When Margie Walsh loses her job at a South Boston dollar store, she reaches out to old flame Mike, a Southie boy who left the neighborhood and became a successful doctor. Margie's attempt to hit Mike up for a job takes on a threatening cast when she realizes the power a secret from Mike's past holds. From Pulitzer Prize-winner David Lindsay-Abaire, Good People looks at the dangerous consequences of choosing to hold on to the past or leaving it behind.
Steppenwolf's Literary Manager Aaron Carter shares his personal connection to the play, and invites you to do the same.
A conversation between Good People playwright David Lindsay-Abaire and ensemble member and director of Good People, K. Todd Freeman.