording deals and jam-packed clubs like Planet Mars, where life revolves around Oriole Carter, a brilliant black saxophonist who leads the house band.Ensemble member K. Todd Freeman
credit: Michael Brosilow
Carter's Way in Production
It’s 1935. In America, it’s the middle of the Great Depression. The scene is hopping with recording deals and jam-packed clubs like Planet Mars, where life revolves around Oriole Carter, a brilliant black saxophonist who leads the house band.Michael Popgue and ensemble members James Vincent Meredith and Ora Jones
credit: Michael Brosilow
Carter's Way in Production
It’s 1935. In America, it’s the middle of the Great Depression. The scene is hopping with recording deals and jam-packed clubs like Planet Mars, where life revolves around Oriole Carter, a brilliant black saxophonist who leads the house band.Ensemble members Tina Landau and Tracy Letts
credit: Michael Brosilow
Superior Donuts in Rehearsal
The cast and crew of Superior Donuts in rehearsal for the world premiere comedy by ensemble member Tracy Letts.Ensemble member Jon Michael Hill and Michael McKean
credit: Michael Brosilow
Superior Donuts in Rehearsal
The cast and crew of Superior Donuts in rehearsal for the world premiere comedy by ensemble member Tracy Letts.Michael McKean
credit: Michael Brosilow
Superior Donuts in Rehearsal
The cast and crew of Superior Donuts in rehearsal for the world premiere comedy by ensemble member Tracy Letts.Ensemble members Tracy Letts and Jon Michael Hill
credit: Michael Brosilow
Superior Donuts in Rehearsal
The cast and crew of Superior Donuts in rehearsal for the world premiere comedy by ensemble member Tracy Letts.Michael McKean
credit: Michael Brosilow
Superior Donuts in Rehearsal
The cast and crew of Superior Donuts in rehearsal for the world premiere comedy by ensemble member Tracy Letts.Ensemble member Tracy Letts
credit: Michael Brosilow
Superior Donuts in Rehearsal
The cast and crew of Superior Donuts in rehearsal for the world premiere comedy by ensemble member Tracy Letts.Ensemble member Jon Michael Hill
credit: Michael Brosilow
Superior Donuts in Rehearsal
The cast and crew of Superior Donuts in rehearsal for the world premiere comedy by ensemble member Tracy Letts.Ensemble members Tina Landau and Tracy Letts
credit: Michael Brosilow
Superior Donuts in Rehearsal
The cast and crew of Superior Donuts in rehearsal for the world premiere comedy by ensemble member Tracy Letts.Ensemble members Jon Michael Hill and Tina Landau with Michael McKean
credit: Michael Brosilow
Superior Donuts in Rehearsal
The cast and crew of Superior Donuts in rehearsal for the world premiere comedy by ensemble member Tracy Letts.Ensemble member Jon Michael Hill and Michael McKean
credit: Michael Brosilow
Superior Donuts in Production
Arthur Pryzbyszewski owns a decrepit donut shop in the Uptown neighborhood of Chicago. Franco Wicks, a black teenager who is his only employee, wants to change the shop for the better.Robert Maffia and Michael McKean
credit: Michael Brosilow
Superior Donuts in Production
Arthur Pryzbyszewski owns a decrepit donut shop in the Uptown neighborhood of Chicago. Franco Wicks, a black teenager who is his only employee, wants to change the shop for the better.Kate Buddeke and ensemble member Yasen Peyankov
credit: Michael Brosilow
Superior Donuts in Production
Arthur Pryzbyszewski owns a decrepit donut shop in the Uptown neighborhood of Chicago. Franco Wicks, a black teenager who is his only employee, wants to change the shop for the better.Ensemble member Jon Michael Hill and Michael McKean
credit: Michael Brosilow
Superior Donuts in Production
Arthur Pryzbyszewski owns a decrepit donut shop in the Uptown neighborhood of Chicago. Franco Wicks, a black teenager who is his only employee, wants to change the shop for the better.Ensemble members Yasen Peyankov and James Vincent Meredith
credit: Michael Brosilow
Superior Donuts in Production
Arthur Pryzbyszewski owns a decrepit donut shop in the Uptown neighborhood of Chicago. Franco Wicks, a black teenager who is his only employee, wants to change the shop for the better.Ensemble member Jon Michael Hill and Michael McKean
credit: Michael Brosilow
Superior Donuts in Production
Arthur Pryzbyszewski owns a decrepit donut shop in the Uptown neighborhood of Chicago. Franco Wicks, a black teenager who is his only employee, wants to change the shop for the better.Jane Alderman and Michael McKean
credit: Michael Brosilow
Superior Donuts in Production
Arthur Pryzbyszewski owns a decrepit donut shop in the Uptown neighborhood of Chicago. Franco Wicks, a black teenager who is his only employee, wants to change the shop for the better.Michael McKean and ensemble member Jon Michael Hill
credit: Michael Brosilow
Superior Donuts in Production
Arthur Pryzbyszewski owns a decrepit donut shop in the Uptown neighborhood of Chicago. Franco Wicks, a black teenager who is his only employee, wants to change the shop for the better.Ensemble member Jon Michael Hill, Cliff Chamberlain and Robert Maffia
credit: Michael Brosilow
Superior Donuts in Production
Arthur Pryzbyszewski owns a decrepit donut shop in the Uptown neighborhood of Chicago. Franco Wicks, a black teenager who is his only employee, wants to change the shop for the better.Playwright Lydia Diamond
credit: Mark Campbell
SYA Teen Super Summer Theatre Workshops
The Steppenwolf Young Adult Council spent summer break participating in workshops led by Chicago theater artists including 500 Clown, playwright Lydia Diamond, and ensemble members Alana Arenas and James Vincent Meredith.Playwriting Techniques Workshop
credit: Mark Campbell
SYA Teen Super Summer Theatre Workshops
The Steppenwolf Young Adult Council spent summer break participating in workshops led by Chicago theater artists including 500 Clown, playwright Lydia Diamond, and ensemble members Alana Arenas and James Vincent Meredith.Playwriting Techniques Workshop
credit: Mark Campbell
SYA Teen Super Summer Theatre Workshops
The Steppenwolf Young Adult Council spent summer break participating in workshops led by Chicago theater artists including 500 Clown, playwright Lydia Diamond, and ensemble members Alana Arenas and James Vincent Meredith.Ensemble member James Vincent Meredith
credit: Mark Campbell
SYA Teen Super Summer Theatre Workshops
The Steppenwolf Young Adult Council spent summer break participating in workshops led by Chicago theater artists including 500 Clown, playwright Lydia Diamond, and ensemble members Alana Arenas and James Vincent Meredith.Ensemble member James Vincent Meredith
credit: Mark Campbell
SYA Teen Super Summer Theatre Workshops
The Steppenwolf Young Adult Council spent summer break participating in workshops led by Chicago theater artists including 500 Clown, playwright Lydia Diamond, and ensemble members Alana Arenas and James Vincent Meredith.Ensemble member Alana Arenas
credit: Mark Campbell
SYA Teen Super Summer Theatre Workshops
The Steppenwolf Young Adult Council spent summer break participating in workshops led by Chicago theater artists including 500 Clown, playwright Lydia Diamond, and ensemble members Alana Arenas and James Vincent Meredith.Ensemble member Alana Arenas
credit: Mark Campbell
SYA Teen Super Summer Theatre Workshops
The Steppenwolf Young Adult Council spent summer break participating in workshops led by Chicago theater artists including 500 Clown, playwright Lydia Diamond, and ensemble members Alana Arenas and James Vincent Meredith.Ensemble members James Vincent Meredith and Alana Arenas
credit: Mark Campbell
SYA Teen Super Summer Theatre Workshops
The Steppenwolf Young Adult Council spent summer break participating in workshops led by Chicago theater artists including 500 Clown, playwright Lydia Diamond, and ensemble members Alana Arenas and James Vincent Meredith.Tools for Performance Workshop
credit: Mark Campbell
SYA Teen Super Summer Theatre Workshops
The Steppenwolf Young Adult Council spent summer break participating in workshops led by Chicago theater artists including 500 Clown, playwright Lydia Diamond, and ensemble members Alana Arenas and James Vincent Meredith.Risk & Play Workshop with 500 Clown
credit: Mark Campbell
SYA Teen Super Summer Theatre Workshops
The Steppenwolf Young Adult Council spent summer break participating in workshops led by Chicago theater artists including 500 Clown, playwright Lydia Diamond, and ensemble members Alana Arenas and James Vincent Meredith.Risk & Play Workshop with 500 Clown
credit: Mark Campbell
SYA Teen Super Summer Theatre Workshops
The Steppenwolf Young Adult Council spent summer break participating in workshops led by Chicago theater artists including 500 Clown, playwright Lydia Diamond, and ensemble members Alana Arenas and James Vincent Meredith.Risk & Play Workshop with 500 Clown
credit: Mark Campbell
SYA Teen Super Summer Theatre Workshops
The Steppenwolf Young Adult Council spent summer break participating in workshops led by Chicago theater artists including 500 Clown, playwright Lydia Diamond, and ensemble members Alana Arenas and James Vincent Meredith.Eric James Casady, Emma Rosenthal, ensemble member Jon Michael Hill, Stephen Louis Grush, ensemble members Frank Galati and Alana Arenas with Miles Fletcher
credit: Michael Brosilow
The Tempest in Production
In Shakespeare’s final work, Prospero is exiled to an enchanted island where he harnesses the powers of magic and masters the spirits that dwell there. His desire for revenge drives him to conjure a mighty storm trapping his enemies on the island.Ensemble members Jon Michael Hill and Lois Smith, Emma Rosenthal,ensemble member Alan Wilder, Miles Fletcher, Craig Spidle and ensemble member James Vincent Meredith
credit: Michael Brosilow
The Tempest in Production
In Shakespeare’s final work, Prospero is exiled to an enchanted island where he harnesses the powers of magic and masters the spirits that dwell there. His desire for revenge drives him to conjure a mighty storm trapping his enemies on the island.Ensemble members James Vincent Meredith and Alan Wilder
credit: Michael Brosilow
The Tempest in Production
In Shakespeare’s final work, Prospero is exiled to an enchanted island where he harnesses the powers of magic and masters the spirits that dwell there. His desire for revenge drives him to conjure a mighty storm trapping his enemies on the island.Ensemble member Alana Arenas, Stephen Louis Grush, Eric James Casady, Miles Fletcher, Emma Rosenthal, ensemble members Jon Michael Hill, Yasen Peyankov and Tim Hopper
credit: Michael Brosilow
The Tempest in Production
In Shakespeare’s final work, Prospero is exiled to an enchanted island where he harnesses the powers of magic and masters the spirits that dwell there. His desire for revenge drives him to conjure a mighty storm trapping his enemies on the island.Eric James Casady, Miles Fletcher, Emma Rosenthal, ensemble members Alan Wilder, Lois Smith, James Vincent Meredith with Craig Spidle
credit: Michael Brosilow
The Tempest in Production
In Shakespeare’s final work, Prospero is exiled to an enchanted island where he harnesses the powers of magic and masters the spirits that dwell there. His desire for revenge drives him to conjure a mighty storm trapping his enemies on the island.Ensemble member Jon Michael Hill
credit: Michael Brosilow
The Tempest in Production
In Shakespeare’s final work, Prospero is exiled to an enchanted island where he harnesses the powers of magic and masters the spirits that dwell there. His desire for revenge drives him to conjure a mighty storm trapping his enemies on the island.Ensemble member Alana Arenas with Stephen Louis Grush
credit: Michael Brosilow
The Tempest in Production
In Shakespeare’s final work, Prospero is exiled to an enchanted island where he harnesses the powers of magic and masters the spirits that dwell there. His desire for revenge drives him to conjure a mighty storm trapping his enemies on the island.Ensemble members K. Todd Freeman, Yasen Peyankov and Tim Hopper
credit: Michael Brosilow
The Tempest in Production
In Shakespeare’s final work, Prospero is exiled to an enchanted island where he harnesses the powers of magic and masters the spirits that dwell there. His desire for revenge drives him to conjure a mighty storm trapping his enemies on the island.Ensemble member Jon Michael Hill, Emma Rosenthal, ensemble member Frank Galati with Miles Fletcher
credit: Michael Brosilow
The Tempest in Production
In Shakespeare’s final work, Prospero is exiled to an enchanted island where he harnesses the powers of magic and masters the spirits that dwell there. His desire for revenge drives him to conjure a mighty storm trapping his enemies on the island.Ensemble members K. Todd Freeman and Frank Galati
credit: Michael Brosilow
The Tempest in Production
In Shakespeare’s final work, Prospero is exiled to an enchanted island where he harnesses the powers of magic and masters the spirits that dwell there. His desire for revenge drives him to conjure a mighty storm trapping his enemies on the island.Ensemble member Lois Smith, Craig Spidle and ensemble member James Vincent Meredith
credit: Michael Brosilow
The Tempest in Production
In Shakespeare’s final work, Prospero is exiled to an enchanted island where he harnesses the powers of magic and masters the spirits that dwell there. His desire for revenge drives him to conjure a mighty storm trapping his enemies on the island.Rani Waterman and Cliff Chamberlain
credit: Mark Campbell
Ski Dubai in Production
Rachel, a young Environmental Friendliness Consultant, moves from New York to steamy Dubai to work on a man-made island teeming with skyscrapers and luxury hotels. Trying to uphold her "green" principles in a hotbed of capitalism, she navigates a stream of quirky displaced internationals battling loneliness and isolation in a flashy, modern pseudo-city.Cliff Chamberlain and Hillary Clemens
credit: Mark Campbell
Ski Dubai in Production
Rachel, a young Environmental Friendliness Consultant, moves from New York to steamy Dubai to work on a man-made island teeming with skyscrapers and luxury hotels. Trying to uphold her "green" principles in a hotbed of capitalism, she navigates a stream of quirky displaced internationals battling loneliness and isolation in a flashy, modern pseudo-city.A scene from Ski Dubai
credit: Mark Campbell
Ski Dubai in Production
Rachel, a young Environmental Friendliness Consultant, moves from New York to steamy Dubai to work on a man-made island teeming with skyscrapers and luxury hotels. Trying to uphold her "green" principles in a hotbed of capitalism, she navigates a stream of quirky displaced internationals battling loneliness and isolation in a flashy, modern pseudo-city.Ensemble member James Vincent Meredith with Cliff Chamberlain
credit: Mark Campbell
Ski Dubai in Production
Rachel, a young Environmental Friendliness Consultant, moves from New York to steamy Dubai to work on a man-made island teeming with skyscrapers and luxury hotels. Trying to uphold her "green" principles in a hotbed of capitalism, she navigates a stream of quirky displaced internationals battling loneliness and isolation in a flashy, modern pseudo-city.Ensemble member James Vincent Meredith with Hillary Clemens, Cliff Chamberlain, Rani Waterman and Jennifer Coombs
credit: Mark Campbell
Ski Dubai in Production
Rachel, a young Environmental Friendliness Consultant, moves from New York to steamy Dubai to work on a man-made island teeming with skyscrapers and luxury hotels. Trying to uphold her "green" principles in a hotbed of capitalism, she navigates a stream of quirky displaced internationals battling loneliness and isolation in a flashy, modern pseudo-city.Ensemble member James Vincent Meredith with Hillary Clemens
credit: Mark Campbell
Ski Dubai in Production
Rachel, a young Environmental Friendliness Consultant, moves from New York to steamy Dubai to work on a man-made island teeming with skyscrapers and luxury hotels. Trying to uphold her "green" principles in a hotbed of capitalism, she navigates a stream of quirky displaced internationals battling loneliness and isolation in a flashy, modern pseudo-city.Cliff Chamberlain and Hillary Clemens
credit: Mark Campbell
Ski Dubai in Production
Rachel, a young Environmental Friendliness Consultant, moves from New York to steamy Dubai to work on a man-made island teeming with skyscrapers and luxury hotels. Trying to uphold her "green" principles in a hotbed of capitalism, she navigates a stream of quirky displaced internationals battling loneliness and isolation in a flashy, modern pseudo-city.Hillary Clemens with ensemble member James Vincent Meredith
credit: Mark Campbell
Ski Dubai in Production
Rachel, a young Environmental Friendliness Consultant, moves from New York to steamy Dubai to work on a man-made island teeming with skyscrapers and luxury hotels. Trying to uphold her "green" principles in a hotbed of capitalism, she navigates a stream of quirky displaced internationals battling loneliness and isolation in a flashy, modern pseudo-city.Cliff Chamberlain and Hillary Clemens
credit: Mark Campbell
Ski Dubai in Production
Rachel, a young Environmental Friendliness Consultant, moves from New York to steamy Dubai to work on a man-made island teeming with skyscrapers and luxury hotels. Trying to uphold her "green" principles in a hotbed of capitalism, she navigates a stream of quirky displaced internationals battling loneliness and isolation in a flashy, modern pseudo-city.Namir Smallwood and ensemble member Yasen Peyankov
credit: Joel Moorman
Hot L Baltimore in Rehearsal
We spent some time with the cast and crew in rehearsal for Lanford Wilson's "The Hot L Baltimore."Ensemble member Jon Michael Hill
credit: Joel Moorman
Hot L Baltimore in Rehearsal
We spent some time with the cast and crew in rehearsal for Lanford Wilson's "The Hot L Baltimore."Ensemble member James Vincent Meredith and De'Adre Aziza
credit: Joel Moorman
Hot L Baltimore in Rehearsal
We spent some time with the cast and crew in rehearsal for Lanford Wilson's "The Hot L Baltimore."Ensemble members Alana Arenas, Kate Arrington and Director Tina Landau
credit: Joel Moorman
Hot L Baltimore in Rehearsal
We spent some time with the cast and crew in rehearsal for Lanford Wilson's "The Hot L Baltimore."Namir Smallwood and ensemble members Jon Michael Hill, Alana Arenas, Yasen Peyankov and Director Tina Landau
credit: Joel Moorman
Hot L Baltimore in Rehearsal
We spent some time with the cast and crew in rehearsal for Lanford Wilson's "The Hot L Baltimore."Ensemble member Molly Regan
credit: Joel Moorman
Hot L Baltimore in Rehearsal
We spent some time with the cast and crew in rehearsal for Lanford Wilson's "The Hot L Baltimore."Ensemble members Alana Arenas, James Vincent Meredith and Kate Arrington
credit: Joel Moorman
Hot L Baltimore in Rehearsal
We spent some time with the cast and crew in rehearsal for Lanford Wilson's "The Hot L Baltimore."Ensemble member Yasen Peyankov and Allison Torem
credit: Joel Moorman
Hot L Baltimore in Rehearsal
We spent some time with the cast and crew in rehearsal for Lanford Wilson's "The Hot L Baltimore."Namir Smallwood, ensemble member James Vincent Meredith, Jacqueline Williams, ensemble member Yasen Peyankov, Allison Torem and De'Adre Aziza
credit: Joel Moorman
Hot L Baltimore in Rehearsal
We spent some time with the cast and crew in rehearsal for Lanford Wilson's "The Hot L Baltimore."Sean Allen Krill
credit: Joel Moorman
Hot L Baltimore in Rehearsal
We spent some time with the cast and crew in rehearsal for Lanford Wilson's "The Hot L Baltimore."Ensemble member James Vincent Meredith
credit: Joel Moorman
Hot L Baltimore in Rehearsal
We spent some time with the cast and crew in rehearsal for Lanford Wilson's "The Hot L Baltimore."Ensemble member and Director Tina Landau with ensemble member Kate Arrington
credit: Joel Moorman
Hot L Baltimore in Rehearsal
We spent some time with the cast and crew in rehearsal for Lanford Wilson's "The Hot L Baltimore."Ensemble member Jon Michael Hill, Allison Torem and Jacqueline Williams
credit: Michael Brosilow
Hot L Baltimore in Production
This acclaimed play from the author of Balm in Gilead is filled with everyday humanity - unexpectedly intimate and moving. Helmed by visionary director Tina Landau, The Hot L Baltimore reveals the private lives of an unconventional community about to be turned inside out.Directed by ensemble member Tina Landau Featuring ensemble members Alana Arenas, Kate Arrington, Jon Michael Hill, James Vincent Meredith, Yasen Peyankov and Molly Regan with de'Adre Aziza, Jeremy Glickstein, Sean Allan Krill, TaRon Patton, Namir Smallwood, Samuel Taylor, Allison Torem and Jacqueline Williams
Allison Torem and ensemble member Molly Regan
credit: Michael Brosilow
Hot L Baltimore in Production
This acclaimed play from the author of Balm in Gilead is filled with everyday humanity - unexpectedly intimate and moving. Helmed by visionary director Tina Landau, The Hot L Baltimore reveals the private lives of an unconventional community about to be turned inside out.Directed by ensemble member Tina Landau Featuring ensemble members Alana Arenas, Kate Arrington, Jon Michael Hill, James Vincent Meredith, Yasen Peyankov and Molly Regan with de'Adre Aziza, Jeremy Glickstein, Sean Allan Krill, TaRon Patton, Namir Smallwood, Samuel Taylor, Allison Torem and Jacqueline Williams
Ensemble member Kate Arrington and De'Adre Aziza
credit: Michael Brosilow
Hot L Baltimore in Production
This acclaimed play from the author of Balm in Gilead is filled with everyday humanity - unexpectedly intimate and moving. Helmed by visionary director Tina Landau, The Hot L Baltimore reveals the private lives of an unconventional community about to be turned inside out.Directed by ensemble member Tina Landau Featuring ensemble members Alana Arenas, Kate Arrington, Jon Michael Hill, James Vincent Meredith, Yasen Peyankov and Molly Regan with de'Adre Aziza, Jeremy Glickstein, Sean Allan Krill, TaRon Patton, Namir Smallwood, Samuel Taylor, Allison Torem and Jacqueline Williams
Ensemble member Kate Arrignton, De'Adre Aziza and Allison Torem
credit: Michael Brosilow
Hot L Baltimore in Production
This acclaimed play from the author of Balm in Gilead is filled with everyday humanity - unexpectedly intimate and moving. Helmed by visionary director Tina Landau, The Hot L Baltimore reveals the private lives of an unconventional community about to be turned inside out.Directed by ensemble member Tina Landau Featuring ensemble members Alana Arenas, Kate Arrington, Jon Michael Hill, James Vincent Meredith, Yasen Peyankov and Molly Regan with de'Adre Aziza, Jeremy Glickstein, Sean Allan Krill, TaRon Patton, Namir Smallwood, Samuel Taylor, Allison Torem and Jacqueline Williams
Ensemble member James Vincent Meredith and Jacqueline Williams
credit: Michael Brosilow
Hot L Baltimore in Production
This acclaimed play from the author of Balm in Gilead is filled with everyday humanity - unexpectedly intimate and moving. Helmed by visionary director Tina Landau, The Hot L Baltimore reveals the private lives of an unconventional community about to be turned inside out.Directed by ensemble member Tina Landau Featuring ensemble members Alana Arenas, Kate Arrington, Jon Michael Hill, James Vincent Meredith, Yasen Peyankov and Molly Regan with de'Adre Aziza, Jeremy Glickstein, Sean Allan Krill, TaRon Patton, Namir Smallwood, Samuel Taylor, Allison Torem and Jacqueline Williams
Namir Smallwood, ensemble member Alana Arenas and ensemble member James Vincent Meredith
credit: Michael Brosilow
Hot L Baltimore in Production
This acclaimed play from the author of Balm in Gilead is filled with everyday humanity - unexpectedly intimate and moving. Helmed by visionary director Tina Landau, The Hot L Baltimore reveals the private lives of an unconventional community about to be turned inside out.Directed by ensemble member Tina Landau Featuring ensemble members Alana Arenas, Kate Arrington, Jon Michael Hill, James Vincent Meredith, Yasen Peyankov and Molly Regan with de'Adre Aziza, Jeremy Glickstein, Sean Allan Krill, TaRon Patton, Namir Smallwood, Samuel Taylor, Allison Torem and Jacqueline Williams
Ensemble member Kate Arrington
credit: Michael Brosilow
Hot L Baltimore in Production
This acclaimed play from the author of Balm in Gilead is filled with everyday humanity - unexpectedly intimate and moving. Helmed by visionary director Tina Landau, The Hot L Baltimore reveals the private lives of an unconventional community about to be turned inside out.Directed by ensemble member Tina Landau Featuring ensemble members Alana Arenas, Kate Arrington, Jon Michael Hill, James Vincent Meredith, Yasen Peyankov and Molly Regan with de'Adre Aziza, Jeremy Glickstein, Sean Allan Krill, TaRon Patton, Namir Smallwood, Samuel Taylor, Allison Torem and Jacqueline Williams
Sean Allan Krill and Allison Torem
credit: Michael Brosilow
Hot L Baltimore in Production
This acclaimed play from the author of Balm in Gilead is filled with everyday humanity - unexpectedly intimate and moving. Helmed by visionary director Tina Landau, The Hot L Baltimore reveals the private lives of an unconventional community about to be turned inside out.Directed by ensemble member Tina Landau Featuring ensemble members Alana Arenas, Kate Arrington, Jon Michael Hill, James Vincent Meredith, Yasen Peyankov and Molly Regan with de'Adre Aziza, Jeremy Glickstein, Sean Allan Krill, TaRon Patton, Namir Smallwood, Samuel Taylor, Allison Torem and Jacqueline Williams
Allison Torem and ensemble member Jon Michael Hill
credit: Michael Brosilow
Hot L Baltimore in Production
This acclaimed play from the author of Balm in Gilead is filled with everyday humanity - unexpectedly intimate and moving. Helmed by visionary director Tina Landau, The Hot L Baltimore reveals the private lives of an unconventional community about to be turned inside out.Directed by ensemble member Tina Landau Featuring ensemble members Alana Arenas, Kate Arrington, Jon Michael Hill, James Vincent Meredith, Yasen Peyankov and Molly Regan with de'Adre Aziza, Jeremy Glickstein, Sean Allan Krill, TaRon Patton, Namir Smallwood, Samuel Taylor, Allison Torem and Jacqueline Williams
Namir Smallwood, Allison Torem, ensemble member Molly Regan and ensemble member Alana Arenas
credit: Michael Brosilow
Hot L Baltimore in Production
This acclaimed play from the author of Balm in Gilead is filled with everyday humanity - unexpectedly intimate and moving. Helmed by visionary director Tina Landau, The Hot L Baltimore reveals the private lives of an unconventional community about to be turned inside out.Directed by ensemble member Tina Landau Featuring ensemble members Alana Arenas, Kate Arrington, Jon Michael Hill, James Vincent Meredith, Yasen Peyankov and Molly Regan with de'Adre Aziza, Jeremy Glickstein, Sean Allan Krill, TaRon Patton, Namir Smallwood, Samuel Taylor, Allison Torem and Jacqueline Williams
Ensemble member Molly Regan, ensemble member Yasen Peyankov, Allison Torem and Namir Smallwood
credit: Michael Brosilow
Hot L Baltimore in Production
This acclaimed play from the author of Balm in Gilead is filled with everyday humanity - unexpectedly intimate and moving. Helmed by visionary director Tina Landau, The Hot L Baltimore reveals the private lives of an unconventional community about to be turned inside out.Directed by ensemble member Tina Landau Featuring ensemble members Alana Arenas, Kate Arrington, Jon Michael Hill, James Vincent Meredith, Yasen Peyankov and Molly Regan with de'Adre Aziza, Jeremy Glickstein, Sean Allan Krill, TaRon Patton, Namir Smallwood, Samuel Taylor, Allison Torem and Jacqueline Williams
Ensemble member Kate Arrignton and Namir Smallwood
credit: Michael Brosilow
Hot L Baltimore in Production
This acclaimed play from the author of Balm in Gilead is filled with everyday humanity - unexpectedly intimate and moving. Helmed by visionary director Tina Landau, The Hot L Baltimore reveals the private lives of an unconventional community about to be turned inside out.Directed by ensemble member Tina Landau Featuring ensemble members Alana Arenas, Kate Arrington, Jon Michael Hill, James Vincent Meredith, Yasen Peyankov and Molly Regan with de'Adre Aziza, Jeremy Glickstein, Sean Allan Krill, TaRon Patton, Namir Smallwood, Samuel Taylor, Allison Torem and Jacqueline Williams
Ensemble member Jon Michael Hill, Allison Torem, ensemble member Kate Arrington, Samuel Taylor, De'Adre Aziza and Namir Smallwood
credit: Michael Brosilow
Hot L Baltimore in Production
This acclaimed play from the author of Balm in Gilead is filled with everyday humanity - unexpectedly intimate and moving. Helmed by visionary director Tina Landau, The Hot L Baltimore reveals the private lives of an unconventional community about to be turned inside out.Directed by ensemble member Tina Landau Featuring ensemble members Alana Arenas, Kate Arrington, Jon Michael Hill, James Vincent Meredith, Yasen Peyankov and Molly Regan with de'Adre Aziza, Jeremy Glickstein, Sean Allan Krill, TaRon Patton, Namir Smallwood, Samuel Taylor, Allison Torem and Jacqueline Williams
Ensemble member Jon Michael Hill
credit: Michael Brosilow
Hot L Baltimore in Production
This acclaimed play from the author of Balm in Gilead is filled with everyday humanity - unexpectedly intimate and moving. Helmed by visionary director Tina Landau, The Hot L Baltimore reveals the private lives of an unconventional community about to be turned inside out.Directed by ensemble member Tina Landau Featuring ensemble members Alana Arenas, Kate Arrington, Jon Michael Hill, James Vincent Meredith, Yasen Peyankov and Molly Regan with de'Adre Aziza, Jeremy Glickstein, Sean Allan Krill, TaRon Patton, Namir Smallwood, Samuel Taylor, Allison Torem and Jacqueline Williams
Ensemble member Molly Regan, Jacqueline Williams and Samuel Taylor
credit: Michael Brosilow
Hot L Baltimore in Production
This acclaimed play from the author of Balm in Gilead is filled with everyday humanity - unexpectedly intimate and moving. Helmed by visionary director Tina Landau, The Hot L Baltimore reveals the private lives of an unconventional community about to be turned inside out.Directed by ensemble member Tina Landau Featuring ensemble members Alana Arenas, Kate Arrington, Jon Michael Hill, James Vincent Meredith, Yasen Peyankov and Molly Regan with de'Adre Aziza, Jeremy Glickstein, Sean Allan Krill, TaRon Patton, Namir Smallwood, Samuel Taylor, Allison Torem and Jacqueline Williams
Young Adult Council members Jordan Einhorn and Chelsea Smith lead a post-show discussion with the actors from Hot L Baltimore
credit: Joel Moorman
The Scene: Hot L Baltimore
On Saturday April 30th Steppenwolf’s Young Adult Council hosted a special night for teenagers at the theatre. High school students from across Chicago had the opportunity to see The Hot L Baltimore at a discounted ticket price and then stay afterward for live music, slam poetry and artistic discussion inspired by the play.The cast of Hot L Baltimore answers questions from the teen audience
credit: Joel Moorman
The Scene: Hot L Baltimore
On Saturday April 30th Steppenwolf’s Young Adult Council hosted a special night for teenagers at the theatre. High school students from across Chicago had the opportunity to see The Hot L Baltimore at a discounted ticket price and then stay afterward for live music, slam poetry and artistic discussion inspired by the play.Ensemble member Alana Arena laughing with Young Adult Council member Malcolm London
credit: Joel Moorman
The Scene: Hot L Baltimore
On Saturday April 30th Steppenwolf’s Young Adult Council hosted a special night for teenagers at the theatre. High school students from across Chicago had the opportunity to see The Hot L Baltimore at a discounted ticket price and then stay afterward for live music, slam poetry and artistic discussion inspired by the play.Young Adult Council member Noelle Daniels struts her stuff on the dance floor
credit: Joel Moorman
The Scene: Hot L Baltimore
On Saturday April 30th Steppenwolf’s Young Adult Council hosted a special night for teenagers at the theatre. High school students from across Chicago had the opportunity to see The Hot L Baltimore at a discounted ticket price and then stay afterward for live music, slam poetry and artistic discussion inspired by the play.Students get their photo snapped in the 1970s dress-up photo booth
credit: Joel Moorman
The Scene: Hot L Baltimore
On Saturday April 30th Steppenwolf’s Young Adult Council hosted a special night for teenagers at the theatre. High school students from across Chicago had the opportunity to see The Hot L Baltimore at a discounted ticket price and then stay afterward for live music, slam poetry and artistic discussion inspired by the play.Slam Poet Shannon Mateskey goofing around in the photo booth
credit: Joel Moorman
The Scene: Hot L Baltimore
On Saturday April 30th Steppenwolf’s Young Adult Council hosted a special night for teenagers at the theatre. High school students from across Chicago had the opportunity to see The Hot L Baltimore at a discounted ticket price and then stay afterward for live music, slam poetry and artistic discussion inspired by the play.Over 100 teenagers packed the Steppenwolf rehearsal hall
credit: Joel Moorman
The Scene: Hot L Baltimore
On Saturday April 30th Steppenwolf’s Young Adult Council hosted a special night for teenagers at the theatre. High school students from across Chicago had the opportunity to see The Hot L Baltimore at a discounted ticket price and then stay afterward for live music, slam poetry and artistic discussion inspired by the play.Young Adult Council members and their friends dance to 70s soul band Aniba Hotep and the Sol Collective
credit: Joel Moorman
The Scene: Hot L Baltimore
On Saturday April 30th Steppenwolf’s Young Adult Council hosted a special night for teenagers at the theatre. High school students from across Chicago had the opportunity to see The Hot L Baltimore at a discounted ticket price and then stay afterward for live music, slam poetry and artistic discussion inspired by the play.Teen guests enjoying the Hot L Baltimore teen event
credit: Joel Moorman
The Scene: Hot L Baltimore
On Saturday April 30th Steppenwolf’s Young Adult Council hosted a special night for teenagers at the theatre. High school students from across Chicago had the opportunity to see The Hot L Baltimore at a discounted ticket price and then stay afterward for live music, slam poetry and artistic discussion inspired by the play.Students from Chicago Academy for the Arts hanging out at the teen event
credit: Joel Moorman
The Scene: Hot L Baltimore
On Saturday April 30th Steppenwolf’s Young Adult Council hosted a special night for teenagers at the theatre. High school students from across Chicago had the opportunity to see The Hot L Baltimore at a discounted ticket price and then stay afterward for live music, slam poetry and artistic discussion inspired by the play.Hot L Baltimore actress Allison Torem lets loose with her audience
credit: Joel Moorman
The Scene: Hot L Baltimore
On Saturday April 30th Steppenwolf’s Young Adult Council hosted a special night for teenagers at the theatre. High school students from across Chicago had the opportunity to see The Hot L Baltimore at a discounted ticket price and then stay afterward for live music, slam poetry and artistic discussion inspired by the play.The Young Adult Council, with Program Coordinator Whitney Dibo and SYA Apprentice Lauren Sivak
credit: Joel Moorman
The Scene: Hot L Baltimore
On Saturday April 30th Steppenwolf’s Young Adult Council hosted a special night for teenagers at the theatre. High school students from across Chicago had the opportunity to see The Hot L Baltimore at a discounted ticket price and then stay afterward for live music, slam poetry and artistic discussion inspired by the play.Young Adult Council members break it down on the dance floor
credit: Joel Moorman
The Scene: Hot L Baltimore
On Saturday April 30th Steppenwolf’s Young Adult Council hosted a special night for teenagers at the theatre. High school students from across Chicago had the opportunity to see The Hot L Baltimore at a discounted ticket price and then stay afterward for live music, slam poetry and artistic discussion inspired by the play.Cliff Chamberlain, Stephanie Childers, Kirsten Fitzgerald, Brendan Marshall-Rashid, Karen Aldridge, playwright Bruce Norris as well as director and ensemble member Amy Morton
credit: Joel Moorman
Clybourne Park in Rehearsal
Week one of rehearsals for Bruce Norris' Pulitzer Prize winning play, Clybourne Park. Clybourne Park will be the first production presented as part of Steppenwolf's 2011-2012 season, Dispatches from the Homefront.Kirsten Fitzgerald, John Judd, Director and ensemble member Amy Morton and Stephanie Childers
credit: Joel Moorman
Clybourne Park in Rehearsal
Week one of rehearsals for Bruce Norris' Pulitzer Prize winning play, Clybourne Park. Clybourne Park will be the first production presented as part of Steppenwolf's 2011-2012 season, Dispatches from the Homefront.John Judd and Kirsten Fitzgerald
credit: Joel Moorman
Clybourne Park in Rehearsal
Week one of rehearsals for Bruce Norris' Pulitzer Prize winning play, Clybourne Park. Clybourne Park will be the first production presented as part of Steppenwolf's 2011-2012 season, Dispatches from the Homefront.Ensemble member James Vincent Meredith
credit: Joel Moorman
Clybourne Park in Rehearsal
Week one of rehearsals for Bruce Norris' Pulitzer Prize winning play, Clybourne Park. Clybourne Park will be the first production presented as part of Steppenwolf's 2011-2012 season, Dispatches from the Homefront.Kirsten Fitzgerald, Cliff Chamberlain and John Judd
credit: Joel Moorman
Clybourne Park in Rehearsal
Week one of rehearsals for Bruce Norris' Pulitzer Prize winning play, Clybourne Park. Clybourne Park will be the first production presented as part of Steppenwolf's 2011-2012 season, Dispatches from the Homefront.Director and ensemble member Amy Morton
credit: Joel Moorman
Clybourne Park in Rehearsal
Week one of rehearsals for Bruce Norris' Pulitzer Prize winning play, Clybourne Park. Clybourne Park will be the first production presented as part of Steppenwolf's 2011-2012 season, Dispatches from the Homefront.John Judd, Cliff Chamberlain, Kirsten Fitzgerald and Stephanie Childers
credit: Joel Moorman
Clybourne Park in Rehearsal
Week one of rehearsals for Bruce Norris' Pulitzer Prize winning play, Clybourne Park. Clybourne Park will be the first production presented as part of Steppenwolf's 2011-2012 season, Dispatches from the Homefront.Ensemble member James Vincent Meredith, John Judd and Stephanie Childers
credit: Joel Moorman
Clybourne Park in Rehearsal
Week one of rehearsals for Bruce Norris' Pulitzer Prize winning play, Clybourne Park. Clybourne Park will be the first production presented as part of Steppenwolf's 2011-2012 season, Dispatches from the Homefront.Brendan Marshall-Rashid and Karen Aldridge
credit: Joel Moorman
Clybourne Park in Rehearsal
Week one of rehearsals for Bruce Norris' Pulitzer Prize winning play, Clybourne Park. Clybourne Park will be the first production presented as part of Steppenwolf's 2011-2012 season, Dispatches from the Homefront.Director and ensemble member Amy Morton, Playwright Bruce Norris and Assistant Director Kendra Miller
credit: Joel Moorman
Clybourne Park in Rehearsal
Week one of rehearsals for Bruce Norris' Pulitzer Prize winning play, Clybourne Park. Clybourne Park will be the first production presented as part of Steppenwolf's 2011-2012 season, Dispatches from the Homefront.John Judd, Brendan Marshall-Rashid and Cliff Chamberlain
credit: Joel Moorman
Clybourne Park in Rehearsal
Week one of rehearsals for Bruce Norris' Pulitzer Prize winning play, Clybourne Park. Clybourne Park will be the first production presented as part of Steppenwolf's 2011-2012 season, Dispatches from the Homefront.Brendan Marshall-Rashid, Karen Aldridge, Kirsten Fitzgerald, Stephanie Childers and Cliff Chamberlain
credit: Joel Moorman
Clybourne Park in Rehearsal
Week one of rehearsals for Bruce Norris' Pulitzer Prize winning play, Clybourne Park. Clybourne Park will be the first production presented as part of Steppenwolf's 2011-2012 season, Dispatches from the Homefront.Karen Aldridge
credit: Joel Moorman
Clybourne Park in Rehearsal
Week one of rehearsals for Bruce Norris' Pulitzer Prize winning play, Clybourne Park. Clybourne Park will be the first production presented as part of Steppenwolf's 2011-2012 season, Dispatches from the Homefront.Stephanie Childers and Cliff Chamberlain
credit: Joel Moorman
Clybourne Park in Rehearsal
Week one of rehearsals for Bruce Norris' Pulitzer Prize winning play, Clybourne Park. Clybourne Park will be the first production presented as part of Steppenwolf's 2011-2012 season, Dispatches from the Homefront.Playwright Bruce Norris
credit: Joel Moorman
Clybourne Park in Rehearsal
Week one of rehearsals for Bruce Norris' Pulitzer Prize winning play, Clybourne Park. Clybourne Park will be the first production presented as part of Steppenwolf's 2011-2012 season, Dispatches from the Homefront.Kirsten Fitzgerald and ensemble member James Vincent Meredith
credit: Michael Brosilow
Clybourne Park in Production
We kick-off the Steppenwolf 2011-2012 season the Bruce Norris's Pulitzer Prize winning play Clybourne Park.Kirsten Fitzgerald and John Judd
credit: Michael Brosilow
Clybourne Park in Production
We kick-off the Steppenwolf 2011-2012 season the Bruce Norris's Pulitzer Prize winning play Clybourne Park.Ensemble member James Vincent Meredith
credit: Michael Brosilow
Clybourne Park in Production
We kick-off the Steppenwolf 2011-2012 season the Bruce Norris's Pulitzer Prize winning play Clybourne Park.Cliff Chamberlain, John Judd, Stephanie Childers, Brendan Marshall-Rashid, Karen Aldridge, ensemble member James Vincent Meredith and Kirsten Fitzgerald
credit: Michael Brosilow
Clybourne Park in Production
We kick-off the Steppenwolf 2011-2012 season the Bruce Norris's Pulitzer Prize winning play Clybourne Park.Cliff Chamberlain, Karen Aldridge and Stephanie Childers
credit: Michael Brosilow
Clybourne Park in Production
We kick-off the Steppenwolf 2011-2012 season the Bruce Norris's Pulitzer Prize winning play Clybourne Park.Cliff Chamberlain, Kirsten Fitzgerald, Brendan Marshall-Rashid, Stephanie Childers and Karen Aldridge
credit: Michael Brosilow
Clybourne Park in Production
We kick-off the Steppenwolf 2011-2012 season the Bruce Norris's Pulitzer Prize winning play Clybourne Park.Karen Aldridge, Stephanie Childers, ensemble member James Vincent Meredith and Brendan Marshall-Rashid
credit: Michael Brosilow
Clybourne Park in Production
We kick-off the Steppenwolf 2011-2012 season the Bruce Norris's Pulitzer Prize winning play Clybourne Park.John Judd, Kirsten Fitzgerald and Cliff Chamberlain
credit: Michael Brosilow
Clybourne Park in Production
We kick-off the Steppenwolf 2011-2012 season the Bruce Norris's Pulitzer Prize winning play Clybourne Park.Kirsten Fitzgerald, CLiff Chamberlain, Stephanie Childers, Karen Aldridge, ensemble member James Vincent Meredith and Brendan Marshall-Rashid
credit: Michael Brosilow
Clybourne Park in Production
We kick-off the Steppenwolf 2011-2012 season the Bruce Norris's Pulitzer Prize winning play Clybourne Park.Cliff Chamberlain, Stephanie Childers, Karen Aldridge and ensemble member James Vincent Meredith
credit: Michael Brosilow
Clybourne Park in Production
We kick-off the Steppenwolf 2011-2012 season the Bruce Norris's Pulitzer Prize winning play Clybourne Park.Kirsten Fitzgerald, Cliff Chamberlain and Stephanie Childers
credit: Michael Brosilow
Clybourne Park in Production
We kick-off the Steppenwolf 2011-2012 season the Bruce Norris's Pulitzer Prize winning play Clybourne Park.Kirsten Fitzgerald and Brendan Marshall-Rashid
credit: Michael Brosilow
Clybourne Park in Production
We kick-off the Steppenwolf 2011-2012 season the Bruce Norris's Pulitzer Prize winning play Clybourne Park.The cast of The March
credit: Joel Moorman
The March in Rehearsal
We stopped by rehearsals for Frank Galati's world premiere adaptation of E.L. Doctorow's Civil War novel, The March. The March is Steppenwolf's fourth production in the 2011-2012 season.Harry Groener
credit: Joel Moorman
The March in Rehearsal
We stopped by rehearsals for Frank Galati's world premiere adaptation of E.L. Doctorow's Civil War novel, The March. The March is Steppenwolf's fourth production in the 2011-2012 season.Director and ensemble member Frank Galati and ensemble member Martha Lavey
credit: Joel Moorman
The March in Rehearsal
We stopped by rehearsals for Frank Galati's world premiere adaptation of E.L. Doctorow's Civil War novel, The March. The March is Steppenwolf's fourth production in the 2011-2012 season.Shannon Matesky
credit: Joel Moorman
The March in Rehearsal
We stopped by rehearsals for Frank Galati's world premiere adaptation of E.L. Doctorow's Civil War novel, The March. The March is Steppenwolf's fourth production in the 2011-2012 season.Composer Josh Schmidt and lead Musician L.J. Slavin
credit: Joel Moorman
The March in Rehearsal
We stopped by rehearsals for Frank Galati's world premiere adaptation of E.L. Doctorow's Civil War novel, The March. The March is Steppenwolf's fourth production in the 2011-2012 season.Cliff Chamberlain
credit: Joel Moorman
The March in Rehearsal
We stopped by rehearsals for Frank Galati's world premiere adaptation of E.L. Doctorow's Civil War novel, The March. The March is Steppenwolf's fourth production in the 2011-2012 season.Stephen Louis Grush and ensemble member Ian Barford
credit: Joel Moorman
The March in Rehearsal
We stopped by rehearsals for Frank Galati's world premiere adaptation of E.L. Doctorow's Civil War novel, The March. The March is Steppenwolf's fourth production in the 2011-2012 season.Shannon Matesky, Director and ensemble member Frank Galati and Will Allen
credit: Joel Moorman
The March in Rehearsal
We stopped by rehearsals for Frank Galati's world premiere adaptation of E.L. Doctorow's Civil War novel, The March. The March is Steppenwolf's fourth production in the 2011-2012 season.Cliff Chamberlain, Michael Mahler and Harry Groener
credit: Joel Moorman
The March in Rehearsal
We stopped by rehearsals for Frank Galati's world premiere adaptation of E.L. Doctorow's Civil War novel, The March. The March is Steppenwolf's fourth production in the 2011-2012 season.Ensemble member Mariann Mayberry
credit: Joel Moorman
The March in Rehearsal
We stopped by rehearsals for Frank Galati's world premiere adaptation of E.L. Doctorow's Civil War novel, The March. The March is Steppenwolf's fourth production in the 2011-2012 season.Ensemble member Mariann Mayberry and ensemble member Martha Lavey
credit: Joel Moorman
The March in Rehearsal
We stopped by rehearsals for Frank Galati's world premiere adaptation of E.L. Doctorow's Civil War novel, The March. The March is Steppenwolf's fourth production in the 2011-2012 season.Stephen Louis Grush
credit: Joel Moorman
The March in Rehearsal
We stopped by rehearsals for Frank Galati's world premiere adaptation of E.L. Doctorow's Civil War novel, The March. The March is Steppenwolf's fourth production in the 2011-2012 season.Phillip James Brannon
credit: Joel Moorman
The March in Rehearsal
We stopped by rehearsals for Frank Galati's world premiere adaptation of E.L. Doctorow's Civil War novel, The March. The March is Steppenwolf's fourth production in the 2011-2012 season.Ensemble member Mariann Mayberry and ensmeble member Alan Wilder
credit: Joel Moorman
The March in Rehearsal
We stopped by rehearsals for Frank Galati's world premiere adaptation of E.L. Doctorow's Civil War novel, The March. The March is Steppenwolf's fourth production in the 2011-2012 season.Ensemble member and Director Frank Galati
credit: Joel Moorman
The March in Rehearsal
We stopped by rehearsals for Frank Galati's world premiere adaptation of E.L. Doctorow's Civil War novel, The March. The March is Steppenwolf's fourth production in the 2011-2012 season.Ensemble member Ian Barford
credit: Joel Moorman
The March in Rehearsal
We stopped by rehearsals for Frank Galati's world premiere adaptation of E.L. Doctorow's Civil War novel, The March. The March is Steppenwolf's fourth production in the 2011-2012 season.Ensemble member Mariann Mayberry and ensemble member Alan Wilder
credit: Michael Brosilow
The March In Production
Production Photos from Steppenwolf's world premiere production of THE MARCH, adapted from the novel by E.L. Doctorow. THE MARCH is written and directed by ensemble member Frank Galati and features ensemble members Alana Arenas, Ian Barford, Martha Lavey, Mariann Mayberry, James Vincent Meredith and Alan Wilder.Shannon Matesky
credit: Michael Brosilow
The March In Production
Production Photos from Steppenwolf's world premiere production of THE MARCH, adapted from the novel by E.L. Doctorow. THE MARCH is written and directed by ensemble member Frank Galati and features ensemble members Alana Arenas, Ian Barford, Martha Lavey, Mariann Mayberry, James Vincent Meredith and Alan Wilder.Patrick Clear and members of cast
credit: Michael Brosilow
The March In Production
Production Photos from Steppenwolf's world premiere production of THE MARCH, adapted from the novel by E.L. Doctorow. THE MARCH is written and directed by ensemble member Frank Galati and features ensemble members Alana Arenas, Ian Barford, Martha Lavey, Mariann Mayberry, James Vincent Meredith and Alan Wilder.Ensemble member Mariann Mayberry, Carrie Coon, Phillip R. Smith, ensemble member Alan Wilder and Shannon Matesky
credit: Michael Brosilow
The March In Production
Production Photos from Steppenwolf's world premiere production of THE MARCH, adapted from the novel by E.L. Doctorow. THE MARCH is written and directed by ensemble member Frank Galati and features ensemble members Alana Arenas, Ian Barford, Martha Lavey, Mariann Mayberry, James Vincent Meredith and Alan Wilder.Harry Groener, Patrick Clear, Michael Mahler, John Grossman, Cliff Chamberlain and ensemble member Alan Wilder
credit: Michael Brosilow
The March In Production
Production Photos from Steppenwolf's world premiere production of THE MARCH, adapted from the novel by E.L. Doctorow. THE MARCH is written and directed by ensemble member Frank Galati and features ensemble members Alana Arenas, Ian Barford, Martha Lavey, Mariann Mayberry, James Vincent Meredith and Alan Wilder.Ensemble member Martha Lavey and ensemble member Mariann Mayberry
credit: Michael Brosilow
The March In Production
Production Photos from Steppenwolf's world premiere production of THE MARCH, adapted from the novel by E.L. Doctorow. THE MARCH is written and directed by ensemble member Frank Galati and features ensemble members Alana Arenas, Ian Barford, Martha Lavey, Mariann Mayberry, James Vincent Meredith and Alan Wilder.Cast members of The March with Harry Groener
credit: Michael Brosilow
The March In Production
Production Photos from Steppenwolf's world premiere production of THE MARCH, adapted from the novel by E.L. Doctorow. THE MARCH is written and directed by ensemble member Frank Galati and features ensemble members Alana Arenas, Ian Barford, Martha Lavey, Mariann Mayberry, James Vincent Meredith and Alan Wilder.Ensemble member Alana Arenas and Carrie Coon
credit: Michael Brosilow
The March In Production
Production Photos from Steppenwolf's world premiere production of THE MARCH, adapted from the novel by E.L. Doctorow. THE MARCH is written and directed by ensemble member Frank Galati and features ensemble members Alana Arenas, Ian Barford, Martha Lavey, Mariann Mayberry, James Vincent Meredith and Alan Wilder.Stephen Louis Grush and ensemble member Ian Barford
credit: Michael Brosilow
The March In Production
Production Photos from Steppenwolf's world premiere production of THE MARCH, adapted from the novel by E.L. Doctorow. THE MARCH is written and directed by ensemble member Frank Galati and features ensemble members Alana Arenas, Ian Barford, Martha Lavey, Mariann Mayberry, James Vincent Meredith and Alan Wilder.ensemble member James Vincent Meredith and ensemble member Alana Arenas
credit: Michael Brosilow
The March In Production
Production Photos from Steppenwolf's world premiere production of THE MARCH, adapted from the novel by E.L. Doctorow. THE MARCH is written and directed by ensemble member Frank Galati and features ensemble members Alana Arenas, Ian Barford, Martha Lavey, Mariann Mayberry, James Vincent Meredith and Alan Wilder.Ensemble member Ian Barford with Phillip James Brannon
credit: Michael Brosilow
The March In Production
Production Photos from Steppenwolf's world premiere production of THE MARCH, adapted from the novel by E.L. Doctorow. THE MARCH is written and directed by ensemble member Frank Galati and features ensemble members Alana Arenas, Ian Barford, Martha Lavey, Mariann Mayberry, James Vincent Meredith and Alan Wilder.Shannon Matesky, ensemble member Alan Wilder and Phillip R. Smith
credit: Michael Brosilow
The March In Production
Production Photos from Steppenwolf's world premiere production of THE MARCH, adapted from the novel by E.L. Doctorow. THE MARCH is written and directed by ensemble member Frank Galati and features ensemble members Alana Arenas, Ian Barford, Martha Lavey, Mariann Mayberry, James Vincent Meredith and Alan Wilder.The Cast of The March
credit: Michael Brosilow
The March In Production
Production Photos from Steppenwolf's world premiere production of THE MARCH, adapted from the novel by E.L. Doctorow. THE MARCH is written and directed by ensemble member Frank Galati and features ensemble members Alana Arenas, Ian Barford, Martha Lavey, Mariann Mayberry, James Vincent Meredith and Alan Wilder.Harry Groener
credit: Michael Brosilow
The March In Production
Production Photos from Steppenwolf's world premiere production of THE MARCH, adapted from the novel by E.L. Doctorow. THE MARCH is written and directed by ensemble member Frank Galati and features ensemble members Alana Arenas, Ian Barford, Martha Lavey, Mariann Mayberry, James Vincent Meredith and Alan Wilder.James Krag and Rebecca Spence
credit: Michael Brosilow
Pacific
Robert and Susan, an affluent Southern Californian couple torn by tragedy, are further afflicted by a visit from Susan’s estranged and strange brother. As the sun sets on the couple’s ocean front home, the fractured family is caught in an undertow of fear and insecurity. Pacific is a wise and witty look at the nature of responsibility that washes up to an unsettling conclusion.Brian Hamman
credit: Michael Brosilow
Pacific
Robert and Susan, an affluent Southern Californian couple torn by tragedy, are further afflicted by a visit from Susan’s estranged and strange brother. As the sun sets on the couple’s ocean front home, the fractured family is caught in an undertow of fear and insecurity. Pacific is a wise and witty look at the nature of responsibility that washes up to an unsettling conclusion.Rebecca Spence and James Krag
credit: Michael Brosilow
Pacific
Robert and Susan, an affluent Southern Californian couple torn by tragedy, are further afflicted by a visit from Susan’s estranged and strange brother. As the sun sets on the couple’s ocean front home, the fractured family is caught in an undertow of fear and insecurity. Pacific is a wise and witty look at the nature of responsibility that washes up to an unsettling conclusion.James Krag
credit: Michael Brosilow
Pacific
Robert and Susan, an affluent Southern Californian couple torn by tragedy, are further afflicted by a visit from Susan’s estranged and strange brother. As the sun sets on the couple’s ocean front home, the fractured family is caught in an undertow of fear and insecurity. Pacific is a wise and witty look at the nature of responsibility that washes up to an unsettling conclusion.Ensemble members Francis Guinan and Sally Murphy
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Skylight
Skylight is the story of the gulf between Kyra, an idealistic inner-city schoolteacher and Tom, an upscale restaurateur for whom she once worked. When Tom pays a visit to Kyra's flat, the former lovers rehash old business and explore new territories in this play of remarkable depth and passion.credit:
Slaughterhouse-Five
Part history, part time-traveling science-fiction, Slaughterhouse-Five is the satirical tale of Billy Pilgrim, a naïve American optometrist from Illium, New York, who survives the firebombing of Dresden, Germany by American and British troops during World War II.credit:
Slavs!
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The Boiler Room
Set in a boiler room of a tenement in a rugged Latino neighborhood, a troubled immigrant family wrestles with an uncertain future and a troubled past. Reuben Gonzalez's The Boiler Room tackles family loyalty, overwhelming loneliness and a search for truth.credit: Michael Brosilow
The Dazzle
This new work, loosely based on the real-life Collyer brothers, explores the intricate play of love between two eccentric brothers during the early years of the 20th century.credit: Michael Brosilow
The Dazzle
This new work, loosely based on the real-life Collyer brothers, explores the intricate play of love between two eccentric brothers during the early years of the 20th century.Ensemble members Frank Galati and John Mahoney
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The Drawer Boy
Michael Healey's The Drawer Boy is an elegant testimony to the transcendent nature of fiction and the healing power of truth.Ensemble member John Mahoney
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The Drawer Boy
Michael Healey's The Drawer Boy is an elegant testimony to the transcendent nature of fiction and the healing power of truth.Ensemble member John Mahoney and Johnny Galecki
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The Drawer Boy
Michael Healey's The Drawer Boy is an elegant testimony to the transcendent nature of fiction and the healing power of truth.credit:
The Man Who Came To Dinner
When the irascible Sheridan Whiteside, famous Manhattan radio star and critic, slips outside the Stanley home, the family has to put him up - and put up with him - over Christmas.credit:
Theatrical Essays
Tina Landau explores the essay form in performance and asks what it means to have a point of view.Credits & Awards
Theatre
The Book of Mormon (National Tour) King Lear, Someone Who'll Watch Over Me, American Voices, Our Country’s Good (Piven Theatre Workshop); Much Ado About Nothing, Measure for Measure, King John, Julius Caesar, Romeo and Juliet (Chicago Shakespeare); The Duchess of Malfi and Othello (Writers’ Theatre); A Raisin in the Sun(Goodman Theatre); Othello and “Master Harold”...and the boys (Journeymen Theatre); Flyin' West (Illinois Theatre Center); The King and I (Drury Lane Oakbrook); Othello (Michigan Shakespeare Festival); The Hobbit (First Stage)Television
ER; Prison Break; Chicago Code; Law and Order SVU; Detroit 187; Betrayal; BossAwards
Black Theater Alliance Sidney Poitier Award (The Crucible)Past Productions
- Action
- Balm in Gilead (Remount at the Apollo Theater Center)
- Between Riverside and Crazy
- Carter's Way
- Citizens of the World
- Clybourne Park
- Ski Dubai
- Superior Donuts
- Take Me Out
- The 5th Annual First Look Repertory of New Work
- The Bluest Eye
- The Crucible
- The Hot L Baltimore
- The March
- The Pain and the Itch
- The Tempest
- Describe the Night
Member Profiles
James Vincent Meredith
Past Productions
- Action
- Balm in Gilead (Remount at the Apollo Theater Center)
- Between Riverside and Crazy
- Carter's Way
- Citizens of the World
- Clybourne Park
- Describe the Night
- Ski Dubai
- Superior Donuts
- Take Me Out
- The 5th Annual First Look Repertory of New Work
- The Bluest Eye
- The Crucible
- The Hot L Baltimore
- The March
- The Pain and the Itch
- The Tempest